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Protagonist James Flory is a timber merchant, whose facial birthmark serves as an outward expression of the ironic and left-leaning habits of mind that make him inwardly different from his coevals. Flory appreciates the local culture, has native allegiances, and detests the racist machinations of his fellow Club members. Alas, he doesn't always possess the moral courage, or the energy, to stand against them. His almost embarrassingly Anglophile friend, Dr. Veraswami, the highest-ranking native official, seems a shoo-in for Club membership, until Machiavellian magistrate U Po Kyin launches a campaign to discredit him that results, ultimately, in the loss not just of reputations but of lives. Whether to endorse Veraswami or to betray him becomes a kind of litmus test of Flory's character.
Against this backdrop of politics and ethics, Orwell throws the shadow of romance. The arrival of the bobbed blonde, marriageable, and resolutely anti-intellectual Elizabeth Lackersteen not only casts Flory as hapless suitor but gives Orwell the chance to show that he's as astute a reporter of nuanced social interactions as he is of political intrigues. In fact, his combination of an astringently populist sensibility, dead-on observations of human behavior, formidable conjuring skills, and no-frills prose make for historical fiction that stands triumphantly outside of time. --Joyce Thompson -- Dieser Text bezieht sich auf eine andere Ausgabe: Taschenbuch .
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In superficial you read an exotic novel with all ingredients necessary: a hero, who, for being eased to identify, is European with his merits and more failings, love, rogues, danger, colonialist and tropical setting. ... Such quite conventional - as turning up by Orwell - often enough virtually woodcut-like construction wouldn't have aroused any of my attention. Yet my fascination was perfect with never having read such touching novels before. Orwell's book testifies for a great human drama, the breakdown of Floury and his ideals, which will even be understood a pessimist, nay, even depressive portraying of the then world. But this at most in promise explains the novel's effect on me. Five stars for Orwell, the magician and the man (three/four for Orwell, the writer). Besides "1984" and "Animal Farm", "Burmese Days" is the third-significant work of Orwell.
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