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Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture
 
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Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture [Englisch] [Taschenbuch]

Ross King

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Amazon.co.uk

Filippo Brunelleschi's design for the dome of the cathedral of Santa Maria del Fiore in Florence remains one of the most towering achievements of Renaissance architecture. Completed in 1436, the dome remains a remarkable feat of design and engineering. Its span of over 140 feet exceeds St Paul's in London and St Peter's in Rome, and even outdoes the Capitol in Washington DC, making it the largest dome ever constructed using bricks and mortar. The story of its creation and its brilliant but "hot-tempered" creator is told in Ross King's delightful Brunelleschi's Dome.

King has already established himself as an accomplished novelist, author of Domino, Ex-Libris, and the story of both dome and architect offer him plenty of rich material. The story of the dome goes back to 1296 when work began on the cathedral but it was only in 1420, when Brunelleschi won a competition over his bitter rival Lorenzo Ghiberti to design the daunting cupola, that work began in earnest. King weaves an engrossing tale from the political intrigue, personal jealousies, dramatic setbacks and sheer inventive brilliance that led to the paranoid Filippo, "who was so proud of his inventions and so fearful of plagiarism" finally seeing his dome completed only months before his own death. King argues that it was Filippo's improvised brilliance in solving the problem of suspending the enormous cupola in bricks and mortar (painstakingly detailed with precise illustrations) that led him to "succeed in performing an engineering feat whose structural daring was without parallel". He tells a compelling and informed story, ranging from discussions of the construction of the bricks, mortar and marble that made up the dome, to its subsequent use as a scientific instrument by the Florentine astronomer Paolo Toscanelli. --Jerry Brotton -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

Amazon.com

Filippo Brunelleschi's design for the dome of the cathedral of Santa Maria del Fiore in Florence remains one of the most towering achievements of Renaissance architecture. Completed in 1436, the dome remains a remarkable feat of design and engineering. Its span of more than 140 feet exceeds St Paul's in London and St Peter's in Rome, and even outdoes the Capitol in Washington, D.C., making it the largest dome ever constructed using bricks and mortar. The story of its creation and its brilliant but "hot-tempered" creator is told in Ross King's delightful Brunelleschi's Dome.

Both dome and architect offer King plenty of rich material. The story of the dome goes back to 1296, when work began on the cathedral, but it was only in 1420, when Brunelleschi won a competition over his bitter rival Lorenzo Ghiberti to design the daunting cupola, that work began in earnest. King weaves an engrossing tale from the political intrigue, personal jealousies, dramatic setbacks, and sheer inventive brilliance that led to the paranoid Filippo, "who was so proud of his inventions and so fearful of plagiarism," finally seeing his dome completed only months before his death. King argues that it was Brunelleschi's improvised brilliance in solving the problem of suspending the enormous cupola in bricks and mortar (painstakingly detailed with precise illustrations) that led him to "succeed in performing an engineering feat whose structural daring was without parallel." He tells a compelling, informed story, ranging from discussions of the construction of the bricks, mortar, and marble that made up the dome, to its subsequent use as a scientific instrument by the Florentine astronomer Paolo Toscanelli. --Jerry Brotton, Amazon.co.uk -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

From Booklist

Like the poetry of Petrarch or the artistry of Giotto, the architecture of Filippo Brunelleschi radiates the talent of a Renaissance genius. King illuminates the mysterious sources of inspiration and the secretive methods of this architectural genius in a fascinating chronicle of the building of his masterwork, the dome of Santa Maria del Fiore. Unsurpassed by St. Peter's in Rome or St. Paul's in London, Filippo's sublime dome required an imaginative leap in its conception and a stubborn relentlessness in its execution. King details how Filippo waged and won his 28-year battle to raise the magnificent structure, surmounting every technical, political, and artistic obstacle. And just as his dome created a visual focus for the city of Florence, his exploits in building it wove together numerous strands of municipal history--war, disease, intrigue, commerce--making one glorious narrative cord. King demonstrates a remarkable range, explaining everything from how Filippo engineered the hoists for raising stone to why the masons working on the dome drank diluted wine, but he always brings us back to the one incandescent mind performing the one matchless feat that would forever transform architecture from a mechanical craft into a creative art. Bryce Christensen
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

Kurzbeschreibung

Die Kuppel auf dem Dom von Florenz ist die größte und schönste der westlichen Hemisphäre - ihre Entstehung ist eng mit dem Aufstieg der Medici verwoben. Ross King rekonstruiert, wie der geniale Erfinder und Renaissance-Baumeister Filippo Brunelleschi (1376-1446) dieses architektonische Wunderwerk vollendete, trotz Belagerungen, Pestepidemien und politischen Intrigen. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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