- Gebundene Ausgabe: 320 Seiten
- Verlag: Putnam Adult (16. Januar 2007)
- Sprache: Englisch
- ISBN-10: 0399153780
- ISBN-13: 978-0399153785
- Größe und/oder Gewicht: 23,1 x 15,5 x 3 cm
- Durchschnittliche Kundenbewertung: 3.0 von 5 Sternen Alle Rezensionen anzeigen (2 Kundenrezensionen)
- Amazon Bestseller-Rang: Nr. 344.679 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Breakpoint: A Novel (High Risk)
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Book Description
In Against All Enemies, Richard Clarke warned about how we were conducting the war against terror. In his bestselling first novel, The Scorpion's Gate, he demonstrated what could happen. And now, in Breakpoint, America's preeminent counterterrorism expert and #1 bestselling author shows us all what might come next.
The global village--an intricately intertwined network of technology that binds together the world's economies, governments, and communication systems. So large, so vital--and so fragile. Now a sophisticated group is seeking to "disconnect the globe"--destroying computer grids, communications satellites, Internet cable centers, biotech firms. Hard to do? If only that were so.
Quickly, a dedicated team of men and women assembles to try to track the group down, searching through right-wing militias and Russian organized crime, Jihadist terrorists and enemy nation-states. But the attacks are coming more swiftly now, and growing in destructiveness. Soon, they will reach the breakpoint--and then there may be nothing anybody can do.
In an exclusive video message for Amazon.com customers, Richard Clarke introduces his new novel, and explains why, as he says, "sometimes you can tell more truth through fiction":
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Reviewers everywhere praised the suspense and pace of The Scorpion's Gate, the vivid depictions of war, espionage, and bureaucracy, but most of all they hailed its authenticity. "Unlike most novelists, the man has been there and done that," said The New York Times Book Review. "Some of us," added The Washington Post, "have learned to listen when Richard A. Clarke has something to say." And we'd better hope they're listening now.
From Booklist
In the year 2012, a clandestine team is sent to investigate the sabotage of U.S. cyberspace connections in remote outposts. The team: Susan Connor, a Harvard graduate and national security agent; Jimmy Foley, an NYPD detective; and Soxster, a wiseass computer hacker. Within days, terrorists destroy technology targets, disconnecting the U.S. from Internet communications; robotic personal assistants jump out of windows after having downloaded their owners' personal information onto the Internet; and military technology turns against its users in a secret desert military installation. The escalating attacks on American technology heighten political tensions and pressure on the president to react--but against whom? As high-powered American and European figures learn that the "Global Village is held together by a very few, fragile strands," suspicion turns to the Chinese. Connor, Foley, and Soxster race to find the villain before the U.S. goes to war against China. Clarke's second novel employs a dizzying array of characters and locales, from Boston to Beijing to the Bahamas. In the author notes, Clarke, a former national security advisor to four presidents, recalls his first novel, The Scorpion's Gate (2005), a futuristic look at oil and geopolitics that was not meant to be predictive but turned out to presage recent developments in the Persian Gulf region. By contrast, Clarke declares this novel is "meant to be predictive" about technology and the promise--or threat--to human genetics. That assertion will boost interest in this fast-paced and fascinating novel. Vanessa Bush
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
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0 von 2 Kunden fanden die folgende Rezension hilfreich
Format:Gebundene Ausgabe
Imagine that we are back in the world of 1943, and Hitler saw an opportunity to stop America's ability to supply the Allies with armed forces and material by mining the U.S. coastlines and having U-boats on patrol across from every harbor. Would Hitler take such an opportunity? Sure.
Nations are aggressive about protecting their sovereign interests, even from hypothetical risks . . . such as the possibility that a nation may be harboring a particular terrorist or might have a weapon of mass destruction. That's the interesting premise of Richard Clarke's new novel, Breakpoint.
In 1811, skilled textile workers in England broke into factories and smashed the new looms that allowed unskilled labor to replace them. In 1848, barge workers, bridge masons, and dock workers tore up rail lines all over France to eliminate competition for their jobs and the "English" influence on the nation. In 1942, Japan attacked the United States to break the economic embargo that threatened Japan's ability to compete with the U.S. As you can see there's plenty of precedent for acting violently to deal with economic risks to one's standard of living and aspirations.
In a world where advanced technology is about to take a great leap forward, what might people do to stop that leap? If you mix in technology that might replace humans, could devalue many humans, and create new class differences, you can have an explosive mix.
As this book opens in a fictional 2012, someone is taking down the world's ability to communicate. It's a surgical strike . . . and very effective. As you read these fictional accounts, you'll be chilled to realize that such attacks could easily occur today.
While the big government agencies wallow in routine, the special projects office of the Intelligence Analysis Center contacts key thinkers and quickly discerns the pattern. But can action move fast enough to stop these deadly threats? And who is doing the threatening?
Before the book is over, you'll find almost all of your assumptions about a future war . . . and future terrorism . . . need to be revised. As the Author's Note points out, all of the technology described in the book either exists or is being rapidly developed. This is science fiction about the near, rather than the far, future.
The book is a very entertaining way to learn about these new opportunities and threats to our way of life. Lectures or PowerPoint presentations wouldn't be nearly as much fun.
Ultimately, the author has to be evaluated as a writer . . . and he needs work. The first few pages are taut and interesting. Right after that, the story sinks into a babble of initials, acronyms, and unfamiliar phrases. It was hard to stay focused and follow what was going on. Fortunately, a strong narrative thread emerges again later on. So don't be discouraged if you find parts of the book hard to appreciate. The following sections will eventually sort it all out well enough for you to understand what's going on.
Mr. Clarke has tried to pack a little too much into his story. He has enough plots in here for two-and-a-half novels. If narrowed down into a plot for one novel, it would have been a better story.
But if you are mostly moved by a desire to read the imagination of someone who sees the risk in everything, you'll like this book at about the level of four stars.
Nations are aggressive about protecting their sovereign interests, even from hypothetical risks . . . such as the possibility that a nation may be harboring a particular terrorist or might have a weapon of mass destruction. That's the interesting premise of Richard Clarke's new novel, Breakpoint.
In 1811, skilled textile workers in England broke into factories and smashed the new looms that allowed unskilled labor to replace them. In 1848, barge workers, bridge masons, and dock workers tore up rail lines all over France to eliminate competition for their jobs and the "English" influence on the nation. In 1942, Japan attacked the United States to break the economic embargo that threatened Japan's ability to compete with the U.S. As you can see there's plenty of precedent for acting violently to deal with economic risks to one's standard of living and aspirations.
In a world where advanced technology is about to take a great leap forward, what might people do to stop that leap? If you mix in technology that might replace humans, could devalue many humans, and create new class differences, you can have an explosive mix.
As this book opens in a fictional 2012, someone is taking down the world's ability to communicate. It's a surgical strike . . . and very effective. As you read these fictional accounts, you'll be chilled to realize that such attacks could easily occur today.
While the big government agencies wallow in routine, the special projects office of the Intelligence Analysis Center contacts key thinkers and quickly discerns the pattern. But can action move fast enough to stop these deadly threats? And who is doing the threatening?
Before the book is over, you'll find almost all of your assumptions about a future war . . . and future terrorism . . . need to be revised. As the Author's Note points out, all of the technology described in the book either exists or is being rapidly developed. This is science fiction about the near, rather than the far, future.
The book is a very entertaining way to learn about these new opportunities and threats to our way of life. Lectures or PowerPoint presentations wouldn't be nearly as much fun.
Ultimately, the author has to be evaluated as a writer . . . and he needs work. The first few pages are taut and interesting. Right after that, the story sinks into a babble of initials, acronyms, and unfamiliar phrases. It was hard to stay focused and follow what was going on. Fortunately, a strong narrative thread emerges again later on. So don't be discouraged if you find parts of the book hard to appreciate. The following sections will eventually sort it all out well enough for you to understand what's going on.
Mr. Clarke has tried to pack a little too much into his story. He has enough plots in here for two-and-a-half novels. If narrowed down into a plot for one novel, it would have been a better story.
But if you are mostly moved by a desire to read the imagination of someone who sees the risk in everything, you'll like this book at about the level of four stars.
0 von 2 Kunden fanden die folgende Rezension hilfreich
Format:Gebundene Ausgabe
Imagine that we are back in the world of 1943, and Hitler saw an opportunity to stop America's ability to supply the Allies with armed forces and material by mining the U.S. coastlines and having U-boats on patrol across from every harbor. Would Hitler take such an opportunity? Sure.
Nations are aggressive about protecting their sovereign interests, even from hypothetical risks . . . such as the possibility that a nation may be harboring a particular terrorist or might have a weapon of mass destruction. That's the interesting premise of Richard Clarke's new novel, Breakpoint.
In 1811, skilled textile workers in England broke into factories and smashed the new looms that allowed unskilled labor to replace them. In 1848, barge workers, bridge masons, and dock workers tore up rail lines all over France to eliminate competition for their jobs and the "English" influence on the nation. In 1942, Japan attacked the United States to break the economic embargo that threatened Japan's ability to compete with the U.S. As you can see there's plenty of precedent for acting violently to deal with economic risks to one's standard of living and aspirations.
In a world where advanced technology is about to take a great leap forward, what might people do to stop that leap? If you mix in technology that might replace humans, could devalue many humans, and create new class differences, you can have an explosive mix.
As this book opens in a fictional 2012, someone is taking down the world's ability to communicate. It's a surgical strike . . . and very effective. As you read these fictional accounts, you'll be chilled to realize that such attacks could easily occur today.
While the big government agencies wallow in routine, the special projects office of the Intelligence Analysis Center contacts key thinkers and quickly discerns the pattern. But can action move fast enough to stop these deadly threats? And who is doing the threatening?
Before the book is over, you'll find almost all of your assumptions about a future war . . . and future terrorism . . . need to be revised. As the Author's Note points out, all of the technology described in the book either exists or is being rapidly developed. This is science fiction about the near, rather than the far, future.
The book is a very entertaining way to learn about these new opportunities and threats to our way of life. Lectures or PowerPoint presentations wouldn't be nearly as much fun.
Ultimately, the author has to be evaluated as a writer . . . and he needs work. The first few pages are taut and interesting. Right after that, the story sinks into a babble of initials, acronyms, and unfamiliar phrases. It was hard to stay focused and follow what was going on. Fortunately, a strong narrative thread emerges again later on. So don't be discouraged if you find parts of the book hard to appreciate. The following sections will eventually sort it all out well enough for you to understand what's going on.
Mr. Clarke has tried to pack a little too much into his story. He has enough plots in here for two-and-a-half novels. If narrowed down into a plot for one novel, it would have been a better story.
But if you are mostly moved by a desire to read the imagination of someone who sees the risk in everything, you'll like this book at about the level of four stars.
Nations are aggressive about protecting their sovereign interests, even from hypothetical risks . . . such as the possibility that a nation may be harboring a particular terrorist or might have a weapon of mass destruction. That's the interesting premise of Richard Clarke's new novel, Breakpoint.
In 1811, skilled textile workers in England broke into factories and smashed the new looms that allowed unskilled labor to replace them. In 1848, barge workers, bridge masons, and dock workers tore up rail lines all over France to eliminate competition for their jobs and the "English" influence on the nation. In 1942, Japan attacked the United States to break the economic embargo that threatened Japan's ability to compete with the U.S. As you can see there's plenty of precedent for acting violently to deal with economic risks to one's standard of living and aspirations.
In a world where advanced technology is about to take a great leap forward, what might people do to stop that leap? If you mix in technology that might replace humans, could devalue many humans, and create new class differences, you can have an explosive mix.
As this book opens in a fictional 2012, someone is taking down the world's ability to communicate. It's a surgical strike . . . and very effective. As you read these fictional accounts, you'll be chilled to realize that such attacks could easily occur today.
While the big government agencies wallow in routine, the special projects office of the Intelligence Analysis Center contacts key thinkers and quickly discerns the pattern. But can action move fast enough to stop these deadly threats? And who is doing the threatening?
Before the book is over, you'll find almost all of your assumptions about a future war . . . and future terrorism . . . need to be revised. As the Author's Note points out, all of the technology described in the book either exists or is being rapidly developed. This is science fiction about the near, rather than the far, future.
The book is a very entertaining way to learn about these new opportunities and threats to our way of life. Lectures or PowerPoint presentations wouldn't be nearly as much fun.
Ultimately, the author has to be evaluated as a writer . . . and he needs work. The first few pages are taut and interesting. Right after that, the story sinks into a babble of initials, acronyms, and unfamiliar phrases. It was hard to stay focused and follow what was going on. Fortunately, a strong narrative thread emerges again later on. So don't be discouraged if you find parts of the book hard to appreciate. The following sections will eventually sort it all out well enough for you to understand what's going on.
Mr. Clarke has tried to pack a little too much into his story. He has enough plots in here for two-and-a-half novels. If narrowed down into a plot for one novel, it would have been a better story.
But if you are mostly moved by a desire to read the imagination of someone who sees the risk in everything, you'll like this book at about the level of four stars.
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
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58 von 61 Kunden fanden die folgende Rezension hilfreich
Fascinating World View of Technology
17. Januar 2007
Format:Gebundene Ausgabe
Richard Clarke has just shot to the top of my list of people I'd love to interview. In only three books, one nonfiction and two fiction, he's grabbed my attention and paranoia about all the scientific and technological changes that are going on -- and that will be going on -- in the world.
BREAKPOINT isn't the best writing to hit fiction because there are writers who paint pictures and characters with words better, but there's no one I can think of who writes with the easy authority Clarke brings to his novel. The author has been involved in Washington politics since 1973, and been involved in the clandestine evolvement of scientific advances with DARPA and other think-tank institutes that work on defense technologies.
The novel centers on a terrorist threat against the United States that starts with the destruction of communications nodes that allow the internet to work. With those avenues shut down, banking, investing, business dealings, and even political diplomacy get crippled in a matter of hours. Clarke points out how pervasive the emerging technology is, and how everyone seems to have integrated it into their lives. Presented even in fiction, this is truly scary stuff and I found myself thinking about the possibilities as much as the plot and characters.
Two crack agents of the Intelligence Analysis Center are assigned to ferret out the truth. Although almost paper-thin characters, Jimmy Foley and Susan Connor pull the reader through the frantic chase for the truth behind the attacks. There's just enough insight behind the characters to flesh them out, but not get in the way of the plot. BREAKPOINT is about technology, not people, and Clarke keeps his focus sharply on delivering a summation of what's out there in the world that's just out of sight, and to what ends those things might go.
The plot is straightforward, though there are enough surprises to keep the interest there, but Clarke's views on what's going to happen through the Transhumanist Movement and the overload of technology on old communications systems are the best.
I found myself reading sections of the book over and over again, not concerning characters, action, or plot, but about the information Clarke deals out with the no-nonsense rapidity of a blackjack dealer. He shows you the cards, but you have to form your own opinion about what you think, though Clarke isn't shy about suggesting what you should pay attention to and probably think.
Clarke is a writer a cut above most technology thriller writers. He's a man who has been behind the scenes and witnessed all of these things he writes about. There's a credibility there that I haven't found in anyone else's writing. And Clarke writes well enough that readers will understand easily what he's getting at.
I'm looking forward to more. This isn't just entertainment. Clarke is providing and education as well. Read the book and prepare to learn a lot of scary information that's all true.
BREAKPOINT isn't the best writing to hit fiction because there are writers who paint pictures and characters with words better, but there's no one I can think of who writes with the easy authority Clarke brings to his novel. The author has been involved in Washington politics since 1973, and been involved in the clandestine evolvement of scientific advances with DARPA and other think-tank institutes that work on defense technologies.
The novel centers on a terrorist threat against the United States that starts with the destruction of communications nodes that allow the internet to work. With those avenues shut down, banking, investing, business dealings, and even political diplomacy get crippled in a matter of hours. Clarke points out how pervasive the emerging technology is, and how everyone seems to have integrated it into their lives. Presented even in fiction, this is truly scary stuff and I found myself thinking about the possibilities as much as the plot and characters.
Two crack agents of the Intelligence Analysis Center are assigned to ferret out the truth. Although almost paper-thin characters, Jimmy Foley and Susan Connor pull the reader through the frantic chase for the truth behind the attacks. There's just enough insight behind the characters to flesh them out, but not get in the way of the plot. BREAKPOINT is about technology, not people, and Clarke keeps his focus sharply on delivering a summation of what's out there in the world that's just out of sight, and to what ends those things might go.
The plot is straightforward, though there are enough surprises to keep the interest there, but Clarke's views on what's going to happen through the Transhumanist Movement and the overload of technology on old communications systems are the best.
I found myself reading sections of the book over and over again, not concerning characters, action, or plot, but about the information Clarke deals out with the no-nonsense rapidity of a blackjack dealer. He shows you the cards, but you have to form your own opinion about what you think, though Clarke isn't shy about suggesting what you should pay attention to and probably think.
Clarke is a writer a cut above most technology thriller writers. He's a man who has been behind the scenes and witnessed all of these things he writes about. There's a credibility there that I haven't found in anyone else's writing. And Clarke writes well enough that readers will understand easily what he's getting at.
I'm looking forward to more. This isn't just entertainment. Clarke is providing and education as well. Read the book and prepare to learn a lot of scary information that's all true.
18 von 19 Kunden fanden die folgende Rezension hilfreich
Interesting Story
26. Januar 2007
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
I didn't read Clarke's earlier novel, but I found Breakpoint to be entertaining. I noticed some people complained about his writing style, and I admit it's not perfect, but I read a book for the story and the entertainment value. Breakpoint is indeed a very fast read, and I thought he did a great job tying in new and emerging technologies to create a story that is set in the future, but is imaginable. Will the book win a literary award? Not even close. Is the book entertaining? Absolutely. The characters are not deep, and you will not feel an emotional tie to them, but the pace is fast and the story is interesting.
9 von 9 Kunden fanden die folgende Rezension hilfreich
Keep An Open Mind
23. Januar 2007
Format:Gebundene Ausgabe
Whether it's judging future applications of scientific advancements or determining whom our enemies are,
"Breakpoint" illustrates the need to not leap to erroneous conclusions. Rather, the meat of this novel is very
good at stressing the axiom, "think before you act".
The only faults I find have to do with cardboard characters and dialogue that sometimes reads like something
from a "B" movie. However, it is the discussion and use of technology which saves the day.
"Breakpoint" illustrates the need to not leap to erroneous conclusions. Rather, the meat of this novel is very
good at stressing the axiom, "think before you act".
The only faults I find have to do with cardboard characters and dialogue that sometimes reads like something
from a "B" movie. However, it is the discussion and use of technology which saves the day.
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