Breakfast at Tiffany's: A Short Novel and Three Stories (Vintage International) [Englisch] [Taschenbuch]

I'm a grown man of thirty with a child on the way. But on reading 'A Christmas Memory', I have to admit it brought tears to my eyes. Especially when little Buddy is sent off to the military school and his friend is left alone to prepare the christmas cakes all by herself. No where in literature can you find the definition of nostalgic memories so beautifully crafted as in the last two pages of the story.

Like I said, I'm a grown man, really unaccustomed to shedding tears especially if induced by a book. But it happened.

As for Breakfast at Tiffany's - Holly Golightly is something else. In the end, you pity her because you know, that she will never find her Tiffany anywhere in the world. The curse of the wandering soul has left her alone and lonely.

Brilliant. I can't say enough to recommend this brilliant book. Read it first, and then watch the movie. Though Peppard and Hepburn proved worthy actors, the soul of the book, the innocence and the stark realization of real life is not as clearly depicted as in the book.

Holly Golightly bleibt eine der faszinierendsten Gestalten in der Literatur- und Filmgeschichte. Audrey Hepburn hat die wunderschöne und auf den ersten Blick selbstbewusste doch in Wahrheit tieftraurige und zerbrechliche junge Frau in das Gedächtnis einer ganzen Generation gebrannt. Capotes Buchvorlage steht dem Film jedoch in nichts nach sondern ist in vielen Belangen noch mitreißender als der Film. Das liegt vor allem an seinem Schreibstil, der einerseits glasklar und doch voll von ausgefallen Vergleichen und Metaphern. Am deutlichsten wird das in der anfänglichen Beschreibung der Protagonistin:

"It was a warm evening, nearly summer, and she wore a slim cool black dress, black sandals, a pearl choker. For all her chic thinness, she had an almost breakfast-cereal air of health, a soap and lemon cleanness, a rough pink darkening in the cheeks. her mouth was large, her nose upturned. A pair of dark glasses blotted out her eyes. It was a face beyond childhood, yet this side of belonging to a woman."

Aus der Sicht des Erzählers, ein Nachbar und erfolgloser Schriftsteller, erleben wir die zwei Seiten der Holly Golightly: Einerseits ein Partygirl und Schwarm aller Männer, die den körperlichen Wünschen ihrer Verehrer nur allzu gerne nachkommt; andererseits voller Einsamkeit durch die Straßen New Yorks wandernd und träumend vor den Fenstern von Tiffany stehend. "It's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear", sinniert sie traurig vor sich hin.

Ihr Wunsch nach Freiheit wird durch ihr Verhältnis zu ihrer Katze verdeutlicht. Vor der Polizei flüchtend entlässt sie ihren langjährigen Weggefährten gegen Ende der Erzählung in die Freiheit. In einer Herzzereissenden Szene im strömenden Regen in einer dunklen Gasse, muss Holly, tränenüberströmt ihren Freund mit Fußtritten und Steinwürfen davon überzeugen, es ihr gleichzutun und den Schritt in die Freiheit zu wagen.

Fazit: Schillernde Figur, fantastische Sprache. Ein kleines Meisterwerk.

The well-known short novel, Breakfast at Tiffany's, and three of Truman Capote's most famous short stories make for a continually fresh and exciting look at how human beings successfully connect with one another. No matter how many times you read these stories, you will be moved by Mr. Capote's marvelous sense of and appreciation for the specialness of each life and the ways we belong to each other. Having not read Breakfast at Tiffany's for about 30 years, I came away much more impressed with the novel than I was the last time I read it. Perhaps you will have the same reaction upon rereading it as well. If you are reading it for the first time, you have a very nice surprise ahead of you!

Breakfast at Tiffany's revolves around Holly Golightly, the former starlet and cafe society item, who floats lightly through life (like cotton fibers in the wind) looking for where she belongs. Ms. Golightly is and will remain one of the most original and intriguing characters in American fiction. Like a magician, she is both more and less than she seems. But she has an appreciation for people and animals that goes to the core of her soul that will touch you (if you are like me), especially in her desire that they and she be free.

The novel has a harder edge and is more revealing about human nature than the movie is. Of the two, I suggest you start with the novel and graduate to the movie. You will appreciate the portrayal by Audrey Hepburn of the inner Holly more that way. The same humor is in both the novel and the movie, as well as the innocent look at life for what it can be, believing in the potential of things to work out for the best.

Despite that upbeat note, her weakness is that for all of her ability to understand what motivates other people she does not understand herself well enough to know when she does belong with and to others. This is symbolized by her abandonment of her unnamed cat, and quick realization that they do belong together. As for the friends she leaves behind, she never seems to appreciate how much they love her and want to be with her. As a result, she abandons them as well . . . leaving them with memories to warm their winter nights.

Mr. Capote is now realized to have been a more autobiographical writer than was appreciated when he first published his fiction. Your understanding of Breakfast at Tiffany's will grow if you keep in mind that it was modeled in part on his friendship with Marilyn Monroe. If you do not know her history, you will find that it closely paralleled Holly's through age 18.

The same is true of his short story, "A Christmas Memory." I suggest that you read about Mr. Capote's childhood in the recent book, A Southern Haunting of Truman Capote, to fully appreciate the magic of this story. His "friend" in the story was based on a beloved figure in his young life, who endowed him with a special sense of being loved and appreciated that formed an important foundation for his character and his skill as a writer. The beautiful devotion that she showed to him is reflected in the loving descriptions he makes of their experiences during their last Christmas together before he was shipped off to military boarding schools at age 8.

"A Diamond Guitar" is about the Platonic love of an older man for a younger one in prison. Like all unrequited love, the older man eventually finds himself embarrassed and exposed. But the experience remains a touchstone to tender feelings in his heart, and he keeps his young friend's glass-diamond-studded guitar under his bed . . . even though it doesn't sound good when others play it and is becoming shabby with age.

"House of Flowers" is a hard look at the vast differences in the ways that women and men view their relationships with one another. Even when loving, the message seems to be that the men will always take advantage of the women. The women, however, acquire soulful beauty in their ability to overcome that needy exploitation and appreciate belonging to one another and to the men.

This story tells the tale of a young woman who works in a house of ill fame in Haiti, and is charmed into "marrying" a young, poor hill man who is dominated by his spell-casting grandmother. Together, the young couple overcome the challenge, and build on their love for one another.

Budding novelists are sometimes encouraged to study nature closely to draw inspiration. Although I do not know if Mr. Capote ever received or followed that advice, it is very clear that he retained a childlike ability to see the world as fresh and new every time. No detail, no nuance, no quirk was too small or unimportant to pass by him or to fail to cast its charm upon him. Kindly and gently, Mr. Capote takes the reader by the hand and shows what makes these elements so interesting to him. In this way, the reader's world is expanded, enlightened, and improved.

These four stories reverbrate against one another, like the continuing vibrations after a large bell after pealing four times, and create a combined effect beyond what any single story can provide.

After you have finished enjoying these stories and the movie, I suggest that you makes some notes about where you belong, who you belong with and to, and what that says about you. In this way, you can notice important connections that mean a lot to you and others that you may be slighting. Honor those tendrils in the way that Mr. Capote would if he were writing a story about your life.

Notice and touch life intimately and lovingly to find truth and beauty!