- Gebundene Ausgabe: 96 Seiten
- Verlag: Flammarion; Auflage: 2nd Revised edition (3. April 2012)
- Sprache: Englisch
- ISBN-10: 2080200992
- ISBN-13: 978-2080200990
- Größe und/oder Gewicht: 28,1 x 1,8 x 32,3 cm
- Amazon Bestseller-Rang: Nr. 50.258 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Produktbeschreibungen
Kurzbeschreibung
Arriving in Paris in 1924, Brassaï rapidly became a shrewd observer of nocturnal Parisian life. He sensed that photography was the tool that would allow him to document his vision of a dying society.
Fascinated by the night, which he found disconcerting, enigmatic, and suggestive, Brassaï photographed its every aspect, from police to prostitutes to the homeless to socialites, all in a dreamlike and mysterious manner. In sixty-four images, Brassaï succeeded in remarkably capturing this unique ambience. This book, meticulously assembled by Brassaï himself, signifies the birth of the artist.
Brassaï, originally from Hungary, traveled to Paris in 1924, where he began to associate with the avant-garde artist community, in particular with Picasso and the Parisian surrealist circles. He quickly established himself as one of the most original photographers of his generation.
Fascinated by the night, which he found disconcerting, enigmatic, and suggestive, Brassaï photographed its every aspect, from police to prostitutes to the homeless to socialites, all in a dreamlike and mysterious manner. In sixty-four images, Brassaï succeeded in remarkably capturing this unique ambience. This book, meticulously assembled by Brassaï himself, signifies the birth of the artist.
Brassaï, originally from Hungary, traveled to Paris in 1924, where he began to associate with the avant-garde artist community, in particular with Picasso and the Parisian surrealist circles. He quickly established himself as one of the most original photographers of his generation.
Über den Autor
Paul Morand (1888–1976) was a French writer, diplomat, and academic.
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11 Rezensionen
29 von 31 Kunden fanden die folgende Rezension hilfreich
Printing process
17. Dezember 2003
Format:Gebundene Ausgabe
This book was conceived and executed around a specific printing process, heliogravure. The original 1933 edition, if you could find it, which would be quite a feat, would look very much like the Pantheon edition published about a decade ago, and have many of the features of the current edition that some reviewers find objectionable: matte paper, black borders, strange tonality when compared to traditionally printed work. That's why the Pantheon edition, which some of the leading figures in modern printing and photography worked on, was such a landmark, and why the cheaply printed editions between the original and that one were junk -- and gave people a very serious misapprehension of how Brassai wanted his work to look.
Unfortunately, an attempt to reproduce the characteristic look of heliogravure using a more conventional printing process is a pretty tall order. If you don't like the way this edition looks, and you very well may not, see if you can find a library that has a copy of the Pantheon edition and compare them. You'll be amazed that the aspects of this edition's printing that you found objectionable actually make _that_ edition beautiful and unique.
It is a shame that Amazon does not even list the Pantheon edition so that it cannot be searched for as a used book -- and that the current publisher deceptively printed an edition that looks superficially like heliogravure but is not.
19 von 20 Kunden fanden die folgende Rezension hilfreich
Quality Issues? Let's be clear.
20. September 2001
Format:Gebundene Ausgabe
It is possible that the latest edition has failed to explain why the format for the images is appropriate. I have the 1987 Pantheon edition. The new edition looks like a fairly exact copy of my 1987 copy by Pantheon. That book takes as its model the 1933 first edition. The images are matte because the original and the Pantheon are heliogravure prints, a matte process. (It is also likely that Brassai's original prints lack the hi-gloss sheen common to modern magazine printing and plastic-coated photographic paper. I have nothing but pity for those who cannot appreciate such a process and yearn for something like today's glossy magazines.) The quarter-inch gloss frame arond the images is a feature of the Panthon edition, as well (and the '33?). This new book looks (on superficial viewing) like a faithful effort on the part of the publisher. Now- someone offer an A to B comparrison, please.
8 von 8 Kunden fanden die folgende Rezension hilfreich
Reproduction quality is an insult to Brassai
16. Dezember 2001
Format:Gebundene Ausgabe
One only has to compare the nicely reproduced dust jacket photo to the print of it in the book to see the amount of detail that is lost in the rest of these images. Even the thumbails in the back next to the writeups show more detail than the muddied out larger vesions in the book. Brassai's images are so great that even muddied up like this they are worth looking at, but what a shame the publisher didn't do better. Shame, shame, shame.
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