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From Library Journal
Watkins (Matisse, Oxford, 1985) argues for a reappraisal of Bonnard, not as the last of the Impressionists but as a formalist and decorative painter in the 20th century. Discussing his affiliation with Vuillard and the other Nabis, the author draws from the artist's work to demonstrate the influences of Gauguin, Japanese prints, and the later Degas. Withdrawing from the Paris of the 1890s into his own rich, personal, painterly iconography, Bonnard succeeded in creating intimate interiors, and his identification with his more analytical contemporary, Matisse, is apparent. Other French artists, such as Braque, whose style can be seen in some of Bonnard's still lifes, is not named, although the Cubists are mentioned as an interest. It does seem a bit stretched when Watkins implies that Bonnard influenced Monet. Overall, however, the book is well researched and contains many illustrations emphasizing Bonnard's deep involvement with color. An interesting contemporary view for art history scholars, this is recommended for academic collections.
Ellen Bates, New York
Copyright 1994 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Ellen Bates, New York
Copyright 1994 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Kurzbeschreibung
Reviewing the work of Bonnard, one of the best-loved artists of the modern period, this book draws insights into his personality from his paintings. It is published on the occasion of a retrospective exhibition at the Tate Gallery, London, in February 1998. Bonnard's association with the Nabis, especially Vuillard, inspired him to develop Impressionist notions, by treating light and colour in an entirely fresh way. Influenced by Japanese prints, Bonnard's style evolved into decorative intimate evocations of interiors; in his mature work, the rich and sometimes near-abstract compositions of the 1930s and 1940s recall Matisse's monumental treatments. His best-known figure paintings, the many intimate portraits of his wife Marthe, express profoundly human concerns, characteristic of all Bonnard's painting.
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The Internal Paradise
28. Juni 2000
Format:Gebundene Ausgabe
Nicholas Watkins comprehensive overview of the work of Bonnard deals with the rich interplay between the quiet domesticity and the radiant, transcendental quality of the painter's art. The book covers the early years of Bonnard's work and his use of photography. The phases of the artist's work are covered in clear chapters with references to the excellent reproductions. It is especially helpful to see Bonnard's small, seemingly offhand pencil sketches, alongside the paintings. This gives a sense of the trasformative and magical quality of his observations. The many reproductions are vibrant in comparison to those seen in some other books currently available.
Bonnard fell between eras, as a post impressionist, always up against the fame of the cubists, and always compared (unfavorably, and unfairly) with the genius of Picasso. He was a quiet force, a colorist of the highest order, bringing us the light of southern France forever. This book is a great gift for an art lover, a treat for the eyes and the mind.
11 von 14 Kunden fanden die folgende Rezension hilfreich
BONNARD IS A BIBLE FOR ART LOVERS
20. April 2003
Format:Taschenbuch|Von Amazon bestätigter Kauf
Bonnard is hot and getting hotter. You can't pick up a novel without reading that one of the characters either has a Bonnard, is getting ready to steal a Bonnard, or simply desires one.
This book has great photos and the biography, which definitely belongs with the art, is extremely well written. This is a fine book and I like it so much that when my son, who is an artist, wanted to borrow it, I simply bought him his own copy. I keep mine for myself. Selfish, but true..and tells you how much I treasure it.
5 von 7 Kunden fanden die folgende Rezension hilfreich
Not Impressed
27. März 2008
Format:Taschenbuch|Von Amazon bestätigter Kauf
The scope of work presented in this book is very wide and complete, the ratio of text to pictures is very satisfying, and the pictures themselves are nice and large. However the quality of the reproductions has not impressed me at all, the colors that Bonnard is so famous for are washed out, and the prints appear blurry. Allover a rather disappointing book.
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