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A series of men and women are killed by torture and their eye-lids or eyes taken from them in the process--but they die if anything of an excess of sight, of being forced to watch the unendurable. As Inspector Falcon does the legwork of the case, and gets more and more teasing messages about sight and light from the ingenious and vicious killer, we find ourselves wondering whether he himself is the blind man, if there is something he is refusing to see.
At the same time, he is clearing the studio of his dead painter father, and reading journals containing a horribly plausible version of the man he thought he knew--a bisexual gangster who fought for Fascism and the Nazis in Spain and Russia. And around him Seville is having its intense and bizarre Holy Week celebrations, with bullfights and with vast puppets of sacred figures looming around the streets.
This is a book of surreal intensity which plays by all the rules of the detective novel and yet gives the reader so much disturbingly more. --Roz Kaveney -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
"It was only right that there should be at least one murder in Holy Week," muses Inspector Jefe Javier Falcón as he's called out during Spain's Semana Santa festivities to probe the death of a prosperous Seville restaurateur, Raúl Jiménez. The deceased was found strapped to a chair with his eyelids removed, facing a television on which had been showing a video of him entertaining prostitutes. Jiménez's heart had failed as he struggled to escape. This murder is "more extraordinary than any I have seen in my career," Falcón tells the businessman's widow, as he embarks on an investigation that will lead to the slayings of a hooker and an art dealer, and force the homicide cop into a game of wits against a killer obsessed with the contradictions between illusion and reality. Meanwhile, Falcón is himself obsessed with the long-secreted journals kept by his late father, a famous painter, whose brutal acts during the Spanish Civil War and subsequent hedonism in North Africa shaped Javier's life... and will make him the killer's next target.
Wilson's plot turns rather creakily on the coincidence of Falcón discovering a photograph of his father among Jiménez's things. And lengthy excerpts from the elder Falcón's diaries, while they reveal links between the book's secondary players, and are interesting for their portrayal of wartime Europe and postwar Tangier, nonetheless hobble this story's pace and distract from the modern crimes at its center. Still, there's a poetic edge to this author's prose that makes even his most gruesome or tragic scenes worthy of rereading, and in Javier Falcón--a lonely outsider who shadows his ex-wife and has a perplexing aversion to milk--he creates a police protagonist as satisfyingly and humanly flawed as any since Zé Coelho, from Wilson's outstanding A Small Death in Lisbon. --J. Kingston Pierce -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
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Like the two previous books I mention this is also heavily based upon History. If I was rating this book strictly on style and skill I would give it a four star ranking as I have. If rating the book in terms of enjoyable reading, it would just have made three stars, and that is due to several themes I rather not read about in fiction. I also think a writer with the talent of Mr. Wilson can produce books without choosing subjects or subject matter of the type he chose. I know these situations exist and there are plenty of non-fiction books I can read to learn about these horrific actions directed at children. I do not need them when reading fiction. I am not suggesting he was being sensational or puerile, just that the topic left me cold on the book.
Mr. Wilson has several storylines that are entwined throughout the book, and while he resolves them nicely the book seemed a bit busy at times. In his notes he explains that the writing of the book was interrupted and that may explain why this book is less crisp than the previous two I have read. Children play a role in this book, whether as children or scarred adults. The descriptions are extremely graphic and unsettling, as their subject virtually demands they be by definition. However, as I said, the brutalization of children by pederasts is not a subject I would choose for reading a book of fiction
The description of the book is very brief and does not suggest the deviant behavior the book includes. As much as I admire this man's work, and even as I will continue to read his new books, had I known more about the contents of this book, I would likely have passed. Mr. Wilson is a very talented man with a pen, and the material he uses in this book is necessary for the tale he is telling. It is not the type of material that I enjoy in reading fiction. All that said, I look forward to his next book, and I maintained the fourth star because my disliking a facet of a book's subject matter does not mean I should penalize the book in its entirety.
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