- Audio CD
- Verlag: Brilliance Corp; Auflage: Abridged (März 2011)
- Sprache: Englisch
- ISBN-10: 1455802689
- ISBN-13: 978-1455802685
- Größe und/oder Gewicht: 14,2 x 13 x 1,3 cm
- Durchschnittliche Kundenbewertung: 4.0 von 5 Sternen Alle Rezensionen anzeigen (3 Kundenrezensionen)
- Amazon Bestseller-Rang: Nr. 1.418.828 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Blacklist
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Amazon.com
Privilege, politics, and perfidy jointly propel the circuitous plot of Blacklist, Sara Paretsky's 11th novel featuring tenacious Chicago private-eye V.I. Warshawski. By the time this story runs its course, V.I. will have harbored an alleged Arab terrorist, resurrected the ghosts of America's 1950s anti-Communist hysteria, and questioned the integrity of a man she once admired "to the point of hero worship." In other words, it's a typical case for this hard-headed, sarcastic, and perpetually sleep-deprived sleuth.
Still suffering from "exhaustion of the spirit" in the aftermath of the 9/11 attacks, V.I. is hired to find out who may be sneaking into a vacated suburban mansion. Geraldine Graham, the home's 91-year-old former owner, who still lives nearby, claims she's seen lights in the attic at night. Our heroine suspects this is simply a bid by the wealthy dowager for greater attention, but agrees to do some nocturnal prowling--only to stumble (literally) across the body of a dead black journalist, Marcus Whitby, in the estate’s ornamental pond and encounter a teenage girl fleeing the scene. The girl turns out to be Catherine Bayard, the granddaughter of Calvin Bayard, an unapologetically liberal book publisher who survived a hounding by the U.S. House Un-American Activities Committee in the '50s without being blacklisted like so many of his authors. Digging deeper, V.I. learns that Whitby was doing research for a book about an African-American dancer and anthropologist who had enjoyed Bayard's support before she too was branded a Communist. Was Whitby killed en route to visit Bayard, one of Graham's neighbors--and a man who has strangely vanished from public view? And is there any connection between this murder and the disappearance of an Egyptian dishwasher, or the recent demise of a right-wing attorney and Bayard foe, in whose apartment V.I. is attacked by an intruder?
Except for a few astounding turns of luck (including the 11th-hour discovery of a revealing audiotape left in a car's player), Paretsky rolls out a credible yarn here, enriched by meticulous character development and an agreeably ambiguous conclusion. The author's intention to link McCarthy-era abuses with post-9/11 government assaults on civil rights is obvious, without being didactic, and it adds currency to a fictional investigation that's already rife with sex, betrayal, and long-held secrets among the rich. It's good to see that V.I. the P.I. hasn't lost the compassion or righteousness that first made her attractive two decades ago, in Indemnity Only. --J. Kingston Pierce -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
From Booklist
In her essay "Writing, Speech, and Silence" [BKL My 1 03], Paretsky speaks frankly about free speech, including the devastation caused by the House Un-American Activities Committee (HUAC) and the implications of the recent Patriot Act on individual freedoms. The topic is central to her latest V. I. Warshawski mystery, a stellar entry in a celebrated series, which offers a provocative history lesson along with very contemporary commentary on loyalty and betrayal and how the past shapes the present. Paretsky picks up where Total Recall (2001) left off: Warshawshi's love interest, Morell, is unreachable in war-torn Afghanistan, leaving an anxious V. I. to throw herself into her work. Departing from her familiar Chicago territory for the city's suburbs, she takes a case for a cranky regular client whose mother, living in a retirement community bordering on an estate once owned by the family, sees lights at night in the empty mansion. When V. I. investigates, she comes across a teenage girl prowling around the property and gives chase, only to stumble, literally, upon a dead man. As puzzles make her curious ("even when they're not my business"), V. I. is off and running. A tightly woven and thoughtful thriller, this enticing mix of history and mystery showcases sharp, clever, vulnerable V. I. at her best. Stephanie Zvirin
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
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Format:Taschenbuch
Fine novels have always transcended their story lines to say something more universal about the way people are. Often, mystery novelists get caught up in their plots and fail to make an important statement. In Blacklist, Ms. Sara Paretsky provides an intriguing look at American politics, racism and sexism over the last century. It's an impressive job of impugning the motives and methods of the influential, powerful and wealthy in our society. Those who are ardent conservatives will hate this book. It isn't as tough on the liberals as it is on the conservatives during most of the book, and argues strongly against government challenges to our Constitutional rights, such as the Patriot Act and the Congressional search for Communists in the 1950s.
The mystery is a fine one, and makes good use of the over 400 pages to develop the story slowly . . . allowing it to age in your mind like fine wine does. I especially liked the way that V.I. encountered many emotional and physical problems during the story that delayed and complicated her investigations, much like happens in real life.
The book has two main weaknesses. First, it is too often preachy rather than illustrative or instructive. Second, Ms. Paretsky is too cynical for my taste about how much the powerful can get away with. She leaves us with the sense that we are powerless to protect those we love and ourselves from what the powerful want for their own personal agendas. Otherwise, I would have happily assigned this book five stars.
I would like to commend Ms. Paretsky for working some of the worst characteristics of the Patriot Act into her story, illustrating problems that too few people are aware of.
The story itself has two entertwined plot lines that coincidentally connect up on an empty estate. Late one night, V.I. is poking around to discover the source of some mysterious lights inside the supposedly locked and secure empty mansion. V.I. spots a teenager on the grounds and grabs a clue from her that leads to identifying who the teen is. Then, while traipsing around in the dark, V.I. falls into an ornamental pond . . . and discovers a dead man. The police aren't very interested in what happned to the dead man, and V.I.'s persistence is essential to reveal what really happened. Is he connected to the mysterious lights?
As I finished the story, I found myself thinking about Iago and all of the trouble he causes for Othello through his misrepresentations. We should be careful about how much we trust those in power. They may have hidden agendas that we are unaware of.
The mystery is a fine one, and makes good use of the over 400 pages to develop the story slowly . . . allowing it to age in your mind like fine wine does. I especially liked the way that V.I. encountered many emotional and physical problems during the story that delayed and complicated her investigations, much like happens in real life.
The book has two main weaknesses. First, it is too often preachy rather than illustrative or instructive. Second, Ms. Paretsky is too cynical for my taste about how much the powerful can get away with. She leaves us with the sense that we are powerless to protect those we love and ourselves from what the powerful want for their own personal agendas. Otherwise, I would have happily assigned this book five stars.
I would like to commend Ms. Paretsky for working some of the worst characteristics of the Patriot Act into her story, illustrating problems that too few people are aware of.
The story itself has two entertwined plot lines that coincidentally connect up on an empty estate. Late one night, V.I. is poking around to discover the source of some mysterious lights inside the supposedly locked and secure empty mansion. V.I. spots a teenager on the grounds and grabs a clue from her that leads to identifying who the teen is. Then, while traipsing around in the dark, V.I. falls into an ornamental pond . . . and discovers a dead man. The police aren't very interested in what happned to the dead man, and V.I.'s persistence is essential to reveal what really happened. Is he connected to the mysterious lights?
As I finished the story, I found myself thinking about Iago and all of the trouble he causes for Othello through his misrepresentations. We should be careful about how much we trust those in power. They may have hidden agendas that we are unaware of.
Format:Taschenbuch|Von Amazon bestätigter Kauf
Hier nur eine Warnung an alle, die dieses Buch lesen möchten: Das Penguin-Taschenbuch ist so unzumutbar klein gedruckt, dass es leider gleich ungelesen in den Papierkorb gewandert ist. (Habe das ungelesene Buch mit vier Sternen bewertet, um den Schnitt der anderen Rezensionen nicht zu verändern, da man bei einem Kommentar das Buch bewerten m u s s.)
1 von 4 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
I was deeply impressed by Sandra's "Blacklist"!
It wouldn't surprise me if this novel will be a basis for one of the best films 2004 or 5.
She reports something of her country America that I didn't believe it would still exist, i.e. patience, ratio and human solidarity.
Thanks to her for this novel to read it.
It wouldn't surprise me if this novel will be a basis for one of the best films 2004 or 5.
She reports something of her country America that I didn't believe it would still exist, i.e. patience, ratio and human solidarity.
Thanks to her for this novel to read it.
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