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Blacklist (V.I. Warshawski Novels)
 
 
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Blacklist (V.I. Warshawski Novels) [Englisch] [Taschenbuch]

Sara Paretsky
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Produktbeschreibungen

Amazon.com

Privilege, politics, and perfidy jointly propel the circuitous plot of Blacklist, Sara Paretsky's 11th novel featuring tenacious Chicago private-eye V.I. Warshawski. By the time this story runs its course, V.I. will have harbored an alleged Arab terrorist, resurrected the ghosts of America's 1950s anti-Communist hysteria, and questioned the integrity of a man she once admired "to the point of hero worship." In other words, it's a typical case for this hard-headed, sarcastic, and perpetually sleep-deprived sleuth.

Still suffering from "exhaustion of the spirit" in the aftermath of the 9/11 attacks, V.I. is hired to find out who may be sneaking into a vacated suburban mansion. Geraldine Graham, the home's 91-year-old former owner, who still lives nearby, claims she's seen lights in the attic at night. Our heroine suspects this is simply a bid by the wealthy dowager for greater attention, but agrees to do some nocturnal prowling--only to stumble (literally) across the body of a dead black journalist, Marcus Whitby, in the estate’s ornamental pond and encounter a teenage girl fleeing the scene. The girl turns out to be Catherine Bayard, the granddaughter of Calvin Bayard, an unapologetically liberal book publisher who survived a hounding by the U.S. House Un-American Activities Committee in the '50s without being blacklisted like so many of his authors. Digging deeper, V.I. learns that Whitby was doing research for a book about an African-American dancer and anthropologist who had enjoyed Bayard's support before she too was branded a Communist. Was Whitby killed en route to visit Bayard, one of Graham's neighbors--and a man who has strangely vanished from public view? And is there any connection between this murder and the disappearance of an Egyptian dishwasher, or the recent demise of a right-wing attorney and Bayard foe, in whose apartment V.I. is attacked by an intruder?

Except for a few astounding turns of luck (including the 11th-hour discovery of a revealing audiotape left in a car's player), Paretsky rolls out a credible yarn here, enriched by meticulous character development and an agreeably ambiguous conclusion. The author's intention to link McCarthy-era abuses with post-9/11 government assaults on civil rights is obvious, without being didactic, and it adds currency to a fictional investigation that's already rife with sex, betrayal, and long-held secrets among the rich. It's good to see that V.I. the P.I. hasn't lost the compassion or righteousness that first made her attractive two decades ago, in Indemnity Only. --J. Kingston Pierce -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .

From Booklist

In her essay "Writing, Speech, and Silence" [BKL My 1 03], Paretsky speaks frankly about free speech, including the devastation caused by the House Un-American Activities Committee (HUAC) and the implications of the recent Patriot Act on individual freedoms. The topic is central to her latest V. I. Warshawski mystery, a stellar entry in a celebrated series, which offers a provocative history lesson along with very contemporary commentary on loyalty and betrayal and how the past shapes the present. Paretsky picks up where Total Recall (2001) left off: Warshawshi's love interest, Morell, is unreachable in war-torn Afghanistan, leaving an anxious V. I. to throw herself into her work. Departing from her familiar Chicago territory for the city's suburbs, she takes a case for a cranky regular client whose mother, living in a retirement community bordering on an estate once owned by the family, sees lights at night in the empty mansion. When V. I. investigates, she comes across a teenage girl prowling around the property and gives chase, only to stumble, literally, upon a dead man. As puzzles make her curious ("even when they're not my business"), V. I. is off and running. A tightly woven and thoughtful thriller, this enticing mix of history and mystery showcases sharp, clever, vulnerable V. I. at her best. Stephanie Zvirin
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .

Pressestimmen

"A thoughtful high-tension mystery."—Washington Post World



"A genuinely exciting and disturbing thriller."—Chicago Tribune



"A complex, disturbing thriller, one that will linger in readers' minds."—Associated Press

Kurzbeschreibung

Paretsky returns with her heroine V.I. Warshawski--"a private eye with the sharpest tongue and hardest head in Chicago""The New York Times.")This is a story of secrets and betrayals that stretch across four generations--secrets political, social, sexual, financial: all of them with the power to kill. -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .

Über den Autor

Sara Paretsky is the author of sixteen books, including her renowned V. I. Warshawski novels. Her many awards include the Cartier Diamond Dagger Award for lifetime achievement from the British Crime Writers' Association. She lives in Chicago.

Leseprobe. Abdruck erfolgt mit freundlicher Genehmigung der Rechteinhaber. Alle Rechte vorbehalten.

The clouds across the face of the moon made it hard for me to find my way. I'd been over the grounds yesterday morning, but in the dark everything is different. I kept stumbling on tree roots and chunks of brick from the crumbling walks.

I was trying not to make any noise, on the chance that someone really was lurking about, but I was more concerned about my safety: I didn't want to sprain an ankle and have to crawl all the way back to the road. At one point I tripped on a loose brick and landed smack on my tailbone. My eyes teared with pain; I sucked in air to keep from crying out. As I rubbed the sore spot, I wondered whether Geraldine Graham had seen me fall. Her eyes weren't that good, but her binoculars held both image stabilizers and night-vision enablers.

Fatigue was making it hard for me to concentrate. It was midnight, usually not late on my clock, but I was sleeping badly these days-I was anxious, and feeling alone.

Right after the Trade Center, I'd been as numbed and fearful as everyone else in America. After a while, when we'd driven the Taliban into hiding and the anthrax looked like the work of some homegrown maniac, most people seemed to wrap themselves in red-white-and-blue and return to normal. I couldn't, though, while Morrell remained in Afghanistan-even though he seemed ecstatic to be sleeping in caves as he trailed after warlords-turned-diplomats-turned-warlords.

When the medical group Humane Medicine went to Kabul in the summer of 2001, Morrell tagged along with a contract for a book about daily life under the Taliban. I've survived so much worse, he would say when I worried that he might run afoul of the Taliban's notorious Bureau for the Prevention of Vice.

That was before September 11. Afterward, Morrell disappeared for ten days. I stopped sleeping then, although someone with Humane Medicine called me from Peshawar to say Morrell was simply in an area without access to phone hookups. Most of the team had fled to Pakistan immediately after the Trade Center attack, but Morrell had wangled a ride with an old friend heading to Uzbekistan so he could cover the refugees fleeing north. A chance of a lifetime, my caller told me Morrell had said-the same thing he'd said about Kosovo. Perhaps that had been the chance of a different lifetime.

When we started bombing in October, Morrell first stayed on in Afghanistan to cover the war up close and personal, and then to follow the new coalition government. Margent.Online, the Web version of the old Philadelphia monthly Margent, was paying him for field reports, which he was scrambling to turn into a book. The Guardian newspaper also occasionally bought his stories. I'd even watched him on CNN a few times. Strange to see your lover's face beamed from twelve thousand miles away, strange to know that a hundred million people are listening to the voice that whispers endearments into your hair. That used to whisper endearments.

When he resurfaced in Kandahar, I first sobbed in relief, then shrieked at him across the satellites. "But, darling," he protested, "I'm in a war zone, I'm in a place without electricity or cell phone towers. Didn't Rudy call you from Peshawar?"

In the following months, he kept on the move, so I never really knew where he was. At least he stayed in better touch, mostly when he needed help: (V.I., can you check on why Ahmed Hazziz was put in isolation out at Coolis prison? V.I., can you find out whether the FBI told Hazziz's family where they'd sent him? I'm running now-hot interview with local chief's third wife's oldest son. Fill you in later.)

I was a little miffed at being treated like a free research station. I'd never thought of Morrell as an adrenaline junkie-one of those journalists who lives on the high of being in the middle of disaster-but I sent him a snappish e-mail asking him what he was trying to prove. "Over a dozen Western journalists have been murdered since the war began," I wrote at one point. "Every time I turn on the television, I brace myself for the worst." His e-response zipped back within minutes: "Victoria, my beloved detective, if I come home tomorrow, will you faithfully promise to withdraw from every investigation where I worry about your safety?"

A message which made me angrier because I knew he was right-I was being manipulative, not playing fair. I needed to see him, though, touch him, hear him-live, not in cyberspace.

I took to wearing myself out running. I certainly wore out the two dogs I share with my downstairs neighbor: they started retreating to Mr. Contreras's bedroom when they saw me arrive in my sweats.

Despite my long runs-I'd go ten miles most days, instead of my usual five or six-I couldn't wear myself out enough to sleep. I lost ten pounds in the six months after the Trade Center, which worried my downstairs neighbor: Mr. Contreras took to frying up French toast and bacon when I came in from my runs, and finally bullied me into going to Lotty Herschel for a complete physical. Lotty said I was fine physically, just suffering as so many were from exhaustion of the spirit.

Whatever name you gave it, I only had half a mind for my work these days. I specialize in financial and industrial crime. It used to be that I spent a lot of time on foot, going to government buildings to look at records, doing physical surveillance and so on. But in the days of the Internet, you traipse from website to website. You need to be able to concentrate in front of a computer for long hours, and concentration wasn't something I was good at right now.

Which is why I was wandering around Larchmont Hall in the dark. When my most important client asked me to look for intruders who might be breaking in there at night, I was so eager to do something physical that I would even have scrubbed the crumbling stone benches around the house's ornamental pond.

Darraugh Graham has been with me almost since the day I opened my agency. The New York office of his company, Continental United, had lost three people in the Trade Center disaster. Darraugh had taken it hard, but he was flinty, chalklike in grief, more moving than the bluster we were hearing from too many mouths these days. He wouldn't dwell on his loss or the aftermath but took me to his conference room, where he unrolled a detail map of the western suburbs.

"I asked you here for personal reasons, not business." He snapped his middle finger onto a green splodge northwest of Naperville, in unincorporated New Solway. "All this is private land. Big mansions belonging to old families out here, you know, the Ebbersleys, Felittis, and so on. They've been able to keep the land intact-like a private forest preserve. This brown finger is where Taverner sold ten acres to a developer back in 'seventy-two. There was an uproar at the time, but he was within his rights. He had to meet his legal fees, I think." I followed Darraugh's long index finger as he traced a brown patch that cut into the green like a carrot.

"East is a golf course. South, the complex where my mother lives." At the best of times, Darraugh is a wintry, distant man. It was hard to picture him in normal situations, like being born.

"Mother's ninety-one. She manages on her own with help, and, anyway, I don't want-she doesn't want to live with me. She lives in a development here-Anodyne Park. Town houses, apartments, little shopping center, nursing home if she needs medical help. She seems to like it. She's gregarious. Like my son-sociability skips generations in my family." His bleak smile appeared briefly. "Ridiculous name for a development, Anodyne Park, offensive when you think about the Alzheimer's wing at the nursing home-Mother tells me the word means something like 'soothing' or 'healing.'

"Her condo overlooks the grounds of Larchmont Hall. One...

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