Black Water Rising [Englisch] [Taschenbuch]

In her debut novel, Black Water Rising, Attica Locke gives us a literary thriller that grabs us from the opening page to the last page. It is Houston, Texas 1981 and Jay Porter, a struggling lawyer without two pennies to rub together, is about to take his pregnant wife on a boat ride on the bayou as a birthday celebration. As if they both have foresight of what is to come, each is hesitant for their own reasons on whether they should take this trip. Jay wonders if this will meet his wife's expectations. Bernie, his wife, wonders if the boat will survive the trip but she does not want her husband to be disappointed. But those thoughts are thrown aside as Jay pulls a drowning woman out of the water. He knows this is the right thing to do, but his inner voice and past tells him, he should not have gotten involved with a white woman running away from the black side of town. After leaving the woman on the police station steps, Jay and Bernie go home. But Jay cannot leave well enough alone, and wants to know more about this woman and as each clue he uncovers brings danger to him and his family, Jay wonders if he can turn away before he is drawn back into his past which he was barely able to survive.

This book provides us with a wonderful treat as besides the mystery story to be solved, there is the story of how Jay became the person that he is. It is a story about young people taking charge to bring about social change in the 1970s and how the establishment used their power to make sure that this change did not happen. This storyline is blended seamlessly with the mystery story and shows us that while things change the more things remain the same. The author did an excellent job of presenting time and location. The reader is transported to Houston and along with the heat and humidity will feel Houston's growing pains as she comes into her own as an oil power town. There are a variety of characters, some you will love and some you will dislike. However, I would like to have learned more about Bernie, as at times I did not understand her behavior, especially when she was in danger.

I enjoyed this book and while the action in the book is centered in the 1970s and 1980s, it is very current with our times as we examine the connection between government, business and energy and the struggle between greed and doing what is right. I recommend this book to readers who enjoy thrillers, mysteries and storylines with contemporary themes.

Reviewed by Beverly
APOOO BookClub
March 18, 2009

Although I didn't find the "literary thriller" that I expected based on the glowing reports by paid critics and several reviewers here, `Black Water Rising' is a good, no, very good political drama. The story is rich in the history of the turbulent 70s through the booming 80s in Houston. And, Locke both draws a visual map of the city and develops a complex protagonist in Jay Porter. Alas, after the vividly portrayed beginning with a birthday celebration that is interrupted by Jay Porter's saving a stranger in distress, the story drags until nearly the middle of the book. Then, as this reader was set to labor through a mediocre book, the momentum quickly picks up with a realistic conversation between Jay and Stokely Carmichael that captures the cadence and syntax of the well-known social activist. The best written scene follows with an accurate picture of a campus protest rally that turns into a melee. At this point, Locke starts to show her screenwriting chops by invigorating the dialogue and action. When Ainsley, the character that takes his case all the way to Washington, talks about the mine's closing and developers buying up the land, it's like reading recent headlines about the financial schemes that brought our economy to the edge. An especial strength of the writing is how Locke fixes the time and place with details of the period, e.g., public conduct (indoors, the union men tucked their work caps under their arms), technology (the rotary phone) and music (by Otis Redding, the Dells, et al.). In recovering the pace that she started in the beginning, the writer finally delivers the promised suspense. By the end of the story, the multiple plotlines have been tied together. However, too much is left unresolved and the drama comes to an abrupt end.

Jay Porter is struggling. He lives in a cramped little apartment with his pregnant wife, a woman he has known since she was thirteen years old, and he wonders if they can ever afford a better home. Porter, a player during the Black Power movement of the 1960s, is now a lawyer with a cheap, strip mall office and an incompetent secretary he can just afford. His clients are walk-ins and referrals who can barely afford to pay him at all, much less an amount that would offer Porter a decent profit for his work. So, when one of those clients arranges a free boat ride down Houston's Buffalo Bayou in lieu of a cash payment, Porter accepts the deal and decides to celebrate his wife's birthday on the little boat.

As the boat makes its way through the heart of downtown Houston in near total darkness, the Porters and the boat's captain are startled by a woman's desperate screams for help. It is impossible to see the woman or her attacker from the boat but, as they are paused to listen, the three soon hear the sounds of someone rolling down the bayou's steep bank and splashing into the water. Porter manages to get the barely breathing woman into the boat but, because he fears getting involved in the problems of this white woman, he brings her to the police station's front door and slips away before anyone can see him or get his name.

It is only when he sees the story in the newspaper that Porter learns that the woman he rescued may not have been a victim at all - she might, instead, be a murderer. Still reluctant to get involved, Porter only learns how much trouble he is in when a stranger offers to pay him for his silence about what he saw and heard the night of the murder. The man leaves Porter with two choices: take the money and remain silent or be shut up for good.

Attica Locke has here the makings of an intriguing story about a former Black Power radical trying to make his way through the still tense racial attitudes of 1981 Houston, Texas. She does, in fact, do a remarkable job of capturing the mood and atmosphere of 1980s Houston, a period during which the city was facing almost uncontrollable growth in both population and serious crime. It was a time when whole neighborhoods were off limits after dark to whites and blacks alike, high crime black neighborhoods whites did not dare enter and high income white neighborhoods where blacks drew the immediate attention of Houston cops.

Locke, though, makes the mistake of creating two additional subplots that do little more than complicate her story. First, she gets Jay Porter involved with a young man who has been beaten by union thugs who want to head off an economically crippling strike by dockworkers at the Houston port facilities. Next, she exposes Porter to a plot by Big Oil to manipulate the price of gasoline at the pump, a plan about which only one old white man and Porter seem to care. These subplots overwhelm the more interesting, and plausible, mystery of the woman in the bayou and eventually begin to seem almost cartoonish - especially in the way that Big Oil is represented in the most stereotypical way possible. Few of the associated characters seem real and, as a result, even Porter and his wife become less sympathetic characters.

And that is a shame because the first chapter of "Black Water Rising" is one of the best lead chapters I have read in a while. This could, and should, have been a very different book.