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Father Laforgue is about to enter a world of pagan power and sexual license, awesome courage and terrible cruelty, that will test him to the breaking point as both a man and a priest, and alter him in ways he cannot dream.
In weaving a tautly suspenseful tale of physical and spiritual adventure in a wilderness frontier on the cusp of change, Brian Moore has written a novel that rivals Joseph Conrad's Heart of Darkness in its exploration of the confrontation between Western ideology and native peoples, and its meditation upon Good and Evil in the human heart.
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For those who aren't familiar with the plot, Father Laforgue - a Jesuit misssionary - is sent by his house on a journey from Quebec up the St. Lawrence to the Huron territory in the early 17th century. He is to replace another priest at the misson there who may have been killed. He travels by canoe with a group of Algonquin who have been charged with his protection by Samuel Champlain. Along the journey, he is abandoned by most of the Algonquin, and he and his remaining companions are captured by the Iroquois. After escaping, he finally reaches his destination.
I came to the novel via the film, and, despite the brutality protrayed in it, the director left out the most graphic scenes. Rather than simply killing Chomina's 10-year-old son, the Iroquois cook and eat the child in front of his father and sister. Father Laforgue masturbates when he stumbles on Daniel and Anuka mating in the forest. Anuka performs oral sex upon another Frenchman - who has gone native - in front of Daniel. The translation of the Amerinds' speech is as filled with scatological terms as that of a contemporary teenager (which makes them sound perversely modern). The Algonquin allow their children to have sex with each other and with the Frenchmen.
Obviously, Laforgue finds all of this more than shocking and has trouble maintaining his faith in face of such insults to his beliefs. When he finally reaches the Huron village, he has been traumatized to the extent that he can no longer feel the fervor that first inspired him. In this, the film departs from the novel by suggesting that Laforgue never wavers from his convictions.
Moore has portrayed a moment in history in which deep beliefs clash in mutual incomprehension. As the Huron elder says to Father Laforgue: "I was a good friend to Andehoua [another Jesuit], and it grieves me that he was killed. But listen, Blackrobe. I am speaking against you today. You and your god do not suit our people. Your ways are not our ways. If we adopt them we will be neither Norman nor Huron. And soon our enemies will know our weaknesses and wipe us from the earth". But the ways that the elder is defending include cannibalism and wife-abandonment. And the Amerind society of the time had no place for the sick, the weak, the deformed, the crippled, or the very old. A culture without pity since pity is one of the weaknesses to which the elder refered.
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