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Tauschen Sie jetzt Black Noise: Rap Music and Black Culture in Contemporary America (Music/Culture) gegen einen Amazon-Gutschein in Höhe von EUR 2,70 ein - einlösbar für Tausende von Artikeln bei Amazon.de. Entdecken Sie mehr eintauschbare Bücher im Bücher Trade-In Shop. Bitte beachten Sie die Teilnahmebedingungen.
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Produktbeschreibungen
From Booklist
Rap recordings are discussed almost everywhere today, from schoolyards and subways to the U.S. Senate and Supreme Court. Rose thoroughly analyzes several facets of the musical genre and provides an effective antidote to the severely flawed hip-hop coverage in mainstream media. She accurately traces rap's sonic history (proving thereby that music does not require conventional melody or harmony) and gives substantial information about the innovative rhythmic manipulations made possible by the techniques of sampling. She also makes clear the connections between rap's beginnings and the political turmoils that afflicted black and Latino urban neighborhoods throughout the 1970s and 1980s. In discussing what is probably rap's most controversial aspect--lyrics supposedly advocating "cop killing"--Rose vividly delineates the social conditions that bring about such fierce responses to real-life police brutality. Finally, she examines the often neglected role of women in rap in rewarding depth. Fans, scholars, and detractors alike stand to learn a great deal by studying Rose's commendable treatise. Aaron Cohen
-- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
From Library Journal
This ethnographic study is the first detailed exploration of rap music within its social, cultural, and artistic contexts. Rose (history/Africana studies, NYU) carefully analyzes each defining element of the genre. For example, her study of the cultural and technological implications of sampling-a pillar of rap-is both impressive and unprecedented. Further, Rose's hermeneutics extend beyond the music itself to such corollary expressions of hiphop style as rap music videos and breakdancing. Rose constructs a solid bridge between hiphop and academe: she explains the former in the language of the latter and does so splendidly. However, even the most powerful words cannot recreate music. Since academicians may be unfamiliar with the works discussed, an accompanying CD or cassette would have been helpful. While Brian Cross's less-rigorous It's Not About a Salary (LJ 2/15/94) remains a better choice for public libraries, Black Noise belongs on the shelves of almost every academic collection.
Bill Piekarski, Southwestern Coll. Lib., Chula Vista, Cal.
Copyright 1994 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Bill Piekarski, Southwestern Coll. Lib., Chula Vista, Cal.
Copyright 1994 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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2 von 2 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
Tricia Rose provides a great survey of rap and hip hop and their relevance for black culture. She gives a historical overview of the topic and goes back to the origin of rap in the 70s. I've really learned a lot. Hip hop, for example, is an umbrella term for graffiti, breakdancing and rap music. The development of rap music is presented step by step. Rose also stresses the social background and the effects of hip hop on the modern society and culture. Its function is explained with the help of 3 examples: "Who protects us from you?" by KRS-One, "Illegal search" by L.L. Cool J. and "Night of the living baseheads" by Public Enemy. (A CD with all the songs mentioned in this book would be a nice addition). Hidden Politics are a central element of the messages contained in rap lyrics. Even the "technical" aspect of making rap music is explained in detail. This part also shows the differences between the Western and Afrodiasporic idea of music: "harmony" contra "rhythm". Rose offers a great work. Everybody who is intersted in rap music should read it! (Dies ist eine Amazon.de an der Uni-Studentenrezension.)
1 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
Tricia Rose details the Hip-Hop Culture - and its beauty and depth - in this book I call "essential for Hip-Hoppers". For example: I'm writing 'bout Brazilian hip-hop and "Black Noise" cleared many doubts I had on hystoric, artistic, and politic aspects of the 'Culture of Streetz'. Another contribution that elevates this 'Bible of Hip-Hop' is the way Tricia Rose writes. The words flow natural, with many rich informations reduced in a very agradable text. If you don't like this book, you'll never understand the 'Black Noise' of this new millenium! Peace!
Format:Taschenbuch
I read this book as a compulsory action for the 'Poetry of Rap' course in which I am currently enrolled at a major university. As a narrative and dialectic of black culture, or rather a single faction of black culture, this book is powerful and informative, providing analysis of many, many social thinkers of the Black Arts and later movements as well as Rose's perspective(s) on the developments of the culture. However, the execution of this text, ostensibly an academic account, is weakened by a diffuse structure, imprecise diction (beyond that necessitated by dealing with a topic heretofore untreated in academic circles with any rigor) and atrocious editing. I highly recommend the text, but by the same token recommend it with a disclaimer: hear why she says, and not what she says.
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Die neuesten Kundenrezensionen
Very interesting (but "brilliant"???)
This is an impressive interpretation of Black musical culture, with loads of interesting information and pertinent feminist content. Lesen Sie weiter...
Am 3. Juni 1999 veröffentlicht
"more brilliant than the sun"
brilliant, exhausting and informative... provides a feminist point of view from the inside for all important aspects... read it and love it...
Veröffentlicht am 7. Februar 1999 von emurlasi@oehuni.kfunigraz.ac.at
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