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Between Father and Son: Family Letters (Vintage)
 
 
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Between Father and Son: Family Letters (Vintage) [Englisch] [Taschenbuch]

V.S. Naipaul
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Produktinformation

  • Taschenbuch: 320 Seiten
  • Verlag: Vintage; Auflage: Reprint (13. März 2001)
  • Sprache: Englisch
  • ISBN-10: 0375707263
  • ISBN-13: 978-0375707261
  • Größe und/oder Gewicht: 13,2 x 1,7 x 20,3 cm
  • Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen  Alle Rezensionen anzeigen (3 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 588.981 in Englische Bücher (Siehe Top 100 in Englische Bücher)
  • Komplettes Inhaltsverzeichnis ansehen

Produktbeschreibungen

Amazon.com

Writing to his eldest son, Vidia, at Oxford in 1950, Seepersad Naipaul observed: "Your letters are charming in their spontaneity. If you could write me letters about things and people--especially people--at Oxford, I could compile them in a book." Nearly 50 years later, the father's desire has been fulfilled by his son with the publication of V.S. Naipaul's Letters Between a Father and Son. The collection covers the period between Naipaul's departure from his native Trinidad in 1950 to study at Oxford to the untimely death of his father in 1953 at the age of 47. Alongside the letters between father and son are those between Naipaul and his older sister, Kamla, a student at the Benares Hindu University in India, who is advised by her then-17-year-old brother to "watch your personal effects carefully; the Indians are a thieving lot."

At the heart of the book lie Naipaul's undergraduate life at Oxford and his father's deeply moving support for his son as he strives to maintain his own writing career while Naipaul's literary talent flowers. The minutiae of Naipaul's college life offer a fascinating account of the genesis of the querulous, fussy, and patrician Naipaul of later years. The letters are full of stories of his endless rounds of tea parties, writing for the Oxford journal Isis, flirting with women, and endless requests for cigarettes from home. But the most revealing and moving dimension of the collection is the love and friendship between father and son. Seepersad vents his own literary frustrations upon his son while at the same time assuring Naipaul of his unconditional support: "I feel so darned cocksure that I can produce a novel within six months--if only I had nothing else to do. This is impossible. But I want to give you this chance." Seepersad's sudden death is very affecting, as is Naipaul's telegraphed response home: "Everything I owe to him." This is a deeply revealing collection of one of the most enigmatic writers of the postwar period, and it offers an absorbing insight into Naipaul's early fiction, particularly The Mystic Masseur and Miguel Street. --Jerry Brotton, Amazon.co.uk -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .

From Booklist

In 1950, at the age of 17, famous-writer-in-the-making V. S. Naipaul ventured to Oxford University in England on a scholarship supplied by the government of his native Trinidad. He and his father maintained a rich, full correspondence during his time away, and these letters fortunately have been gathered into book form. Naipaul's father ("Pa") was himself a writer, and the sensibilities and sensitivities usually associated with the writerly type of personality do indeed emerge in his letters to his son ("Vido"). For his part, V. S. fills his letters to the brim with observations and meditations on home, family, and England: his considerations at the time, which were to contribute resonance and subtlety to his character and which also supplied grist for future fiction writing. At the end of his three-year Oxford tenure, Naipaul indicates he does not desire a return to Trinidad, but neither does continued residence in England appeal to him. The rest of the world awaited him. Revealing ancillary reading for fans of his novels. Brad Hooper -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .

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Format:Gebundene Ausgabe
V.S. Naipaul's Between Father And Son gathers family letters, revealing family interactions and a powerful drama with insights into Naipaul's formative years. Fans of Naipaul's writings will find this essential to understanding his works.
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Von Ein Kunde
Format:Gebundene Ausgabe
Reader's of Naipaul's works, especially his travel books, are intrigued by a variety of things: his genius for observing people and places, his rational perspectives, his dispassionate comments etc. At the same time, one wonders when did this real Naipaul evolve? This book, which is a compilation of his correspondences with his late father and elder sister, convinces one that Naipaul was always like this from a very young age: a gifted man. The elder Naipaul, despite his many troubles as a homemaker, deserves credit for instilling an intellectual atmosphere in his household; which obviously Vidia has run away with.
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The Real Mr. Biswas? 7. Juni 2000
Von supastar
Format:Gebundene Ausgabe
The book offers insight into the life and thoughts of Naipaul and shows us a more personable side of the author, who seems to be on such a solo mission. Furthermore, we learn of his relationship to his father and the background of Naipaul's greatest character, Mohun Biswas. Naipaul's father was a true writer, a literature buff, unlike Biswas, who liked Marcus Aurelius and kept info in a Shakespeare that he may or may not have ever read. In letters, we don't see much of the temper or the actions of the character Biswas, but we see the meditations of the man who was his source. We also see VS Naipaul's transformation from West Indian student leaving the island for the first time, to a published author four years later. We read that "useless letter" that Naipaul describes in A House for Mr. Biswas, sent home following Biswas' death, and we learn all about the sympathy and respect that Naipaul had when writing this character. From this time on, he knew he would be a writer. He has longings and inklings towards India and Africa, he is already an anglophile with a strong rejection of coloured people, and an inclination to disassociate himself with these people, whom he finds ignorant and barbaric, a common criticism of his literature. There seems to show, in the uncommented upon letters, some of Naipaul's faults and prejudices and feelings of shortcomings, as a West Indian in England, as an outsider, always. But he never rejected his family, and was in fact a very sincere and loving brother and son. This is somewhat surprising considering the coldness that he sometimes can exude. His discussions of loneliness, of brotherhood and the need to take care of each other seem like preludes to stories from "In a Free State." Naipaul describes his life as an extention of his father's, fulfilled. And his father was already talking about writing an autobiography in the third person. Naipaul may have fulfilled this in Biswas, a fictional account. There is a hopefulness in Naipaul's letters that may not be as apparent in some of his later works, there is also the dark depression and dim view of the world and its inhabitants that is seen. His social attitudes and the way he writes about them shed more insight into his characters' social interactions as well. "The women I have known I have met quite by chance. Acquaintanceship is struck up almost unconsciously." This is similar to relationships that develop in Bend in the River and other books. Mostly, this is the development of the ideas of writing, the motivations, financial (primarily), emotionally. Both Naipauls saw writing as a profession, not a spiritual letting out of feelings or something, they approached writing professionally and with dignity, even in their letters, which they do critique. This book is a primary source of insight into the life and mind of one of the greatest writers of our time. I recommend it to any Naipaul enthusiast. Naipaul's literary career seems to have been well-plotted and worked out before it even began.
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