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Beethoven
 
 
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Beethoven [Englisch] [Taschenbuch]

Maynard Solomon
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Produktinformation

  • Taschenbuch: 554 Seiten
  • Verlag: Schirmer G Books Inc; Auflage: Revised. (1. April 2002)
  • Sprache: Englisch
  • ISBN-10: 0825672686
  • ISBN-13: 978-0825672682
  • Größe und/oder Gewicht: 23,5 x 15,6 x 3,1 cm
  • Durchschnittliche Kundenbewertung: 3.5 von 5 Sternen  Alle Rezensionen anzeigen (2 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 165.949 in Englische Bücher (Siehe Top 100 in Englische Bücher)

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Maynard Solomon
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Produktbeschreibungen

Amazon.com

Maynard Solomon is that rarest of writers on classical music: a well-trained expert who is also gutsy and humane, and who knows about life. He had the courage to write in recent years about Franz Schubert's homosexuality, which, judging by the size of the polemic that ensued, some academics were still not ready to hear about. But for many readers, Solomon's masterpiece is still his 1977 biography of Beethoven, offered here in a revised second edition that is a must-read for anyone interested in classical music, let alone "The Big Deaf One," as Jean Cocteau referred to the composer. Artfully blending history, psychology, sociology, and musicology in just the right measures, Solomon has taken the opportunity in his revision to focus more on certain themes, like Beethoven and Freemasonry; to discount evidence now seen as suspect, including the forgeries of the composer's friend Schindler; and to present new finds such as recently discovered documentary evidence. The result stands with Thayer's biography and Tovey's analyses as the classics on Beethoven, along with other fascinating books like the Cambridge Music Handbook on Beethoven's Ninth Symphony. A triumph--bravo, Professor Solomon! --Benjamin Ivry -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

From Library Journal

For 20 years, Solomon's Beethoven has served scholars and lay readers as one of the most enlightening studies of the life and works of this fascinating composer. Justly praised for his thoroughness, honesty, and insight in presenting the many facets of a complex artist, Solomon approaches his subject from myriad different angles?historical, psychological, sociological, and aesthetic?to treat the reader to a view of Beethoven, his music, and his era that answers long-standing questions and reveals new ways of considering the composer, his works, and his motivation. In this revision, Solomon retains all the freshness of the first edition while incorporating the enormous amount of research published on Beethoven since the initial 1977 printing. Solomon's book should continue to engage readers for the next several decades. Highly recommended for public and academic libraries.?Timothy J. McGee, Univ. of Toronto
Copyright 1998 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

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In diesem Buch (Mehr dazu)
Einleitungssatz
LUDWIG VAN BEETHOVEN WAS BORN INTO A FAMILY of court musicians at the electorate of Cologne, one of the ecclesiastical principalities of the Holy Roman Empire, whose court was situated in Bonn. Lesen Sie die erste Seite
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excellent 16. Juli 1999
Von Ein Kunde
Format:Gebundene Ausgabe
i fully agree with the review of powersm@bigfoot. and i have read quite a few biographies of Beethoven over the years. this one is the very best. the only weakness is the musicology part which, in my view, could have have been deeper.
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Not really a biography 27. September 1999
Von Ein Kunde
Format:Gebundene Ausgabe
I have spent over half of my life researching the life of Beethoven. Like many people, I was excited to learn of the new edition. However, I found it as disappointing as the original. If you are SERIOUS about Beethoven research, stick with Thayer. Unlike Solomon's biography, Thayer's reads as if it were a diary. Solomon provides too much analysis, which should be left to some of the fine articles and papers he has written in the past. This book would serve well as a supplement instead of a cornerstone. Thayer provides facts, and very little opinions. It is important to remember that Solomon is not the first person to do extensive Beethoven research. Many other authors and researchers have come before him with richer results. Take his finding as that of only one of a hundred authors on Beethoven. Check his facts with others and decide for yourself. If you are just interested in reading one or two books on Beethoven, please select another biography. Solomon's is not completely acceptable.
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Good but not definitive 13. Juni 2002
Von Ein Kunde - Veröffentlicht auf Amazon.com
Format:Taschenbuch
How to describe Solomon's very good book on Beethoven? It is part psychohistory, which is always a perilous operation for a writer. I am one of those people who actually like Freud, but sometimes Solomon's psychoanalysis irritated me, and I was always glad when he left the couch and went back to more or less solid facts. There is a huge chapter on the Immortal Beloved that bored me after a couple of dozen pages, but those particularly interested in this aspect of Beethoven's life are in for a real treat! I'd like to have seen more discussion of B's politics and social views; Solomon's discussion of these is, overall, pretty thin.

But Solomon's weaknesses (and that is my judgment) do not ouweigh his great strengths. He has certainly done his homework on B's life, and he is a skilled writer and a patient, tireless researcher. He knows his Thayer as well, and he isn't above questioning long-held assumptions about this flawed but very great man. Solomon's discussion of B's music is sufficient for a biography (those who want a lot of details on the music should go elsewhere), and he does a great job of showing how the composer followed the classical models and broke away toward romanticism. He does well in showing the man's great genuis without ever worshipping him (the way 19th century music lovers did). No doubt about it, Beethoven was a real crumb in a lot of ways, and Solomon makes this clear.

As good as this book is, I wouldn't call it definitive. I imagine some bright peson coming along some day who has a deep understanding of the Enlightenment, of early romanticism, of music, and of German and Viennese society who will give a truer picture of the man in his full context. It is very difficult to describe music in words, but my imaginary writer will be adept at this as well. Until this person comes along (and we're talking about a reincarnation of Samuel Johnson or Shakespeare), Solomon will do just fine.

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THE IMMORTAL COMPOSER 11. September 2000
Von Robin Friedman - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
This is the second edition of Solomon's biography of Beethoven and it is an improvement in terms of both analysis and lucidity.

The book is written from a psychoanalytic point of view that all may not find convincing. However, the rudiments of Mr. Solomon's analysis, in terms of tracing Beethoven's life problems, his difficulties with women, with peers, and with himself to his childhood experiences probably transcends any specific psychological dogma and is insightful.

The book is a biography rather than an attempt at technical musical analysis. Even so, it elucidates the music well and with an obvious love for it. I found the discussion of Beethoven's final period works, and of his sometimes neglected vocal writings, particularly good.

The sections on Beethoven's relationship with Haydn, on his testament written upon the discovery of his impending deafness on the immortal beloved, and on his relationship with his nephew are all thoughtful and helped me better understand Beethoven.

A wonderful book for anybody who loves this composer or wants to learn more about why other people love him.

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A revised opinionand review 29. April 2000
Von Mike Powers - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Sometimes it's necessary to read a book twice to really understand it. For me, neither an academic nor a musicologist, this is the case with Maynard Solomon's "Beethoven." When I first read it two tears ago, I saw it as "the best Beethoven biography I ever read...combining excellent writing, complete objectivity, and outstanding scholarship...maybe the best Beethoven biography ever." Now that I've read it again, (after also reading additional material Beethoven's life from other sources,) my opinion has changed. This time I found his attempts to psychoanalyze Beethoven annoying, and seemingly rooted more in conjecture rather than solid facts. Even the chapter on the Immortal Beloved, which I found so impressive the first time I read the book, seems now to me based more upon a process of elimination rather than solid scholarship.

Professor Solomon's prose is lively and entertaining, and his musical commentary may help non-academics and non-musicologists like myself better understand Beethoven's work. However, readers like myself, with a strong interest in Beethoven's life and music, may find other biographies (most notably Thayer's) that will better meet their needs.

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