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Beasts of No Nation (P.S.)
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Produktbeschreibungen
From Booklist
*Starred Review* "I am not bad boy. I am not bad boy. I am soldier and soldier is not bad if he is killing." Set in an unnamed West African country, Iweala's first novel shows civil war from a child's viewpoint. After his mother and sister escape and his father is killed, the traumatized young narrator is discovered by guerrilla fighters. Frightened and alone, he joins the men, becoming a soldier in an impoverished army of terror headed by a charismatic and treacherous leader who tells his young followers that killing "is like falling in love. You cannot be thinking about it." Writing in the boy's West African English, Iweala distills his story to the most urgent and visceral atrocities, and the scenes of bloodshed and rape are made more excruciating by the lyrical, rhythmic language. In the narrator's memories of village life, biblical stories, and creation myths, Iweala explores the mutable separation between human and beast and a child's struggle to rediscover his own humanity after war: "I am some sort of beast or devil," the boy says, "But I am also having mother once, and she is loving me." Readers will come away feeling shattered by this haunting, original story. Gillian Engberg
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
Pressestimmen
“[Beasts of No Nation] is a work of visceral urgency…it heralds the arrival of a major talent.” (Amitav Ghosh, author of The Glass Palace )
“Uzodinma Iweala is a gifted and brave writer.” (Chris Abani, author of GraceLand )
“An astonishing debut.” (Kirkus Reviews (starred review) )
“A harrowing account of the intoxication of violence…that offers no easy answers or explanations.” (Library Journal )
“This is an extraordinary book. . . . It’s so vivid [and] powerful.” (Sunday Telegraph )
“A raw, compelling first novel.” (Literary Review )
“A powerful debut.” (The Times of London )
“A brilliant debut. . . . This is a remarkable novel that suggests a dazzling literary future.” (People (****) )
“Remarkable. . . . Iweala never wavers from a gripping, pulsing narrative voice.” (Entertainment Weekly (A) )
“A startling debut…. Iweala’s acute imagining allows him to depict the war as a mesh of bestial pleasures and pain.” (The New Yorker )
“The hypnotic present tense, first-person narration draws the reader deep into the child soldier’s shattered psyche.” (The Washington Post )
“Searing and visceral. . . . Agu’s unblinking innocence gives the story its most powerful and disturbing beauty.” (San Diego Union-Tribune )
“An outstanding first novel. . . . Resonant, beautiful. . . . Iweala’s book will be readily embraced by readers.” (Janet Maslin, The New York Times )
“Uzodinma Iweala is receiving not just hype but praise from reviewers for the frighteningly convincing voice of a preteen soldier.” (New York Magazine )
“Searing. . . . An extraordinary debut novel.” (Time.com )
“Stark, vivid.... Written like a nightmare in progress, this story is a fever dream of voice and consciousness.” (San Francisco Chronicle )
“Devastating...a raw and brutal story about the horrifying effects of cruelty and the incredible power of hope.” (Atlanta Journal-Constitution )
“Uzodinma Iweala is a gifted and brave writer.” (Chris Abani, author of GraceLand )
“An astonishing debut.” (Kirkus Reviews (starred review) )
“A harrowing account of the intoxication of violence…that offers no easy answers or explanations.” (Library Journal )
“This is an extraordinary book. . . . It’s so vivid [and] powerful.” (Sunday Telegraph )
“A raw, compelling first novel.” (Literary Review )
“A powerful debut.” (The Times of London )
“A brilliant debut. . . . This is a remarkable novel that suggests a dazzling literary future.” (People (****) )
“Remarkable. . . . Iweala never wavers from a gripping, pulsing narrative voice.” (Entertainment Weekly (A) )
“A startling debut…. Iweala’s acute imagining allows him to depict the war as a mesh of bestial pleasures and pain.” (The New Yorker )
“The hypnotic present tense, first-person narration draws the reader deep into the child soldier’s shattered psyche.” (The Washington Post )
“Searing and visceral. . . . Agu’s unblinking innocence gives the story its most powerful and disturbing beauty.” (San Diego Union-Tribune )
“An outstanding first novel. . . . Resonant, beautiful. . . . Iweala’s book will be readily embraced by readers.” (Janet Maslin, The New York Times )
“Uzodinma Iweala is receiving not just hype but praise from reviewers for the frighteningly convincing voice of a preteen soldier.” (New York Magazine )
“Searing. . . . An extraordinary debut novel.” (Time.com )
“Stark, vivid.... Written like a nightmare in progress, this story is a fever dream of voice and consciousness.” (San Francisco Chronicle )
“Devastating...a raw and brutal story about the horrifying effects of cruelty and the incredible power of hope.” (Atlanta Journal-Constitution )
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1 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Gebundene Ausgabe
So far I have only read very positive reviews on this book, but I have to contradict.
I came across it because it was highly recommended by a lecturer of mine in conflict research, saying something like: "If you want to know about child soldiers, it's all in this book".
This is only partially true. The author mentions implicitly quite some facts that political scientists know about the 'average child soldier' (far away from giving a complete depiction). But much more than getting a clearer view on this topic, the actual accomplishment of the book is that the reader is able to look inside the main character, torn between his basic childhood moral and the pressure of his new lifestyle. Unfortunately this is not the main aspect; it is centered on the description of the everyday life of a child soldier.
It sure is shocking to read about the horrors of war in a very simple language, but on the whole I didn't like the style of the novel. The first-person narrator is talking like a European caricature of an 'African jungle kid', and he has a strange set of knowledge, I couldn't explain with his age or cultural background (unfortunately I cannot recall an example, but I was wondering from time to time about the things he knows and doesn`t know about the world). To me these flaws undermined the authenticity of the whole story. While reading, I always had the impression to share the thoughts of a western intellectual, instead of experiencing a story that actually could have happened.
I know I'm contradicting the world elite of book critics, but to me this was just a mediocre book on an interesting topic.
I came across it because it was highly recommended by a lecturer of mine in conflict research, saying something like: "If you want to know about child soldiers, it's all in this book".
This is only partially true. The author mentions implicitly quite some facts that political scientists know about the 'average child soldier' (far away from giving a complete depiction). But much more than getting a clearer view on this topic, the actual accomplishment of the book is that the reader is able to look inside the main character, torn between his basic childhood moral and the pressure of his new lifestyle. Unfortunately this is not the main aspect; it is centered on the description of the everyday life of a child soldier.
It sure is shocking to read about the horrors of war in a very simple language, but on the whole I didn't like the style of the novel. The first-person narrator is talking like a European caricature of an 'African jungle kid', and he has a strange set of knowledge, I couldn't explain with his age or cultural background (unfortunately I cannot recall an example, but I was wondering from time to time about the things he knows and doesn`t know about the world). To me these flaws undermined the authenticity of the whole story. While reading, I always had the impression to share the thoughts of a western intellectual, instead of experiencing a story that actually could have happened.
I know I'm contradicting the world elite of book critics, but to me this was just a mediocre book on an interesting topic.
Format:Taschenbuch
I ordered this book after having read an article in the German weekly paper "Die Zeit". It is hard to read as a pasttime and I am most intrigued by the author's capability of the language he uses, which seems so original.
The story seems to be an autobiography but is not. I am still not sure, if this makes it a better book or leaves the reader with the impression of having read just a novel. The story has moved me though and I think a lot about the boy and his pityful life.
I would recommend the book without doubt.
The story seems to be an autobiography but is not. I am still not sure, if this makes it a better book or leaves the reader with the impression of having read just a novel. The story has moved me though and I think a lot about the boy and his pityful life.
I would recommend the book without doubt.
0 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
das thema kindersoldaten wird vom jungen nigerianischen autor sehr packend aber nicht sensationslüstern behandelt. die geschichte des 9 jähringen agu, der aus nacktem überlebenskampf zur grausamen killermaschine wird, ein bub der selbst am allermeisten opfer ist. die kapitel sind schön konstruiert mit rückblicken und rotem faden durch das ganze buch. ein lesenswertes, aufrüttelndes stück literatur, dem man beachtung schenken sollte!
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