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Batman: Year One
 
 
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Batman: Year One [Englisch] [Taschenbuch]

Frank Miller , David Mazzucchelli
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Batman: Year One + Batman: The Dark Knight Returns + Batman: The Killing Joke
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Produktinformation

  • Taschenbuch: 144 Seiten
  • Verlag: DC Comics; Auflage: Deluxe. (10. Januar 2007)
  • Sprache: Englisch
  • ISBN-10: 1401207529
  • ISBN-13: 978-1401207526
  • Größe und/oder Gewicht: 16,9 x 0,7 x 25,7 cm
  • Durchschnittliche Kundenbewertung: 4.7 von 5 Sternen  Alle Rezensionen anzeigen (21 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 8.011 in Englische Bücher (Siehe Top 100 in Englische Bücher)

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Produktbeschreibungen

Amazon.co.uk

If any comic has a claim to have truly reinvigorated the genre then The Dark Knight Returns by Frank Miller--known recently for his excellent Sin City series and, previously, for his superb rendering of the blind superhero Daredevil--is probably the supreme contender. Batman represented all that was wrong in comics and Miller set himself a tough task taking on the camp crusader and turning this laughable, innocuous children's cartoon character into a hero for our times. In his introduction the great Alan Moore (V for Vendetta, Swamp Thing, the arguably peerless Watchmen) argues that only someone of Miller's stature could have done this. Batman is a character known well beyond the confines of the comic world (as are his retinue) and so reinventing him, while keeping his limiting core essentials intact, was a huge task.

Miller went far beyond the call of duty. The Dark Knight is a success on every level. Firstly it does keep the core elements of the Batman myth intact, with Robin, Alfred the butler, Commissioner Gordon and the old roster of villains, present yet brilliantly subverted. Secondly the artwork is fantastic--detailed, sometimes claustrophobic, psychotic. Lastly it's a great story: Gotham City is a hell on earth, streetgangs roam but there are no heroes. Decay is ubiquitous. Where is a hero to save Gotham? It is 10 years since the last recorded sighting of the Batman. And things have got worse than ever. Bruce Wayne is close to being a broken man but something is keeping him sane: the need to see change and the belief that he can orchestrate some of that change. Batman is back. The Dark Knight has returned. Awesome. --Mark Thwaite -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

Amazon.com

Whether you grew up reading Batman comics, watched the campy television show, or eagerly await each new movie, this is the book for you. A retelling of the events that led to Bruce Wayne's becoming Batman, this book combines Frank Miller's tight film-noir writing with David Mazucchelli's solid artwork. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

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Format:Taschenbuch
Following up on his 1986 renovation of the Batman myth with "The Dark Knight Returns", Frank Miller teamed with David Mazzucchelli to produce "Batman: Year One", a novel retelling of how Bruce Wayne came to don tights to fight crime.

Miller's Gotham City is a corrupt and festering cesspool, much as he would later depict in his Sin City series. Two good men come to town to clean things up: Bruce Wayne and Jim Gordon, a new detective on the Gotham police force fresh from his role in cleaning up another police department.

Wayne himself has returned to his hometown after a long absence, during which he trained himself to become a vigilante. Wayne's first foray into crimefighting nearly ends in disaster, but leads him ultimately to adopt the Batman motif to frighten criminals. Gordon becomes his unlikely ally as he strives to clean up Gotham's police department.

The writing remains more mature and gritty than the typical comic book fare of the time. Batman is not the invincible denizen of the dark we've come to know and love, but an awkward guy in a goofy costume who seems always to be within an inch of death. Gordon is no paragon of virtue either; the main subplot deals with his affair with another cop while his wife waits to give birth to his son.

The result is a gripping, gritty, and ultimately redeeming tale which once again reinvents the familiar figure of the Batman.

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Format:Taschenbuch
It is a shame that, Tim Burton's excellent two outings notwithstanding, the Batman of film and television is the one that is most solidly rooted in the collective psyche of the public. What many current readers may not remember, however, is that the campiness of the 1966-68 TV show was reflected in, and fed off the Batman titles at the time.

All of that changed when Dennis O'Neil took over the writing chores and returned the character to the dark roots laid out by the late, great, Bob Kane and Bill Finger. Dennis O'Neil brought Batman comics into and through puberty. Frank Miller brought them into adulthood.

Along with the brilliant "Dark Knight Returns," "Year One" bookends the saga of Bruce Wayne by re-interpreting and sometimes redefining the character's roots. In so doing, Frank Miller laid the foundation for the character that today populates the monthly titles. Although not as grim as "Dark Knight," "Year One" nonetheless hits closer to home and is, in my opinion, the best introduction to the character for anyone unfamiliar with it outside of film and TV.

The parallel struggles of Bruce Wayne and Jim Gordon to "clean up a city that likes being dirty" are brilliantly rendered by Miller, possibly the finest comics writer EVER. Miller's Jim Gordon is a far cry from the incompetent beat cop shown in movies and TV. He is a passionate, crusading man, the sort of cop Bruce Wayne might have been in another reality.

Opinions have always been strong one way or the other about the art in "Year One." For my money, you couldn't ask for more. Mazzucchelli's pencils work wonders even beyond what he did in "Daredevil: Born Again," and the coloring is particularly striking in its subtlety, even more so when you consider the "beat you over the head" standards of late-'80s comics.

All in all, this is the definitive Batman origin story. That Miller, Mazzucchelli and Lewis also manage to turn it into one of the finest Batman stories ever told is evidenced by the lasting impact it had on all subsequent interpretations of the characters involved. An all-around winner.

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Batman, in the beginning ... 30. Dezember 1999
Format:Taschenbuch
I have never been much of a Batman fan since the TV show went off back in the late sixties; however, this collection from the late eighties shows a lot of the promise the character has always contained, but seldom realized. Frank Miller is certainly one of the finest writers to emerge from comics in the last generation of so, and this is a fine example of his work. His conception of Batman and the entire body of Bat-lore is unique, while remaining respectful, if not cloyingly faithful, to the years of prior continuity. This story within is of parallel obsessions: Bruce Wayne's passionate promise on his parents' grave to rid his city of the criminal element and James Gordon's equally ardent impulse to do much the same, only through traditional law enforcement means. The portrayal of Selina Kyle as the incipient Catwoman is particularly poignant and gripping as is the long-suffering portrait of Barbara Gordon, the quintessential cop's wife. While the art is interesting in a primitive, naive mode, David Mazzuchelli and Richmond Lewis seem an unfortunate choice of artists for the work that relaunched the entire Batman franchise. Perhaps, however, it is a testament to the strength of Miller's writing, that the art neither detracts nor distracts from the story.
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Für das alter ganz gut gelungen
Von Frank Miller stammt also dieses Werk.Miller gilt ja als einer der besten Autoren für Comic Bücher und dieser Comic kann sich bei der Liste der guten Comics... Lesen Sie weiter...
Vor 2 Monaten von der_k veröffentlicht
a superb comic!
Frank Miller did a phenomenal job at capturing the beginning of one of the greatest heroes of all time.

This is definately a must read for all Batman fans!
Veröffentlicht am 14. Oktober 2009 von Alain Sarti
NOT better than The Dark Knight Returns
It's all been said, more or less, about this comic. It's a good one, a really good one, but is by no means better than The Dark Knight Returns. Lesen Sie weiter...
Am 23. Juni 2000 veröffentlicht
Better than Dark Knight Returns
This is, quite simply, the best Batman story ever told. Miller, the definitive Batman writer, has crafted a story even better than his Dark Knight Returns. Lesen Sie weiter...
Veröffentlicht am 25. Januar 2000 von Jeremy King
prelude to Sin City
This book is an excellent read for me. It focuses less on Batman and more on Jim Gordon. It sets up Gordon as a man instead of someone Batman can get info from. Lesen Sie weiter...
Veröffentlicht am 2. Januar 2000 von midnighter83
Excellent companion to "The Dark Knight Returns"
I didn't know what to make of this when I read it in the original serialized form - I didn't initially enjoy the story or the art. Lesen Sie weiter...
Veröffentlicht am 2. Dezember 1999 von Babytoxie
As the dark night begins...
A surprising book. Frank Miller told the end of the Dark Knight, he had to tell his birth. The story-telling is good just as David Mazzuchelli's drawings. Lesen Sie weiter...
Am 20. November 1999 veröffentlicht
Transcendent
I had been dabbling in comics for a couple of years when I first picked up "Year One", and it has had me hooked on comics ever since. Lesen Sie weiter...
Am 18. November 1999 veröffentlicht
Up there with Dark Knight Returns
One of the best comic stories of all time, with excellent artwork, Batman: Year One really stands out as a milestone. Lesen Sie weiter...
Am 15. Oktober 1999 veröffentlicht
Miller Time
Miller and Mazzuchelli have a great understanding of film noir and apply it to one of the most popular comic characters. Lesen Sie weiter...
Am 23. September 1999 veröffentlicht
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