Batman: Terror [Englisch] [Taschenbuch]

This collection is a sequel to Batman: Prey published druing the early days of the Legends of the Dark Knights. Prey was superbly written and beautifully drawn. The same team returned on TERROR which was as far as sequels go is worse than the original.

The story is lackluster and predictable. Hugo Strange has returned from the dead and has procured Scarecrow do destroy the Batman, physically and mentally. That's pretty much it as far as the plot goes. Sure, there is murder, intrigue and betrayal but nothing too spectacular. There is also Catwoman who at one point becomes an annoyance. Her constant games of "catch me" with Batman quickly grows tedious and boring. It has been done before (i.e. in Hush, Long Halloween, Dark Victory). The writer (Doug Moench) also goes terribly out of his way to make the story dark and disturbing. For example, he had Dr. Strange french kissing a mannequin, painting bats with the blood of his victims. The conversation between the characters (especially Batman and Gordon) are drawn out and almost seems like they are not talking to each other, but talking for the sake of hearing themselves talk. All these add up to the story being needlessly oversdramatic.

And as far as the art goes, Paul Gulacy does a superb job. His action scenes read like a storyboard. He also does a couple of great splash pages. The art is the saving grace for this book and the reason why I gave it three stars. While, some fans might enjoy the story, others (like me) may not.

This is one of the stupidest comics out there and trust me there are some stupid comics out there. It comes off more as a missing Looney Tunes short then a 'dark' Batman comic. There is no interesting characterisation or characterization at all really with only characters trying to prove who's the stupidest. From Hugo shagging his mannequin (that has a batman mask) instead of watching out for Crane who everyone at this point knows is going to betray him, to Crane making Willy E Coyote style traps (mainly holes in the floor, sometimes with rugs covering them!) and killing off most likely half his senior class that he put on his 'bully' list (which batman himself and Hugo find themselves on), and then to the title character himself not being able to figure out Dumb and Dumber's schemes fast enough. Oh did I mention Hugo's base was the house of one of his victims he murder that looks like an old haunted mansion? Sudtle, I know. Its no wonder Batman didn't figure it out in like two seconds...

Oh and it ends with Hugo living through being impaled on a weather vain for days, maybe weaks, of sitting their rotting with only rats to eat. Wrap your mind around that.

But it is worth a read, if only because of the endless hours of laughter you will get from this.

***It is best said that "Batman: Terror" is the sequel to "Batman: Prey"; so if you haven't read the latter, discontinue reading this review (there will be spoilers).***

Taken from the comic line "Legends of the Dark Knight", "Batman: Terror" is a well-developed, cohesive, and all-around great TPB. Following the events of "Prey" - in which Professor Hugo Strange developed an obsession with Batman that led to his supposed death - Prof. Strange returns, Hell-bent on revenge and he's enlisted the aide of one of the most insidious members of Batman's rogues gallery: Jonathan Crane, aka The Scarecrow. However - in his "tunnel-vision"-like obession with beating Batman - Strange has left himself woefully unprepared for Scarecrow's bloody insurrection. With Strange out of the way, Scarecrow goes about his own plans, involving the exacting of revenge against all his childhood bullies who helped shape him into the monster he is today. However, he too is obsessed with the one bully who still tormented him following his initial transformation into the Scarecrow: Batman; and he has a plan for getting the Caped Crusader that involves the sultry sneak-thief Catwoman.
"Terror" is a classic story of revenge, demon-facing, and learning of trust (as exampled by the trio of Batman, Cptn. Gordon, and Catwoman) told through the masterful writing of Doug Moench ("Batman Four of a Kind" - 'Batman' #19) and brought vividly to life by Paul Gulacy ("Batman: War Games, Act Two - Tides") and Jimmy Palmiotti ("Batman: Two-Face/Scarecrow Year One"). One way that this story most obviously stands apart from its predecessor - and even rises above it - is the greatly expanded role of Catwoman; who between her pseudo-sexual games of cat-and-mouse and love/hate relationship with Batman, becomes a necessary asset to the story as opposed to well-illustrated eye-candy thrown into the mix for no greater purpose than that. In her own issues with Scarecrow (being subjected to fear gas, being unmasked and photographed), remains the strong independent female who just might let herself fall for Batman, were it not for his astounding self-control and sense of duty.
Chromologically, this story and its predecessor seem to fall into the "year one" space on the timeline, occurring between "Batman and the Monster Men" and "Batman and the Mad Monk" (even though Cptn. Gordon does make a single brief reference to Two-Face (indicating that Harvey Dent now exists as a villain), but this is easy to overlook and shouldn't throw the rest of the story off too badly).
I cannot recommend this book enough, but absolutely buy it with "Batman: Prey"; you'll be glad you did.