Barren Ground [Englisch] [Taschenbuch]

This lengthy story covers the life of a farm girl in rural Virginia around 1890 through the early 1920's. The novel starts out with her madly in love with another villager. A day before her wedding she is dumped. Her financee decides he is going to marry another villager.

She decides she is through with love and finds that men are more trouble than they are worth. The character's reasons, resoltuions, and actions are extremely admirable. Not focusing on relationships, she is able to rise from poverty to run a successful dairy farm. On the other hand, just about everyone else in the town become failures and poor (including her financee and his wife).

Sometimes, I found myself admiring the main character, Dorinda, and other times feeling pity that her loveless life was filled with work only. It seemed one-faceted and at times filled with biting man-hating resentment. There was a lot of substance to this book and much could be written and studied about it. Another book to be filled under "read again."

This is definitely one of Glasgow's best pieces of work.

Ellen Glasgow is largely forgotten now and this is a pity because she was a talented writer. "Barren Ground" and "Vein of Iron" are her best known works and in their time, the first half of the last century, they were highly regarded

"Barren Ground" is sometimes taken by feminists as a tract for their side. They are wrong. It is true that the protagonist, Dorinda, successfully makes her way in the man's world of the turn of the last century. Having been viciously jilted by her lover the twenty-year old Dorinda flees her impoverished Virginia homestead only to return two years later and gradually transform it into a showplace farm. In the process she is amply revenged on her faithless lover and becomes a wealthy and moderately powerful woman of admired character. So far, so good.

But, the title "Barren Ground" says it all. The Virginia farmland Dorinda inherits, worn out from years of tobacco culture, is indeed nearly barren. A pernicious weed, the bloomsedge, has invaded the sterile landscape and it must be plowed under if anything of value is to bloom. Thus far the obvious metaphor for Dorinda and her need to transform herself into something vital and valuable after her tragic young adulthood.

But, the title of the book is ironic. The land is, indeed, reclaimed by Dorinda and made fruitful again. It is Dorinda who remains barren -- both literally and figuratively -- to the last page.

It must occur to any careful reader that Dorinda is, in fact, psychologically unbalanced. Her 'jilt" at the age of twenty becomes the determining factor in her life. For most people, it is an episode. In page after page of over-wrought prose Ms. Glasgow takes us through Dorinda's ridiculously over-wrought reaction to being dumped. Whole chapters describe her inner turmoil and bitterness and after only a few pages the message becomes clear: Dorinda is mildly psychotic.

The second half of the book extends Dorinda's story from about 1893, when she is dumped, to 1923. During that time Dorinda uses the excuse of her musty, long-ago love affair, as an rationale for her utter lack of empathy toward others and her total self-involvement. She feels no grief when her loving father dies -- a man she mentally compares with a horse -- and has not even a trace of sympathy for a brother who fears for his life after having killed a man. When she finally does marry it is solely for reasons of gain and she is dismissive of her husband -- a man so intelligent and saintly that after his death the impoverished community erects a monument to his memory!

Dorinda is the classic ice-queen. Time and again the author tells us, and Dorinda reiterates, that she is repulsed by physical sex. She cannot,in fact, bear to be touched. There is not a single hint in the book, though, that she is attracted to women. While she maintains her surface decency Dorinda becomes one of those against whom Hawthorne warned us -- one who has lost hold of the magnetic chain of humanity.

Dorinda bears no child ("Barren Ground") and lives primarily for revenge. She is incapable of love. She sits in judgement on others. Offered, time and again, sacrificial love by her husband, and a few others, she dismisses the offer with contempt. Her only admirable quality is that she "endures" -- a thing done as well by cold stone.

There is no reclamation of Dorinda as there is of the land. She is a feminist "hero" only insofar as she has a tidy bank account. In all other ways she is a selfish, repulsive character and it is hard to believe that Glasgow used the adjective "barren" casually.

"Barren Ground" is not a tale of redemption. It is a tale, instead, of youthful psychosis hardening itself into a lifetime of uncaring. It is a cautionary tale. It belongs with Hawthorne's novels and short stories as a case study of a perverted personality warping itself into a moral sink.

The spirit of human triumph and Glasgow's breakthrough style are amazing. THe book is so three dimensional and a wonderful read.