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Autobiography of Mark Twain
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"Sometimes the autobiography seems Twain's letter to posterity. At other times, reading it feels like eavesdropping on a conversation he is having with himself... This first installment of Twain's autobiography brings us closer to all of him than we have ever come before."--New York Review of Books "Dip into the first enormous volume of Twain's autobiography that he had decreed should not appear until 100 years after his death. And Twain will begin to seem strange again, alluring and still astonishing, but less sure-footed, and at times both puzzled and puzzling in ways that still resonate with us, though not the ways we might expect."--New York Times "This is a book for dipping, not plunging. Read, as Twain might put it, until interest pales, and then jump. It feels like a form of time travel."--New York Times/The Opinion Pages "Twain generously provides the 21st century aficionado a marvelous read. His crystalline humor and expansive range are a continuous source of delight and awe... [He] has given us 'an astonishment' in his autobiography with his final, beautifully unorganized genius and intemperate thoughts. Pull up a chair and revel."--Los Angeles Times Book Review "Promises a no-holds barred perspective on Twain's life, and will be rich with rambunctious, uncompromising opinions."--Herald Scotland
Kurzbeschreibung
'I've struck it!' Mark Twain wrote in a 1904 letter to a friend. 'And I will give it away - to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography.' Thus, after dozens of false starts and hundreds of pages, Twain embarked on his 'Final (and Right) Plan' for telling the story of his life. His innovative notion - to 'talk only about the thing which interests you for the moment' - meant that his thoughts could range freely. The strict instruction that many of these texts remain unpublished for 100 years meant that when they came out, he would be 'dead, and unaware, and indifferent,' and that he was therefore free to speak his 'whole frank mind.' The year 2010 marks the 100th anniversary of Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, "UC Press" is proud to offer for the first time Mark Twain's uncensored autobiography in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three volumes and presents Mark Twain's authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended.
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Format:Gebundene Ausgabe
"And you shall know the truth, and the truth shall make you free." -- John 8:32 (NKJV)
I haven't had this much fun with a new book since the corrected version of Joyce's Ulysses came out. Let me explain. The only thing better than reading an outstanding work by a great writer is seeing the anatomy of how the work was written. It's fascinating to see the false starts, the problems, their solutions, and the process of mixing it all together to make a wonderful, tasty concoction for readers.
Samuel L. Clemens (a.k.a. Mark Twain) decided he wanted to write a truthful autobiography that would be so accurate in its portrayals that he directed it not be published for 100 years. Despite that admonition, his source material has been scoured to produce earlier versions of "an autobiography." It turns out that what Clemens had in mind was something much more difficult, writing an exhaustive autobiography that allowed him to also candidly share his unusual turn of mind and insert the kind of humor that makes his writing so appealing. As a result of many unsuccessful attempts, he chose to ignore the normal chronological order in favor of dictating segments (and side trips that are not necessarily very related) that appealed to him.
In the process, I came away with a strong feeling that it's hard to put your imprint on an autobiography . . . even if you are a wonderful storyteller and writer. The constraint of telling the truth (no more and no less) is also a daunting one, one that the footnotes to this fascinating volume indicate that Clemens often violated (probably unwittingly in many cases).
Even the "failed" sections make for fascinating reading, including his close association with Ulysses S. Grant while that ex-president and retired general coped with lethal cancer to complete his memoirs and to earn a little money for his family that was financially struggling, the many ways that publishers took advantage of Clemens, and his awful experiences with investing in new technology for typesetting.
To me, the most moving sections are those where his daughter Susy's biography is displayed and he elaborates on her stark, utterly honest thumbnail sketches. I came away impressed that he learned quite a lot about himself from Susy and wanted to rise to the challenge of not "embroidering" his personal history. Alas, the storyteller in him turned out to be stronger than the researcher. The result is a candid portrait of a man (like all men) who had feet of clay, but aspired to do better. I liked him the more for it, and my desire to read more of his writing was vastly increased.
The book is not an easy read. It starts with some very tiny type that even made my post-cataract operation eyes with reading glasses squint to see clearly. The material is very dense. I found myself settling down each day to study 15 to 30 pages at a time (an amount I would normally devour in a few minutes). In addition, there's much food for thought here. It would be a crime to leave it undigested. The notes in the back are very helpful for turning sections that are hard to penetrate into more accessible material. Don't neglect them.
Normally, I would question devoting so much scholarly effort into an autobiography. Having seen Volume I of this one, I think it's well worth the time, money, and effort . . . especially since this book begins to expose what Clemens most wanted us to know about him, in the way he intended.
Don't miss this book!!
If you know any writers, give them this book as a gift. They'll adore it (and probably you, as well, for being so thoughtful).
I haven't had this much fun with a new book since the corrected version of Joyce's Ulysses came out. Let me explain. The only thing better than reading an outstanding work by a great writer is seeing the anatomy of how the work was written. It's fascinating to see the false starts, the problems, their solutions, and the process of mixing it all together to make a wonderful, tasty concoction for readers.
Samuel L. Clemens (a.k.a. Mark Twain) decided he wanted to write a truthful autobiography that would be so accurate in its portrayals that he directed it not be published for 100 years. Despite that admonition, his source material has been scoured to produce earlier versions of "an autobiography." It turns out that what Clemens had in mind was something much more difficult, writing an exhaustive autobiography that allowed him to also candidly share his unusual turn of mind and insert the kind of humor that makes his writing so appealing. As a result of many unsuccessful attempts, he chose to ignore the normal chronological order in favor of dictating segments (and side trips that are not necessarily very related) that appealed to him.
In the process, I came away with a strong feeling that it's hard to put your imprint on an autobiography . . . even if you are a wonderful storyteller and writer. The constraint of telling the truth (no more and no less) is also a daunting one, one that the footnotes to this fascinating volume indicate that Clemens often violated (probably unwittingly in many cases).
Even the "failed" sections make for fascinating reading, including his close association with Ulysses S. Grant while that ex-president and retired general coped with lethal cancer to complete his memoirs and to earn a little money for his family that was financially struggling, the many ways that publishers took advantage of Clemens, and his awful experiences with investing in new technology for typesetting.
To me, the most moving sections are those where his daughter Susy's biography is displayed and he elaborates on her stark, utterly honest thumbnail sketches. I came away impressed that he learned quite a lot about himself from Susy and wanted to rise to the challenge of not "embroidering" his personal history. Alas, the storyteller in him turned out to be stronger than the researcher. The result is a candid portrait of a man (like all men) who had feet of clay, but aspired to do better. I liked him the more for it, and my desire to read more of his writing was vastly increased.
The book is not an easy read. It starts with some very tiny type that even made my post-cataract operation eyes with reading glasses squint to see clearly. The material is very dense. I found myself settling down each day to study 15 to 30 pages at a time (an amount I would normally devour in a few minutes). In addition, there's much food for thought here. It would be a crime to leave it undigested. The notes in the back are very helpful for turning sections that are hard to penetrate into more accessible material. Don't neglect them.
Normally, I would question devoting so much scholarly effort into an autobiography. Having seen Volume I of this one, I think it's well worth the time, money, and effort . . . especially since this book begins to expose what Clemens most wanted us to know about him, in the way he intended.
Don't miss this book!!
If you know any writers, give them this book as a gift. They'll adore it (and probably you, as well, for being so thoughtful).
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221 Rezensionen
1.187 von 1.210 Kunden fanden die folgende Rezension hilfreich
The Scholarly Mark Twain Edition
21. Oktober 2010
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
The potential reader for this edition should be aware of several items. First, this autobiography is an oversize hardbook which means it may not fit into a bookshelf with other more traditional hardbooks. Second this is an academic press which means that there is a long introduction and discussion of prior autobiographical starts by Mark Twain (1870-1905) for two hundred pages. The actual autobiography of Mark Twain is only 270 pages of transcriptions from his dictation of his 1906 attempt to write his life story. Following the narrative are an additional 150+ pages of notes, index and appendixes. Two more volumes will be published later. Third, this edition is a rambling text with no chronological sequence. Mark Twain told stories as he remembered as they came to his memory. None of these observations are negative but the reader should be aware of these differences.
This book aims to be the definitive edition by publishing everything that Mark dictated or wrote after 1905 in the order that it came into creation. Prior publications were much shorter as various editors organized what they thought was interesting, had his family's approval and was in some chronlogical sequence (Charles Neider did the best overall job of this fifty years ago). What the reader has here is Mark Twain's true speaking voice -- he is doing a monologue in your presence, going wherever his memory takes him.
This book aims to be the definitive edition by publishing everything that Mark dictated or wrote after 1905 in the order that it came into creation. Prior publications were much shorter as various editors organized what they thought was interesting, had his family's approval and was in some chronlogical sequence (Charles Neider did the best overall job of this fifty years ago). What the reader has here is Mark Twain's true speaking voice -- he is doing a monologue in your presence, going wherever his memory takes him.
584 von 608 Kunden fanden die folgende Rezension hilfreich
Wonderful, but beyond any adequate description
22. Oktober 2010
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
Fifteen minutes ago I finished reading Volume One of the newly published "Autobiography of Mark Twain". It is no more possible to adequately describe this massive book as to attempt to fully capture the full, intricate realities of a vast range of wild mountains.
Twain tried for many years to write his autobiography, but time and again his efforts ground to a halt and were abandoned, although fragments were kept for eventual use (and presented as part of this Volume One). It was not until Twain fixed upon the mode of orally dictating his autobiography that he found a method that really worked for him and allowed him to complete the project to his own satisfaction. The first portion of these 1906 dictations (plus explanatory editorial notes) form the heart of the present volume (two more volumes will eventually be released to complete the "Autobiography"). The result certainly does not follow a standard autobiographical approach (which Twain characterizes as a "plan that starts you at the cradle and drives you straight for the grave, with no side-excursions permitted on the way. Whereas the side-excursions are the life of our life-voyage, and should be, also, of its history.") The "Autobiography" as dictated instead is all side-excursion, almost stream of consciousness. Twain's intent was that it not be published in unexpurgated form until a hundred years after his death, leaving him free to say whatever he wished about whomever he wished to speak. Portions of it have indeed been published from time to time, in a highly edited form bearing little resemblance to what Twain intended as the true "Autobiography".
In approaching the "Autobiography" the reader should not expect a conventional, chronologically arranged, continuous narrative in the traditional style. Twain strove intentionally, and successfully, to avoid that, instead reaching for an entirely novel style suitable for avoiding what he considered to be the usual "lying" (perhaps especially lying to oneself) found in standard autobiographies. The present volume is presented in four distinct parts: First is a lengthy explanatory section from the editors, providing the background for the "Autobiography" and explaining what Twain was aiming for; this section is probably necessary for better appreciating what Twain eventually achieved, but also may not be the best place to begin browsing. Second are the fragments of autobiographical material Twain wrote over the last few decades of the 19th century, fragments left over from his failed attempts to create an autobiography but retained by him as containing enough material and honesty to satisfy his desires. Third is the real heart of the book: oral dictations that left Twain free to dart and drift wherever his thoughts led him, free of any rigid structure; this section is most open to casual browsing. And fourth are lengthy notes and comments from the editors on Twain's text and dictations, correcting factual errors and expanding upon details.
Reading the dictations is as near as one could hope to be sitting in a room with Twain, listening to him ramble along, mixing trivial events of forty or sixty years before with headlines from today's newspaper -- an effect that Twain was deliberately creating -- and dizzyingly flipping the pages of the calendar back and forth. Imagine Twain sitting there with a cigar and perhaps a glass of Scotch whiskey. Imagine yourself with the cigar and Scotch. It is wonderful, in the true, fundamental sense of that word.
Twain tried for many years to write his autobiography, but time and again his efforts ground to a halt and were abandoned, although fragments were kept for eventual use (and presented as part of this Volume One). It was not until Twain fixed upon the mode of orally dictating his autobiography that he found a method that really worked for him and allowed him to complete the project to his own satisfaction. The first portion of these 1906 dictations (plus explanatory editorial notes) form the heart of the present volume (two more volumes will eventually be released to complete the "Autobiography"). The result certainly does not follow a standard autobiographical approach (which Twain characterizes as a "plan that starts you at the cradle and drives you straight for the grave, with no side-excursions permitted on the way. Whereas the side-excursions are the life of our life-voyage, and should be, also, of its history.") The "Autobiography" as dictated instead is all side-excursion, almost stream of consciousness. Twain's intent was that it not be published in unexpurgated form until a hundred years after his death, leaving him free to say whatever he wished about whomever he wished to speak. Portions of it have indeed been published from time to time, in a highly edited form bearing little resemblance to what Twain intended as the true "Autobiography".
In approaching the "Autobiography" the reader should not expect a conventional, chronologically arranged, continuous narrative in the traditional style. Twain strove intentionally, and successfully, to avoid that, instead reaching for an entirely novel style suitable for avoiding what he considered to be the usual "lying" (perhaps especially lying to oneself) found in standard autobiographies. The present volume is presented in four distinct parts: First is a lengthy explanatory section from the editors, providing the background for the "Autobiography" and explaining what Twain was aiming for; this section is probably necessary for better appreciating what Twain eventually achieved, but also may not be the best place to begin browsing. Second are the fragments of autobiographical material Twain wrote over the last few decades of the 19th century, fragments left over from his failed attempts to create an autobiography but retained by him as containing enough material and honesty to satisfy his desires. Third is the real heart of the book: oral dictations that left Twain free to dart and drift wherever his thoughts led him, free of any rigid structure; this section is most open to casual browsing. And fourth are lengthy notes and comments from the editors on Twain's text and dictations, correcting factual errors and expanding upon details.
Reading the dictations is as near as one could hope to be sitting in a room with Twain, listening to him ramble along, mixing trivial events of forty or sixty years before with headlines from today's newspaper -- an effect that Twain was deliberately creating -- and dizzyingly flipping the pages of the calendar back and forth. Imagine Twain sitting there with a cigar and perhaps a glass of Scotch whiskey. Imagine yourself with the cigar and Scotch. It is wonderful, in the true, fundamental sense of that word.
331 von 347 Kunden fanden die folgende Rezension hilfreich
To Potential Readers and Gifters
1. Dezember 2010
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
It really should be made clear just what this book is and isn't. It is a completist's edition of a project Twain talked about for years but never actually sat down and wrote. In this scholarly volume, roughly one-third of the massive book details the process of its compilation, by Twain and by the editors (his contemporaries as well as the present ones), and includes what might today be called "outtakes" (several of which are quite interesting and enjoyable), pieces determined not to be intended as part of the Autobiography. One reader commented that "the book needs an editor". That misses the point; the scholarly editing is masterful. It COULD not credibly be edited in the sense of cutting it down as one might a contemporary manuscript to make it suitable for publication.
Another one-third of the tome consists of scholarly notes explaining many of the references in the text. Many of these are clarifications of people (some major, some insignificant)to whom Twain refers, or locations. In many cases these are extraneous to all but the most scholarly or the compulsive who needs to know who EVERYbody is and cannot determine it by context. In some cases, they correct lapses in Twain's memory (he clearly didn't research or check many of his facts)
Only one-third of this volume is the Autobiography itself, and it is only mildly interesting. It is certainly not a chronological narrative, much of it was dictated by an aging and bitter man(part of its sardonic charm), and much of it--- amazingly--- is drawn from a biography of Twain written, as a child, by his beloved daughter, which Twain explicates, albeit through the filter of the subsequent and ongoing grief Twain suffered since her youthful death.
My eyesight is lousy but I was untroubled by the type. I read it in book form, but I can see where it might be problematic on kindle; one has to skip back and forth between the text and the notes, and kindle may not lend itself to that (I wouldn't know). The sheer bulk of the book is indeed troublesome, and one will need two bookmarks, one for text and one for notes (as I often use in reading History).
Lastly, what remains as the "Autobiography"--- the reason, I think, most people would read this edition---is not terribly interesting nor funny. Fortunately, there is so much of Twain that is, and that is in print and easily available, and if one wants to read of Twain's earlier life, I would suggest reading or rereading Life on the Mississippi or his other (in a sense and ironically) more "autobiographical" works. The Library of America volume including Life... (as well as Huckleberry Finn and Tom Sawyer) contains copious but manageable notes and biographical information. My opinion is that it would make a better gift than this to all but academics and (pardon me) twainiacs.
Another one-third of the tome consists of scholarly notes explaining many of the references in the text. Many of these are clarifications of people (some major, some insignificant)to whom Twain refers, or locations. In many cases these are extraneous to all but the most scholarly or the compulsive who needs to know who EVERYbody is and cannot determine it by context. In some cases, they correct lapses in Twain's memory (he clearly didn't research or check many of his facts)
Only one-third of this volume is the Autobiography itself, and it is only mildly interesting. It is certainly not a chronological narrative, much of it was dictated by an aging and bitter man(part of its sardonic charm), and much of it--- amazingly--- is drawn from a biography of Twain written, as a child, by his beloved daughter, which Twain explicates, albeit through the filter of the subsequent and ongoing grief Twain suffered since her youthful death.
My eyesight is lousy but I was untroubled by the type. I read it in book form, but I can see where it might be problematic on kindle; one has to skip back and forth between the text and the notes, and kindle may not lend itself to that (I wouldn't know). The sheer bulk of the book is indeed troublesome, and one will need two bookmarks, one for text and one for notes (as I often use in reading History).
Lastly, what remains as the "Autobiography"--- the reason, I think, most people would read this edition---is not terribly interesting nor funny. Fortunately, there is so much of Twain that is, and that is in print and easily available, and if one wants to read of Twain's earlier life, I would suggest reading or rereading Life on the Mississippi or his other (in a sense and ironically) more "autobiographical" works. The Library of America volume including Life... (as well as Huckleberry Finn and Tom Sawyer) contains copious but manageable notes and biographical information. My opinion is that it would make a better gift than this to all but academics and (pardon me) twainiacs.
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