- Gebundene Ausgabe: 352 Seiten
- Verlag: University of South Carolina Press; Auflage: illustrated edition (Juni 2003)
- Sprache: Englisch
- ISBN-10: 1570035032
- ISBN-13: 978-1570035036
- Größe und/oder Gewicht: 23,2 x 16,7 x 2,8 cm
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Synopsis
This work offers buyers, sellers, and collectors an easy-to-use, one-volume source of information for these bird and quadruped prints of John James Audubon. It contains obscure references, where the author, Bill Steiner, has surveyed the contemporary market-place. Addressing one of the more complex aspects of print collection, the text clarifies the task of distinguishing the octavio prints of the successive editions of Audubon's "Birds of America" (1840-1871) and "Quadrupeds of North America (1849-1870). It describes the publication histories of each edition since the first, offers information about printers, engravers, and subscribers, and provides practical information on price histories, accessibility, and preservation.
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Einleitungssatz
In 1819, John James Audubon was thirty-four years old, with a wife and two young sons, living near the American frontier in Henderson, Kentucky. Lesen Sie die erste Seite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
In 1819, John James Audubon was thirty-four years old, with a wife and two young sons, living near the American frontier in Henderson, Kentucky. Lesen Sie die erste Seite
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11 Rezensionen
17 von 17 Kunden fanden die folgende Rezension hilfreich
Excellent Resource to Amateur Collectors of Audubon Prints
26. Oktober 2003
Format:Gebundene Ausgabe
I got my copy a few months ago from Amazon.Com, and essentially read through it cover-to-cover, so to speak. I am an amateur collector of Audubon prints, and an enthusiast of Audubon's life, and the legacy he left behind for all the Americans. I think Bill Steiner's book is an invaluable resource that fills a major void about Audubon's prints - - It provides information on what to look for in collecting prints, which prints have significant value now and likely to appreciate in future, the technical details of production of Havells, Imperials, Biens, and the Octavos, some details on restoration and conservation, tips on internet-based sales, his own assesment of the Quality of various double-elephant folio prints (including modern day real high-quality reproductions such as the Amsterdams and the Princetons),and the names of several Audubon galleries (I didn't know some of them existed until after reading the book). Last but not the least, I enjoyed Bill's sense of humor (I particularly had a good laugh reading the recount of his experience at Christie's Auction House). I only wish his book were available to me a couple of years ago when I first started collecting the prints ! I recommend this book highly.
12 von 12 Kunden fanden die folgende Rezension hilfreich
The perfect launching pad for a jump into Audubon prints
23. September 2003
Format:Gebundene Ausgabe
As an art dealer specializing in original Audubon prints, I hear from many people who hope the Carolina Parrot print they found in the attic will turn out to be worth a fortune. Finally, there is a book that will help them...and me!
This well-illustrated book is the first to read if you have an interest (old or new) in Audubon prints. The book covers the original prints, the valuable full-sized facsimiles, and the not-so-valuable undersized reproductions. Steiner discusses all the major categories (and editions) of original prints including octavo (small) and folio (large), the birds and animals, the copper-plate etchings and the stone lithographs. He also provides a helpful overview of the vast number of facsimile and reproduction editions in circulation. While not complete, it is remarkably comprehensive and will help answer many an Audubon newcomer's questions.
Novice collectors will find everything they need to begin either a serious or casual exploration of Audubon's art--biography, glossary of terms, authentication guidelines (much easier than you may think!), sample prices, information on dealers and guidance on how to buy or sell prints. Seasoned collectors will find previously unpublished information that disproves or amends rules-of thumb that have been gospel for years; they will also find many new sources for prints, books, and educational pursuits.
Steiner has strong opinions and personal interests with regard to Audubon, and they are reflected in the text, but he is diligent about labeling them as such, and putting the more esoteric of his interests where they belong--in one of the book's many appendices. Overall, he has done an excellent job pulling together information from disparate sources, making available to collectors for the first time much "dealer lore"--information previously known only by Audubon specialists. This is a quick-reading book, and one that both dealers and collectors will refer to for years to come.
9 von 9 Kunden fanden die folgende Rezension hilfreich
Unlocking the Door to the World of Audubon Prints
4. August 2003
Format:Gebundene Ausgabe
One of the most common stories you hear while visiting purveyors of original Audubon prints is how they constantly receive phone calls asking "is my Audubon print an original?" Of course, this is due to the combination of two phenomena - people have the general notion that Audubon prints are valuable, but there are millions of reproductions out there which, although they may be aesthetically pleasing, are not worth much. How to tell if you hit the jackpot (an Antiques Roadshow moment) without making that phone call? Buy this book. Bill Steiner has written the first extensive treatment on Audubon prints from the viewpoint of the collector. There are lots of books about Audubon out there, and some scholarly books on the original prints (most notably by Susanne Low). But, this book lays out all the knowledge gathered by an avid collector, accumulated over many years of poking through print shops and galleries and examining large numbers of Audubon prints, of all kinds. If you don't have the time to learn all these details the old fashioned way, as Bill Steiner did, then this is your best key to the world of collecting Audubon prints. It is written in an almost folksy style, and is very accessible to the reader. Of great importance to anyone thinking of starting to obtain some of those actually genuine original Audubon prints is an evaluation of how to do this via auction, and in particular, via online auction sites. But, this book is more than just for the beginner, and long-time connoisseurs of Audubon will immensely enjoy it, both for validation of what they already knew, as well as to see if the author knows something they don't!
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