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Audition: Everything an Actor Needs to Know to Get the Part [Englisch] [Taschenbuch]

Michael Shurtleff
4.7 von 5 Sternen  Alle Rezensionen anzeigen (18 Kundenrezensionen)
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2. Dezember 1979
Michael Shurtleff has been casting director for Broadway shows like Chicago and Becket and for films like The Graduate and Jesus Christ Superstar. His legendary course on auditioning has launched hundreds of successful careers. Now in this book he tells the all-important HOW for all aspiring actors, from the beginning student of acting to the proven talent trying out for that chance-in-a-million role!

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Audition: Everything an Actor Needs to Know to Get the Part + Sanford Meisner on Acting + Actor Prepares (Bloomsbury Revelations)
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  • Taschenbuch: 288 Seiten
  • Verlag: Bantam; Auflage: Reissue (2. Dezember 1979)
  • Sprache: Englisch
  • ISBN-10: 0553272950
  • ISBN-13: 978-0553272956
  • Größe und/oder Gewicht: 10,6 x 2,1 x 17,3 cm
  • Durchschnittliche Kundenbewertung: 4.7 von 5 Sternen  Alle Rezensionen anzeigen (18 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 36.373 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
  • Komplettes Inhaltsverzeichnis ansehen

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"What a book! Yet it's so simple that you learn without feeling it happen. Thank you, Michael; we needed it."—Joshua Logan


Provides acting students with specific advice on handling every possible auditioning situation and offers behind-the-scenes stories about the beginning days of such stars as Barbra Streisand, Dustin Hoffman, and Lily Tomlin. -- Dieser Text bezieht sich auf eine andere Ausgabe: Taschenbuch .

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In diesem Buch (Mehr dazu)
Let us consider some practical aspects of the reading situation first. Lesen Sie die erste Seite
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Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
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4.7 von 5 Sternen
4.7 von 5 Sternen
Die hilfreichsten Kundenrezensionen
1 von 1 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen I've nearly worn my copy out with use! 10. Mai 2000
Von Ein Kunde
This book is an INVALUABLE resource. And I'm not a traditional actor, I'm an opera singer. I had to read this for a class on (what else?) auditioning, and loved it so much that I finished it the first day of class. Shurtleff's 12 Guideposts, carefully applied to just about any performance (I use them for arias, art songs, etc), can help create something nuanced and fascinating. As if the guideposts weren't enough, Shurtleff gives wonderful ideas on the nitty-gritty of auditions (how to present your past experience, what to wear, etc). I just can't say enough good about this book. When I perform an operatic scene that I've run through the 12 guideposts, I get comments like, "You're a great actress! You really have a theatrical flair!" Boy, does that feel good. I'd give this thing six stars if I could. I hate to even tell other people about this book, because then everyone can gain my edge.
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1 von 1 Kunden fanden die folgende Rezension hilfreich
This book is a wonderful slant on the creative process - I used it to teach my private voice students how to interpret songs for performance. It was recommended to me by one of my directors who is also a screenwriter. His words: "It's not just for actors, it's for directors, writers.... oh I think everyone should read it!" Having logged 25+ years in stage production I would agree: It's a shot of reality I could have used when I was just a snot-nosed kid starting out in the business (although I probably would have chafed at it at the time). I'll be passing on to my (successful) screenwriter friends - it's a wonderful tool for building characters both on the page and on the stage.
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5.0 von 5 Sternen EXTREMELY PRACTICAL AND HELPFUL 28. Januar 2002
I am a theatre director and author (also occasional actor) living and working in Austria. An actress friend gave me "Audition" as a first night gift. I devoured the 12 Guideposts --- extremely helpful and practical. I must add that I read "Audition" primarily as a book on acting - which is mysticised far too much. I only wish there were more books of this calibre so chockful of helpful advice.
Shame that Shurtleff concentrates so much on contemporary and 20th century American drama - I would have been greatly interested in his comments on Shakespeare, Brecht, Stoppard ... Aristophanes ... Well, you can't have everything. The principles are the same.
Read it. Shurtleff is particularly good on how hard actors attempt to avoid being positive and interesting. Invaluable practical advice, less so for total beginners, perhaps, than for theatre-makers with some experience of theatre practice.
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Von Ein Kunde
An eye-opening resource for actors. Auditioning requires a distinct set of skills and Shurtleff lays them out in bold print. His "12 Guideposts" provide a frame on which to build an effective and successful audition. Written by a life-long theatre professional, this no-nonsense how-to book, gives solid advice to every actor - no matter how experienced. Each chapter is filled with lessons taken from workshops, auditions, and life. My personal favorite was, "Observations from a Life in the Theatre". An absolute must have!
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5.0 von 5 Sternen If you're into acting, you must own this book!!! 1. Oktober 1997
Von Ein Kunde
"Audition" is by far the best organized, and understandable acting book I've ever read. Not only can Mr. Shurtleff's guidelines be applied to auditioning, they are the fundamental building blocks for ALL character development. Mr. Shurtleff breaks auditioning down into 12 realistic, easy to achieve "guideposts". If you are a seasoned performer, or even mildly considering community theatre- Read "Audition"! They say 99% of professional acting careers is rejection- why not learn how to give your audition 110%?
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5.0 von 5 Sternen right on the money!!!! 27. September 1998
Von Ein Kunde
This book will not only give you the insight and the know-how on how to get it together, but it's chock full of humorous anecdotes and phrases. The great thing is that not only can you use these techiniques towards acting, but they also work EXTREMELY well for job interviews and life as a general rule. It is more of a Real Life 101 and how to deal with directors (i.e bosses, teachers) It serves a multi-faceted purpose. Every actor/actress should own two copies (in case somebody steals one).
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I got this book on a loan from my voice instructor when I went out for an audition of Tartuffe. I didn't make it, but I started reading the book, and it has helped me a lot! I got my next audition thanks to the tips, and guideposts. And even though I've read it completely through, I keep reading it over and over again. It has become my theater bible. I suggest anyone who has any desire to act read it. Even if you have no trouble with auditions, because it'll only help you improve.
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5.0 von 5 Sternen This is a wonderful tool for EVERY actor! 27. Juni 1998
Von Ein Kunde
I am a tech but due to class requirements, I have to act as well. I read it when I first got it (several years ago) and I'm reading it again and discovering things I had missed before. Even if you are not becoming an actor or really studying acting, it gives perspective on not only acting but human behavior as well. It's wonderful reading no matter how many times you read it!
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Die neuesten Kundenrezensionen
5.0 von 5 Sternen a rare species of Books on ACTING
That will Not League you ständig in the rain with a lot of " well, it was Quote interessant - Not, it. was much more. Lesen Sie weiter...
Vor 5 Monaten von Hanna Valessi veröffentlicht
5.0 von 5 Sternen Tremendous awesome Book
Smart, funny and really sharp book. It prepares for audition and encourages everybody to be funny and himself. And of course it gives some techniques to get the job. Lesen Sie weiter...
Vor 8 Monaten von 7777 veröffentlicht
3.0 von 5 Sternen gute ideen - leider nicht neu - aber nützlich
ich habe das buch aus NY mirgebracht. ich spiele improtheater - theatersport. in "audition" sind alle wichtigen regeln, eine rolle zu finden, eine handlung zu entwickeln... Lesen Sie weiter...
Am 1. August 2000 veröffentlicht
5.0 von 5 Sternen Very Very Helpful
This book give lots of usefel advice. I would recommend it to anyone who is in theater.
Am 14. März 2000 veröffentlicht
1.0 von 5 Sternen one of the worst books ever written
I had to read this book for my honors Theatre class, and let me tell you it is the most boring book ever! Lesen Sie weiter...
Veröffentlicht am 3. März 2000 von Laura
5.0 von 5 Sternen Dead On
Even if you have no interest in the entertainment industry at all, the book is worth reading. I have gotten better insight about personal relationships in this book than in any... Lesen Sie weiter...
Am 30. Juli 1999 veröffentlicht
5.0 von 5 Sternen I-N-C-R-E-D-I-B-L-E!!!
My acting teacher is actually using this book as our textbook (undergrad intermediate theatre class)! It isn't only guidelines for auditioning, it is a guideline for acting. Lesen Sie weiter...
Veröffentlicht am 28. Oktober 1998 von
5.0 von 5 Sternen Shurtleff's book is great... so great I became a director
Michael Shurtleff is one of few, in the vast ocean of resources available out there, that really knows his stuff. Don't waste your time with other books. Lesen Sie weiter...
Am 17. Oktober 1998 veröffentlicht
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