OK, so I already own three other books on Polymer Clay. Didthis book have information not contained in my other three books? Wasthis book's new information of sufficient quantity that I couldn'tjust memorize the new techniques and not spend the money?
Billed on the back cover as the "ultimate polymer clay book," every page holds the same promise. This book demonstrates the absolute versatility of the polymer clay medium.
Donna's organization of polymer clay techniques makes perfect sense. She starts with the basics, then explains canes and loaves, followed by a host of surface treatments. Mould-making is next, then there are Tory Hughes's imitative techniques for bone, stone, and coral. Donna gives liberal credit to Tory. Next, Donna hits on sculptural techniques in three chapters: vessels, floral forms, and figurines.
Vernon Ezell's photographs are colorful and sharp, enhancing Donna's instructive text. You may have seen an article or two by Donna in Jewelry Crafts or Lapidary Journal magazines. This book contains all of her ideas from those articles and lots more.
I pondered for four days whether I should spend the money for this book. I bought it. You should too if you already work with polymer clay or are considering whether you should start. It's a real inspiration! END