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Kurzbeschreibung
This lively introduction to Japanese joinery not only delves lovingly into the unique history and development of Japanese carpentry, but also reveals many secrets of Japanese joinery. Presenting 48 joints, selected from among the several hundred known and used today, this visually exciting book will please anyone who has ever been moved by the sheer beauty of wood.
With the clear isometric projections complementing the 64 pages of stunning photographs, even the weekend carpenter can duplicate these bequests from the traditional Japanese carpenter, which can be applied to projects as large as the buildings for which most of them were originally devised or to projects as small as a sewing box.
With the clear isometric projections complementing the 64 pages of stunning photographs, even the weekend carpenter can duplicate these bequests from the traditional Japanese carpenter, which can be applied to projects as large as the buildings for which most of them were originally devised or to projects as small as a sewing box.
Synopsis
This introduction of Japanese joinery delves into the history and development of Japanese carpentry, and it also reveals many secrets of Japanese joinery. It presents 48 joints, selected from among the several hundred known and used today. With clear isometric projections complementing the photographs, any carpenter can duplicate these bequests from the traditional Japanese carpenter. They can be applied to projects as large as the buildings for which most of them were originally devised or as small as a sewing box.
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Kundenrezensionen
Die hilfreichsten Kundenrezensionen
6 von 6 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
...geeignet für Personen, die
- eine Übersicht über einfache japanischen Holzverbindungen,
- eine oberflächliche Einführung in die Geschichte der japanischen Zimmerkunst,
- SW-Photos von einigen Holzverbindungen,
- nicht sehr tiefschürfende Hinweise auf die Frage "Warum diese Verbindung"
suchen.
Es war nicht wirklich das was ich gesucht habe. Das Buch ist von 1978, enthält viele Seiten (informativen, englischen) Text, 10 Photos von Holzverbindungen an Bauwerken, 48 Photos von Holzverbindungen (auf die im Text referenziert wird). Zusätzlich sind ca 20 Risszeichnungen dem Text zur Seite gestellt - sie zeigen im Wesentlichen die bereits als Photos vorhandenen Verbindungen.
Was man nicht findet sind genaue, bemaßte Anleitungen zur Herstellung dieser Verbindungen und auch die Rißzeichnungen der "komplizierteren" Verbindungen sind leider etwas unübersichtlich. Die Herstellung der meisten 2-Holz-Verbindungen kann so vielleicht noch gelingen, die einzige "kunstvolle" Verbindungen von 3 Balken erschließt sich mir jedoch nicht.
Insgesamt eher "Knobel"-Anleitung für einfache Holzverbindungen.
- eine Übersicht über einfache japanischen Holzverbindungen,
- eine oberflächliche Einführung in die Geschichte der japanischen Zimmerkunst,
- SW-Photos von einigen Holzverbindungen,
- nicht sehr tiefschürfende Hinweise auf die Frage "Warum diese Verbindung"
suchen.
Es war nicht wirklich das was ich gesucht habe. Das Buch ist von 1978, enthält viele Seiten (informativen, englischen) Text, 10 Photos von Holzverbindungen an Bauwerken, 48 Photos von Holzverbindungen (auf die im Text referenziert wird). Zusätzlich sind ca 20 Risszeichnungen dem Text zur Seite gestellt - sie zeigen im Wesentlichen die bereits als Photos vorhandenen Verbindungen.
Was man nicht findet sind genaue, bemaßte Anleitungen zur Herstellung dieser Verbindungen und auch die Rißzeichnungen der "komplizierteren" Verbindungen sind leider etwas unübersichtlich. Die Herstellung der meisten 2-Holz-Verbindungen kann so vielleicht noch gelingen, die einzige "kunstvolle" Verbindungen von 3 Balken erschließt sich mir jedoch nicht.
Insgesamt eher "Knobel"-Anleitung für einfache Holzverbindungen.
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
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12 Rezensionen
47 von 49 Kunden fanden die folgende Rezension hilfreich
Great art - not a howto book
26. Oktober 2006
Format:Taschenbuch
The photographs and many diagrams in this book (most of the book in fact is gorgeous glossy photos of the different joints described) expose and beautifully illustrate the Japanese people's many intricate forms of joinery. The author explains the basic concept behind each joint but does not provide details on how to make the cuts that form it. The joints illustrated here are those most commonly used by Japanese "carpenters" and provide an excellent basic overview of what the joints look like and how they fit together. Readers looking for a how-to book will prefer "The Complete Japanese Joinery" by Hideo Sato and Yasua Nakahara.
7 von 7 Kunden fanden die folgende Rezension hilfreich
functioning words: "the ART of..." not "how-to"
23. April 2009
Format:Taschenbuch|Von Amazon bestätigter Kauf
I inherited this book from my father and enjoyed perusing it from time-to-time. I loved that book dearly, and so, decided to share it with others by donating it to our local library.
Another reviewer was correct that it is not a typical "how-to" book, but it is an inspirational art book of classic Japanese joinery. The reason there is little "how-to" information here is because there are so many ways to accomplish these joints; by machine, entirely by hand, or with jigs and many combinations thereof. Also, the only people interested in this type of work are those who simply find it fascinating or are expert craftsmen. In either case, extraneous "how-to" info is not needed.
The book is beautiful, unique, and about an arcane subject, so it has high merit solely in that respect. If you love this type of thing, it is for you and highly recommended. Gorgeous photographs of intricate, hand-crafted joinery are intriguing for some of us woodworkers, even if we never intend to use these joints. And for those of who have made some of these joints, the excellent examples provide a high benchmark for grading our own efforts.
Most of the joinery in this book was cut by hand with traditional Japanese hand tools: Dozuki saws, chisels and wooden planes. Part-time "Home" craftsmen may find these examples inspiring, intimidating or outright depressing in comparison to their own work. My father was a world-class craftsman ( a violin repairman and pattern-maker) so he made many of these joints just for practice, although the methods he chose would undoubtedly differ from traditional Japanese woodworker's ways.
The few joints in here that I found practical use for were the construction joints that help isolate vibration while maintaining structural integrity. Although these timber-framing joints are intended to provide flexible-yet-strong houses in earthquake-prone Japan, they are also useful in building recording-studios where sound-transmission through joist-conduction must be minimized. I suspect that very few construction workers would have the confidence in their skills to cut some of these complex joints into an expensive 60-foot glue/ lam beam as I did. Of course, I would have never risked that without practicing the joints first on less expensive material with the expert help of my father. If you build recording studios, or want an Earth friendly yet Earthquake resistant home, you may find practical applications for timber framing joinery within. Although I have not heard of many architects using this joinery, I have thought of other applications. The metal-free joinery ( without nails or screws) in this volume could solve some design problems in structures that contain super-powerful magnets for nuclear medicine or particle physics labs.
If you want a "gee-whiz! YOU TOO can create these fancy joints with simple techniques and cheap tools" type of book, look elsewhere. This is not a book for the Sears Table-saw crowd.
This is a magnificent tome for an elite group of artisans and art-lovers.
Another reviewer was correct that it is not a typical "how-to" book, but it is an inspirational art book of classic Japanese joinery. The reason there is little "how-to" information here is because there are so many ways to accomplish these joints; by machine, entirely by hand, or with jigs and many combinations thereof. Also, the only people interested in this type of work are those who simply find it fascinating or are expert craftsmen. In either case, extraneous "how-to" info is not needed.
The book is beautiful, unique, and about an arcane subject, so it has high merit solely in that respect. If you love this type of thing, it is for you and highly recommended. Gorgeous photographs of intricate, hand-crafted joinery are intriguing for some of us woodworkers, even if we never intend to use these joints. And for those of who have made some of these joints, the excellent examples provide a high benchmark for grading our own efforts.
Most of the joinery in this book was cut by hand with traditional Japanese hand tools: Dozuki saws, chisels and wooden planes. Part-time "Home" craftsmen may find these examples inspiring, intimidating or outright depressing in comparison to their own work. My father was a world-class craftsman ( a violin repairman and pattern-maker) so he made many of these joints just for practice, although the methods he chose would undoubtedly differ from traditional Japanese woodworker's ways.
The few joints in here that I found practical use for were the construction joints that help isolate vibration while maintaining structural integrity. Although these timber-framing joints are intended to provide flexible-yet-strong houses in earthquake-prone Japan, they are also useful in building recording-studios where sound-transmission through joist-conduction must be minimized. I suspect that very few construction workers would have the confidence in their skills to cut some of these complex joints into an expensive 60-foot glue/ lam beam as I did. Of course, I would have never risked that without practicing the joints first on less expensive material with the expert help of my father. If you build recording studios, or want an Earth friendly yet Earthquake resistant home, you may find practical applications for timber framing joinery within. Although I have not heard of many architects using this joinery, I have thought of other applications. The metal-free joinery ( without nails or screws) in this volume could solve some design problems in structures that contain super-powerful magnets for nuclear medicine or particle physics labs.
If you want a "gee-whiz! YOU TOO can create these fancy joints with simple techniques and cheap tools" type of book, look elsewhere. This is not a book for the Sears Table-saw crowd.
This is a magnificent tome for an elite group of artisans and art-lovers.
3 von 3 Kunden fanden die folgende Rezension hilfreich
the Art of technical craftsmanship
16. April 2008
Format:Taschenbuch
Excellent historical and technical information.
Very well illustrated with photographs and drawings (orthographic projections).
Table of contents, no index.
This book should appeal to many individuals with a very wide range of construction interests, including architect, designer, carpenter, cabinet maker and artist. In fact Japanese woodworkers guilds, again refining ancient Chinese practices, have created a practice that is as much art as technology in designing and making both joints and the tools to create them. Information on the tools is brief but the variety alone would necessitate another complete book.
This presentation of Japanese joinery represents fully only a few (48) of the many joints created by Japanese woodworkers since 200 BC (perhaps 400 remain "common"), however each presentation includes sufficient pictorial, historical and descriptive detail to understand the incredible skills that were necessary for this evolution of useful joinery.
How serious you feel about architecture, design or cabinetry is not genuinely important to the reader of this book. All readers will acquire some new appreciation for incredible craftsmanship and a stimulated interest in the Japanese technology that remains alive in the oldest wooden structures remaining on Earth.
Very well illustrated with photographs and drawings (orthographic projections).
Table of contents, no index.
This book should appeal to many individuals with a very wide range of construction interests, including architect, designer, carpenter, cabinet maker and artist. In fact Japanese woodworkers guilds, again refining ancient Chinese practices, have created a practice that is as much art as technology in designing and making both joints and the tools to create them. Information on the tools is brief but the variety alone would necessitate another complete book.
This presentation of Japanese joinery represents fully only a few (48) of the many joints created by Japanese woodworkers since 200 BC (perhaps 400 remain "common"), however each presentation includes sufficient pictorial, historical and descriptive detail to understand the incredible skills that were necessary for this evolution of useful joinery.
How serious you feel about architecture, design or cabinetry is not genuinely important to the reader of this book. All readers will acquire some new appreciation for incredible craftsmanship and a stimulated interest in the Japanese technology that remains alive in the oldest wooden structures remaining on Earth.
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