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When a reprinting was planned in 1973, it had by then become possible to make use of the advanced technical developments in offset printing, and the entire book was produced by this printing process. Altogether great care was taken to preserve the excellence of the original edition, Contents and order of pages were retained, some of the illustrations were enlarged and veracity was improved as far as the existing material allowed. Our aim for this new printing was to once again make available in its best form Johannes Itten's color course, while at the same time strictly adhering to his principles of presentation.
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Another great aspect of the book is the numerous master paintings beautifully reproduced and intertwined with his own theories and color diagrams. You get paintings by Rembrandt, Renoir, Monet, El Greco, Seurat, and so many others. Itten is always contrasting the objective and the subjective aspects of art and color, and it makes for a fascinating reading experience.
Itten has a mature perspective on these painters and their relation to color. Its only flaw is that Itten's is only one perspective. I wish there were more authors who could write and analyze art at this level, and who weren't afraid to be spiritual in their assessments.
With so many dramatic advancements in technology, we tend to forget very quickly where we were. Just a decade or so ago, this book was literally too difficult and too expensive to produce. We are lucky to live in an age in which a book of such profound beauty is even available. Overall, it's a must for any fine library.
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