Amazon.com
This exhaustive look at a long century of art making and art questioning is, understandably, more broad than it is deep. A massive, boxed, two-volume set, it's divided into sections on painting, sculpture, new media (performance art, video art, earth art, etc.), and photography, with a 150-page biographical appendix of all of the 780 artists whose works are illustrated in the main sections of the book. The original German text, written by a team of writers and art historians, has been fluidly translated by John William Gabriel. The authors are very much of their own time and place: there are more works from after World War II than before it, and many more German artists--including mediocre and derivative ones--make the cut than if the book had been written by, say, an English or a French team. In fact, the English seem slightly shortchanged here. William Tucker, still a vital influence, is represented by a 1967 minimal sculpture and a four-word mention, and painter Howard Hodgkin is omitted entirely. And while American sculptor-entrepreneur Jeff Koons is given more than his due, the thoughtful and significant Rachel Whiteread is not mentioned at all. But Art of the Twentieth Century is an unquestionably useful reference guide to a period that swings dramatically from the impressionists all the way to Nam June Paik.
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From Library Journal
As the next millennium approaches, we can expect innumerable surveys of the previous century's achievements in all sorts of subjects. But we can hardly imagine a better look back at the explosion of creativity in the visual arts than this sprawling, two-volume set. Rather than force a single narrative of movements and countermovements, Ruhrberg and his German colleagues concentrate on individual artists, providing just enough surprises to entertain, enlighten, and provoke readers of all levels.
Copyright 1999 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Copyright 1999 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Kurzbeschreibung
From Klimt to Koons and everything in between: it's all here (TASCHEN's 25th anniversary special edition) Who could possibly have forecast on New Year's Eve 1899 that, one hundred years later, painting and sculpture would be only options, not prerequisites? The term "art" has been defined and redefined so many times over the last 100 years that it has gained entirely new social, political, and technological meanings. Ranging across the full spectrum of disciplines available, including photography and new media, and thematically chaptered to highlight relationships between works and movements, this readable and encyclopaedic masterwork does just what it says on the cover. Whether you want Surrealism or Land Art, Fluxus or Bauhaus, this is your be-all, end-all guide to art of the 20th century. An undertaking as immensely ambitious as this one deserves to be owned by everyone, which is why we decided to make a special, more compact edition of this two-volume classic in celebration of our 25th anniversary.
Synopsis
From Klimt to Koons and everything in between: it's all here (TASCHEN's 25th anniversary special edition) Who could possibly have forecast on New Year's Eve 1899 that, one hundred years later, painting and sculpture would be only options, not prerequisites? The term "art" has been defined and redefined so many times over the last 100 years that it has gained entirely new social, political, and technological meanings. Ranging across the full spectrum of disciplines available, including photography and new media, and thematically chaptered to highlight relationships between works and movements, this readable and encyclopaedic masterwork does just what it says on the cover. Whether you want Surrealism or Land Art, Fluxus or Bauhaus, this is your be-all, end-all guide to art of the 20th century. An undertaking as immensely ambitious as this one deserves to be owned by everyone, which is why we decided to make a special, more compact edition of this two-volume classic in celebration of our 25th anniversary.
Über den Autor
Ingo F. Walther was born in Berlin and studied medieval studies, literature, and art history in Frankfurt am Main and Munich. He has published numerous books on the art of the Middle Ages and of the 19th and 20th centuries, including TASCHEN's Vincent van Gogh, Pablo Picasso, and Codices illustres.