Ivan Brunetti, best known for his simplistic Misery Loves Comedy series from the 1980s, has compiled one of the more compelling tomes of graphic fiction in recent days. But what is it that differentiates this book from the dozens of similarly-themed books available? There are a number of things...
First of all, most of the artists and writers featured in An Anthology of Graphic Fiction are cream-of-the-crop when it comes to independent (read: mainly self-produced) material. A cursory glance through this book will expose the eye to the free-flowing styles of James Kochalka, Mark Beyer, and John Porcellino mingling merrily alongside the relatively more stringent Seth, Chester Brown, and R. Crumb. However, there are a few wild cards, such as the unknown "secret" (almost pornographic) work of reclusive Henry Darver, discovered in his cluttered apartment shortly after the deranged man's death, and a dated magazine cover illustration by the late Gene Deitch. Though much rarer amongst the bigger name talent, these "outsiders" add a definite flavour to the more popularly known artists.
Secondly, the book itself is quite stylishly designed. An elegant tri-colour dust jacket by Canada's own Seth graciously invites the reader to investigate the outside of the book as well as the inside. For a book of its size compiled by one of the big names in the business, one might expect to pay a premium, yet it retails for less than $30 (American).
And thirdly, while Mr. Brunetti makes no bones about this not being a "definitive" collection of independent cartoonists and comics, he (along with the likes of Tom Devlin, Kim Thompson, Chris Ware, Fantagraphics' Gary Groth, and several others) does a fine job of selecting some of the best pieces and excerpts by the artists featured therein. Many of the excerpts are from significantly larger sources, yet (for the most part) work perfectly for the format in which they are offered.
There are, of course, a few instances where a snippet feels incomplete (due to exactly this issue), however this does not hurt the book's appeal.
In fact, a few of the stories seem at a glance to be thematically linked (the disturbing nature of Phoebe Gloeckner's "Fun Things to Do with Little Girls" is introduced by an excerpt from Justin Green's equally dysfunctional Binky Brown Meets the Holy Virgin Mary, and glides into a moving passage from Chester Brown's I Never Liked You). A coincidence, perhaps? Nobody's giving away any secrets.
On a down note, the table of contents for this book is lacking (nor was there an index). Comprised of miniature (yet not unattractive) caricatures of a primary character from each story or comic, with a numeral below signifying the page on which said character can be found, this book presumes some familiarity with the artists or stories. In fact, very few of these selections were "new" to me - but in this new context, I felt as if I had been re-introduced to some of my old favourites, as well.
For a book that could be considered Mr. Brunetti's personal collection of favourites, it is fortunate for the reader that - should this, in fact, be the case - Mr. Brunetti has a fine eye for selection.