- Gebundene Ausgabe: 224 Seiten
- Verlag: Prestel Verlag (23. September 2009)
- Sprache: Englisch
- ISBN-10: 3791343440
- ISBN-13: 978-3791343440
- Größe und/oder Gewicht: 28 x 2,4 x 24 cm
- Amazon Bestseller-Rang: Nr. 353.796 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Kurzbeschreibung
Wer das gesamte eindrucksvolle Spektrum dieses Ausnahme-Künstlers erfassen will, der sollte den Blick auf sein Spätwerk lenken: Ab September 2009 sind die Hauptwerke dieser Periode auf einer großen Wanderausstellung durch die USA zu sehen und in diesem üppig bebilderten Ausstellungskatalog. Als einzige lieferbare Publikation über Warhols Spätwerk zeigt sie über 200 Werke, darunter die Serien Retrospective and Reversals, Shadows, Oxidations, die Yarn Paintings, The Last Supper und Warhols letzte Selbstportraits. Das Buch legt sein besonderes Augenmerk auf Warhols persönliche Entwicklung, weg von der Pop Art und hin zu einer Neuerfindung seiner malerischen Identität. In den 10 Jahren vor seinem Tod hat Warhol mehr Werke und Serien als je zuvor in seiner Laufbahn geschaffen. Er stellte zwar immer noch seine typischen Siebdruckportraits her, suchte aber nach neuen Ausdrucksformen. Warhols Wiederentdeckung des handgemalten Bildes wurde maßgeblich durch die Arbeit neuer Maler im New York der achtziger Jahre beeinflusst, darunter Jean-Michel Basquiat, Francesco Clemente, Keith Haring und Julian Schnabel.
Über den Autor
JOSEPH D. KETNER II holds the Lois and Henry Foster Chair of Contemporary Art at Emerson College in Boston. He was formerly Director of the Rose Art Museum at Brandeis University and Chief Curator at the Milwaukee Art Museum.
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4 Rezensionen
6 von 6 Kunden fanden die folgende Rezension hilfreich
Warhol: first and foremost a painter.
29. Oktober 2009
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
It has become fashionable to reassess the late phases of great artists (Picasso in june 2009 in an exhibition at the Gagosian Gallery in NYC, Renoir in Paris in late 2009, are just two recent examples). This book, the catalogue for the current exhibition held at the Milwaukee Art Museum, which will later travel to Fort Worth, Brooklyn and Baltimore, follows this trend, with beautiful and often large-scale illustrations of the various series Warhol painted between 1977 and 1987: the so-called "Oxydation" paintings (made by urinating on the surface of the painting), the "Shadows" series, the "Retrospective" series (grouping several pop images from the early sixties on one single work), the Reversal series (negatives of polaroid shots), the lesser-known but highly innovative "Yarn" and "Rorschach" series, the Camouflage series and the Last Supper series (in which the artist revisits the history of painting by alluding to Leonardo's famous fresco in Milan). Also studied are Warhol's various collaborations with contemporaries such as Basquiat or Francesco Clemente, and his famous haunting late self-portraits (the so-called "fright-wig self-portraits").
The accompanying essays are quite interesting insofar as they shed new light on a huge and rather unknown body of works that show the artist flirting for the first time with abstraction (as in the Camouflage paintings and the Shadow paintings, studied here by Julian Schnabel in the reprint of a 1989 essay that stresses Warhol's painterly accomplishment as opposed to his fame as an image maker). There is also an exciting account of the making of the "Collaboration" series, seen from the point of view of an art dealer, by Bruno Bischofberger (the Swiss dealer who initiated Warhol's collaborations with Basquiat and Clemente).
Apart from the high quality of the illustrations, the main asset of this book is that it succeeds in reappraising Warhol's importance as a painter, and not only as an image maker or a manipulator of ideas. A hundred years from now, maybe it will be what Andy Warhol will be remembered for and this is why this book breaks new ground and should figure in any good contemporary arts library.
The accompanying essays are quite interesting insofar as they shed new light on a huge and rather unknown body of works that show the artist flirting for the first time with abstraction (as in the Camouflage paintings and the Shadow paintings, studied here by Julian Schnabel in the reprint of a 1989 essay that stresses Warhol's painterly accomplishment as opposed to his fame as an image maker). There is also an exciting account of the making of the "Collaboration" series, seen from the point of view of an art dealer, by Bruno Bischofberger (the Swiss dealer who initiated Warhol's collaborations with Basquiat and Clemente).
Apart from the high quality of the illustrations, the main asset of this book is that it succeeds in reappraising Warhol's importance as a painter, and not only as an image maker or a manipulator of ideas. A hundred years from now, maybe it will be what Andy Warhol will be remembered for and this is why this book breaks new ground and should figure in any good contemporary arts library.
5 von 5 Kunden fanden die folgende Rezension hilfreich
A Revelation
3. September 2009
Format:Gebundene Ausgabe
This is a wonderful book showing the artwork Andy Warhol produced in his last 10 years before his untimely death. Since most of his classic, 1960's pop art is so familiar seeing this less publicized artwork is very refreshing. Warhol created an incredible number of new series of works in these last 10 years. It's also interesting to see Warhol integrate a bigger use of hand painting and abstraction with mechanical reproduction. He also collaborated with the prominent artists of the 1980's like Haring and Basquiat to create fun mashups. And it's always interesting to see Warhol's self portraits and how they evolved in his later years. The book is well printed with excellent production values and highly recommended for long-time Andy Warhol fans.
Andy Warhol, The Last Decade
3. Juni 2012
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
This book was inexpensive , only $5 new. I'm sure the original price was considerably higher. I'm guessing it didn't well well so they're trying to reduce their stock. Being a big Warhol fan I was expecting something I'd at least feel pround to add to my collection of books on him. Well it was somewhat disappointing. Disappointing in the fact that in his last decade he started doing work I find totally boring. He colloborated with Basquiat and others quite a bit and they show some of that, but not enough. The book has some good reading about how he felt in his last decade and how the world was changing around him at that time, but for me, images of his art are what I mostly seek and this book sort of falls short there. The book talks about how his last decade was so productive and creative, but the art found in the pages doesn't support that conclusion. The reproductions are good, no complaints there, reading is good also. Just mostly disappointed on the art contained inside and perhaps a bit by Warhol himself in the path he chose during those last years.
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