In weniger als einer Minute können Sie mit dem Lesen von American Popular Song auf Ihrem Kindle beginnen. Sie haben noch keinen Kindle? Hier kaufen.

An Ihren Kindle oder ein anderes Gerät senden

 
 
 

Kostenlos testen

Jetzt kostenlos reinlesen

An Ihren Kindle oder ein anderes Gerät senden

Lesen Sie Bücher auf Ihrem Computer oder auf anderen Mobilgeräten mit unseren GRATIS Kindle Lese-Apps.
American Popular Song: The Great Innovators, 1900-1950: The Great Innovators 1900-1950
 
 

American Popular Song: The Great Innovators, 1900-1950: The Great Innovators 1900-1950 [Kindle Edition]

Alec Wilder , James T. Maher , Gene Lees
4.5 von 5 Sternen  Alle Rezensionen anzeigen (6 Kundenrezensionen)

Digitaler Listenpreis: EUR 10,07 Was ist das?
Kindle-Preis: EUR 7,05 Inkl. MwSt. und kostenloser drahtloser Lieferung über Amazon Whispernet

Weitere Ausgaben

Amazon-Preis Neu ab Gebraucht ab
Kindle Edition EUR 7,05  
Gebundene Ausgabe EUR 60,99  
Taschenbuch --  

Produktbeschreibungen

Kurzbeschreibung

When Alec Wilder's American Popular Song first appeared, it was almost universally hailed--from The New York Times to The New Yorker to Down Beat--as the definitive account of the classic era of American popular music. It has since become the standard work of the great songwriters who dominated popular music in the United States for half a century. Now Wilder's classic is available again, with a new introduction by Gene Lees.
Uniquely analytical yet engagingly informal, American Popular Song focuses on the melodic, harmonic, and rhythmic qualities that distinguish American popular music and have made it an authentic art form. Wilder traces the roots of the American style to the ragtime music of the 1890s, shows how it was incorporated into mainstream popular music after 1900, and then surveys the careers of every major songwriter from World War I to 1950. Wilder devotes desparate chapters to such greats as Jerome Kern, Irving Berlin, George Gershwin, Richard Rodgers, Cole Porter, and Harold Arlen. Illustrated with over seven hundred musical examples, Wilder's sensitive analyses of the most distinctive, creative, and original songs of this period reveal unexpected beauties in songs long forgotten and delightful subtleties in many familiar standards. The result is a definitive treatment of a strangely unsung and uniquely American art.

Synopsis

This is the definitive work on the great songwriters who dominated the classical era of American popular music. Uniquely analytical yet engagingly informal, the book draws on over 700 musical examples to demonstrate the melodic, harmonic, and rhythmic qualities that distinguish American popular music and transformed it into an authentic art form. Tracing its roots to 1890s ragtime, Wilder shows how the American style was incorporated into mainstream popular music and developed into the brilliantly inventive, and often musically subtle, crowd-pleasers of Kern, Berlin, Porter, Gershwin, and Rodgers.

Produktinformation


Mehr über den Autor

Alec Wilder
Entdecken Sie Bücher, lesen Sie über Autoren und mehr

Besuchen Sie die Seite von Alec Wilder auf Amazon

Tags

 (Was ist das?)
Bei einem Tag handelt es sich um ein Schlagwort, das zum Produkt passt.
Tags erleichtern allen Kunden die Suche und die Sortierung ihrer Lieblingsprodukte.
 

Kundenrezensionen

Die hilfreichsten Kundenrezensionen
1 von 1 Kunden fanden die folgende Rezension hilfreich
Way Too Opiniated 21. April 2000
Von Ein Kunde
Format:Gebundene Ausgabe
Wilder really tore apart some of my favorite songs and he loves songs that I think were mediocre. He is very vicious towards Gershwin and he LOVES Harold Arlen. A lot of his explanations for why he likes or doesnt like a song were short and weak. However, it is a lot of fun to sift through the book and agree or, in my case, disagree with this guy.
War diese Rezension für Sie hilfreich?
Von Ein Kunde
Format:Gebundene Ausgabe
I agree with Mr. Wilder about Gershwin. While Gershwin undoubtedly wrote many great songs I find that he can also be very overrated. "Porgy and Bess" and "An American in Paris" have several pieces which I think are grandiose and pretentious. I cannot stand listening to those two musicals. The music seems to not quite be "pop" and not quite "operatic". The music in those two works also sound as if Gershwin is straining to sound important but somehow sounds artificial and shallow. I much prefer the gentler and timeless music written by Richard Rodgers and Jerome Kern. I also like Arlen whose music is always hip.
War diese Rezension für Sie hilfreich?
Format:Gebundene Ausgabe
I have had this book since it was originally published in 1972. I keep it because it is an insightful commentary on some of America's greatest composers, Rodgers, Kern, Gershwin, etc. I would have to agree with Mr. Wilder that Richard Rodgers' music represents "the highest degree of consistent excellence, inventiveness, and sophistication." And since Mr. Wilder is himself a fine composer, he should know. He supports his opinions with intelligent, knowledgeable analysis.

People seem to have a knee jerk reaction whenever the name "Gershwin" is mentioned, but I agree with Mr. Wilder's assessment that RICHARD RODGERS' music was the most CONSISTENTLY masterful in the history of musical theater. Rodgers' range was incredible from the playful jazziness of "Manhattan" and "Lady is a Tramp" to the sophistication of "If I Loved You" and the lesser known, "Do I Hear A Waltz". Rodgers was an astonishing talent. Rodgers even wrote the lyrics and music to the lovely musical "No Strings". I get so tired of only hearing about Gershwin's greatness. Rodgers was every bit as good, if not better than Gershwin. I think Rodgers gets penalized at times because not only was his music great, but it was very accessible and popular with everyday audiences. A part of Gershwin's music strikes me as somewhat pretentions as are some of the tunes in "Porgy and Bess" and "An American In Paris". Rodgers seems to touch a familiar cord with audiences young and old, from generation to generation. As I video store owner, I know that people were willing to pay $50 or more for an out of print edition of the video "Sound of Music". None of my other videos could fetch such a good price.

War diese Rezension für Sie hilfreich?

Beliebte Markierungen

 (Was ist das?)
&quote;
Nicolas Slonimsky's brilliant and witty essay, "Non-acceptance of the Unfamiliar," which serves as the "prelude" to his Lexicon of Musical Invective.) &quote;
Markiert von 3 Kindle-Nutzern
&quote;
William Christopher Handy, "the father of the blues," is not the inventor of the genre; he is its Moses, not its Jehovah. &quote;
Markiert von 3 Kindle-Nutzern

Kunden diskutieren

Das Forum zu diesem Produkt
Diskussion Antworten Jüngster Beitrag
Noch keine Diskussionen

Fragen stellen, Meinungen austauschen, Einblicke gewinnen
Neue Diskussion starten
Thema:
Erster Beitrag:
Eingabe des Log-ins
 


Aktive Diskussionen in ähnlichen Foren
Kundendiskussionen durchsuchen
Alle Amazon-Diskussionen durchsuchen
   
Ähnliche Foren


Ähnliche Artikel finden


Anhand des Sachgebietes nach ähnlichen Produkten suchen: