- Gebundene Ausgabe: 264 Seiten
- Verlag: Random House; Auflage: 1 (28. Oktober 2003)
- Sprache: Englisch
- ISBN-10: 0375505075
- ISBN-13: 978-0375505072
- Größe und/oder Gewicht: 25,2 x 3,2 x 31,2 cm
- Amazon Bestseller-Rang: Nr. 118.985 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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It looks like a gorgeous nostalgia trip to judge by the cover image alone. The photo is of an old school record player that lies unplugged, a white label test-pressing waiting on the turntable, while a band of paper wrapped around the cover announces the title in ye olde woodblock-looking type, American Music. A reading of the small type on the back cover reveals the image to be the very record and turntable left in Elvis Presley’s bedroom the day he died, and the mind reels, thinking about whether the King listened to this record on that day or not, and who are the Stamps, anyway? An excellent selection of musician portraits interspersed with crumbly wooden jook joints and wide open fields in the South, American Music covers a wide gamut of jazz, blues, punk, country, hip-hop, rock and roll, folk and gospel musicians. And while most of the pictures were shot between 1999 and 2002, some go back to the early 1970s, when Leibovitz first became Rolling Stone magazine's chief photographer. Some of the artists are very well-known (Michael Stipe, Dolly Parton, Bob Dylan) and some of them are not (Jessie Mae Hemphill, Other Turner, Carlos Coy). Leibovitz really has a way of relaxing her performers, and this is a great part of her gift. Even when the pictures are so posed as to be ridiculous (like, what's Michael Stipe doing on that bedbug-ridden mattress—-the guy's a billionaire?), she catches her subjects at their most "real." They are lost in their music, or just doing some "real person" thing (look, there is Beck in his car—does Beck really drive his own car?). The presentation may be a little hokey, but this book is sure to please most any music fan. --Mike McGonigal
Pressestimmen
Praise for American Music
“[Leibovitz] explores more deeply than ever the landscape of America’s sound, from a New Orleans funeral to a Baptist church to an empty juke joint.”
–Vanity Fair
“Leibovitz’s approach to both celebrity and non-celebrity musicians is remarkably consistent . . . [Her] conception of glamour is anything but aloof. She situates her subjects right there in front of you.”
–The New York Times
From the Trade Paperback edition.
“[Leibovitz] explores more deeply than ever the landscape of America’s sound, from a New Orleans funeral to a Baptist church to an empty juke joint.”
–Vanity Fair
“Leibovitz’s approach to both celebrity and non-celebrity musicians is remarkably consistent . . . [Her] conception of glamour is anything but aloof. She situates her subjects right there in front of you.”
–The New York Times
From the Trade Paperback edition.
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Einleitungssatz
When I was a child, I longed to play my grandmother's spinet. Lesen Sie die erste Seite
Buchdeckel | Excerpt | Stichwortverzeichnis | Rückseite
When I was a child, I longed to play my grandmother's spinet. Lesen Sie die erste Seite
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12 Rezensionen
25 von 26 Kunden fanden die folgende Rezension hilfreich
Don't know what these other folks are talking about.
19. Dezember 2003
Format:Gebundene Ausgabe
Gee. I've never heard that poor aesthetic quality is an essential element of art. I'm not even sure what "poor aesthetic quality" means. But if it describes the heartbreaking, iconic portrait of Johnny Cash and June Carter, then I surely want more of it. These are beautiful, sometimes funny and often emotionally moving pictures in which the subjects collaborate with the artist to present a certain face to the world. Maybe not all the faces are completely honest ones, but they're interesting and beautifully photographed.
6 von 6 Kunden fanden die folgende Rezension hilfreich
An intimate collection
8. August 2005
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
I just saw this exhibit at our MoMA, and the work is outstanding. Some of the images are color, some black and white. There are a number of styles and artists, ranging from the very famous to those unknown outside of their small communities. The point is that these are images of musicians--it's that simple.
Sometimes, Liebovitz's work is witty, sometimes it is unflinching in its honest portrayal. There is vulnerability in the subjects of her black and whites because they are so close, often just the face of the subject. To term them "ugly" is simply wrong. It is rare to see behind the artifice of celebrity images and see performers without makeup and with their skin texture and pores visible. Some of the photos are taken in people's homes, or backstage rather than on a set. This lends considerably to the intimacy and honesty that she is trying to convey.
If you want shots of your favorite singer looking oh so pretty, go to their PR person. This is a serious body of work from a renowned photographer. It blends both her celebrity work with her own private interests in portrait photography for non-commercial audiences.
Sometimes, Liebovitz's work is witty, sometimes it is unflinching in its honest portrayal. There is vulnerability in the subjects of her black and whites because they are so close, often just the face of the subject. To term them "ugly" is simply wrong. It is rare to see behind the artifice of celebrity images and see performers without makeup and with their skin texture and pores visible. Some of the photos are taken in people's homes, or backstage rather than on a set. This lends considerably to the intimacy and honesty that she is trying to convey.
If you want shots of your favorite singer looking oh so pretty, go to their PR person. This is a serious body of work from a renowned photographer. It blends both her celebrity work with her own private interests in portrait photography for non-commercial audiences.
5 von 5 Kunden fanden die folgende Rezension hilfreich
Good for fans of Photography and Music
28. Januar 2007
Format:Gebundene Ausgabe
If you love the blues, or love photography this is a great book. While not specific to just Blues musicians this book just makes me think of good old delta blues. The prints in this book shine like they were hand printed by Annie herself. Theres a heart and soul driving this book from begining to end.
This is a more personal project for Annie Leibovitz and so doenst allway have her studio style inside.
That does not mean that each photograph is not amazing for they are, but some are a smaller more
candid world that Annie Leibotiz is capturing.
This is a more personal project for Annie Leibovitz and so doenst allway have her studio style inside.
That does not mean that each photograph is not amazing for they are, but some are a smaller more
candid world that Annie Leibotiz is capturing.
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