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Perhaps if he had just focused on the early mob history, or the history of its real organizing in the 30s and 40s, or the history of its bold, brash decades of the 50s and 60s, he would have forced himself to be more focused and selective. Instead, the book feels watered down. On a positive note, as the other reviewers have mentioned, there is no glamorizing these criminals. They are often portrayed as the vicious and psychopathic parasites they were. The key role that Prohibition played is the strong point of this book, and Reppetto does a fantastic job on discussing that.
One last note, this book, like others, fails to emphasize one thing: the Italians did not invent organized crime. The New York neighborhood known as the Five Points was rife with gangs of Irish immigrants, and they, like the mob, worked hand-in-hand with the politicians and judges that were owned by the Democratic political machine known as Tammany Hall. Later, a generation of Jewish immigrants, with names like Zelig, Buchalter, and Rothstein would dominate the crime scene. Reppetto does an okay job of covering these issues, something other mob "historians" neglect. But the reasons WHY the Italian mob became so famous is sort of glossed over. Besides their extreme viciousness, there are two reasons that made the Italian crime world so famous that people think it was the only criminal organization: (1) it existed during an era of mass communication, like movies and radio, so their every atrocity was announced nationwide and it provided fascinating characters for movies; and (2) because it existed in a world of expanding personal communications (i.e., telephones) they could conduct their "business" more effectively and instantly, and keep things organized. Perhaps if Reppetto were to focus just on these elements of the Mafia, we would really have a true look at its rise to power.
Rocco Dormarunno, author of The Five Points
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