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The pace of the book is compelling, the writing powerful. Pullman's plotting is intricate and cunning, surprising the reader again and again. Perhaps what is most striking of all, however, is the depth of the characterisation. Lord Asriel, Mrs Coulter, Iorek Byrnison the king of the armoured bears, a host of minor characters, most of all Will and Lyra themselves: the book is a library of beautifully drawn, remarkably convincing characters walking in worlds of marvels.
In this volume the cosmic dimensions of the story become more prominent, as a great conflict across many universes comes to a head--how well the narrative sustains such immensely weighty resonances is a question critics may well disagree on. The author's beliefs also come more into the open, and with them a polemic anti-religious theme that will please some readers and alienate others.
Philip Pullman's writing commands immense respect; more than that, it is raising the profile of the best children's books among adults, as demanding critics of all ages fall in love with this remarkable trilogy. --David Pickering -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
A complex web of thoughts was weaving itself in the bear king's mind, with more strands in it than hunger and satisfaction. There was the memory of the little girl Lyra, whom he had named Silvertongue, and whom he had last seen crossing the fragile snow bridge across a crevasse in his own island of Svalbard. Then there was the agitation among the witches, the rumors of pacts and alliances and war; and then there was the surpassingly strange fact of this new world itself, and the witch's insistence that there were many more such worlds, and that the fate of them all hung somehow on the fate of the child.Meanwhile, two factions of the Church are vying to reach Lyra first. One is even prepared to give a priest "preemptive absolution" should he succeed in committing mortal sin. For these tyrants, killing this girl is no less than "a sacred task."
In the final installment of his trilogy, Philip Pullman has set himself the highest hurdles. He must match its predecessors in terms of sheer action and originality and resolve the enigmas he already created. The good news is that there is no critical bad news--not that The Amber Spyglass doesn't contain standoffs and close calls galore. (Who would have it otherwise?) But Pullman brings his audacious revision of Paradise Lost to a conclusion that is both serene and devastating. In prose that is transparent yet lyrical and 3-D, the author weaves in and out of his principals' thoughts. He also offers up several additional worlds. In one, Dr. Mary Malone is welcomed into an apparently simple society. The environment of the mulefa (again, we'll reveal nothing more) makes them rich in consciousness while their lives possess a slow and stately rhythm. These strange creatures can, however, be very fast on their feet (or on other things entirely) when necessary. Alas, they are on the verge of dying as Dust streams out of their idyllic landscape. Will the Oxford dark-matter researcher see her way to saving them, or does this require our young heroes? And while Mary is puzzling out a cure, Will and Lyra undertake a pilgrimage to a realm devoid of all light and hope, after having been forced into the cruelest of sacrifices--or betrayals.
Throughout his galvanizing epic, Pullman sustains scenes of fierce beauty and tenderness. He also allows us a moment or two of comic respite. At one point, for instance, Lyra's mother bullies a series of ecclesiastical underlings: "The man bowed helplessly and led her away. The guard behind her blew out his cheeks with relief." Needless to say, Mrs. Coulter is as intoxicating and fluid as ever. And can it be that we will come to admire her as she plays out her desperate endgame? In this respect, as in many others, The Amber Spyglass is truly a book of revelations, moving from darkness visible to radiant truth. --Kerry Fried -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
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This volume starts just where the previous left off: after the conflagration on the hills near Cittàgazze, Lyra is nowhere to be found. Looking for her, Will meets two Angels, Balthamos and Baruch, who urge him to bring the Subtle Knife to Lord Asriel. He promises to help them, as soon as he's recued Lyra.
Lyra is actually in another world, where Mrs. Coulter is keeping her asleep with drugs, and telling the local population that she's a holy woman and that she's trying to heal Lyra, so as to be left alone and unquestioned. Soon though, with the help of a little village girl named Ama and of two tiny spies in the service of Lord Asriel, Gallivespians known as the Chevalier Tialys and the Lady Salmakia, Will finds her again and saves her.
But now the most dangerous part of the journey begins, because both children want to go to the Land of the Dead, to make amends and try to rescue Roger and Will's father.
As for Dr. Mary Malone, who crossed into Cittàgazze and then in yet another world, she meets a strange people called the Mulefa. Living with them for some time, she finally learns their language, make friends and discover they also know about sraf, the Shadow particles she was studying in her laboratory, or what Lyra calls Dust. She'll build a spyglass to see sraf and understansd its purpose.
Meanwhile, Father Gomez, an emissary of the Church, is on a Holy mission to kill Lyra, to prevent her from committing the original sin again.
I still don't know what to think of these books. The story is sometimes very moving, with some heart-wrenching passages, but the rest is sometimes dull and not very believable. I didn't think this final book tied up all loose ends either. It was enjoyable, but I wouldn't call hid Dark Materials my favourite series.
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