- Gebundene Ausgabe: 320 Seiten
- Verlag: Viking Adult (20. Oktober 2005)
- Sprache: Englisch
- ISBN-10: 0670034568
- ISBN-13: 978-0670034567
- Größe und/oder Gewicht: 23,6 x 16 x 2,5 cm
- Amazon Bestseller-Rang: Nr. 590.003 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Always Magic in the Air
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Produktbeschreibungen
From Booklist
Many of the early sixties' most memorable songs, such as "Up on the Roof," "Stand by Me," and "Walk on By," were penned in small offices in Manhattan's Brill Building, the midcentury version of the fabled Tin Pan Alley. Virtually all the songwriters were Brooklyn Jews who fell in love with black music and worked in duos, many of which were married couples. The first contingent, including Jerry Leiber and Mike Stoller and Doc Pomus and Mort Shuman, were heavily influenced by R & B; the second, including Carole King and Gerry Goffin, Barry Mann and Cynthia Weil, and Burt Bacharach and Hal David, were more pop-oriented. The era ended when the songwriters followed the industry to L.A., which lacked the urban edge that fueled their work in New York. The Brill Building may have been a music factory, but its sweatshop workers brought craftsmanship to teen music and added a distaff element to rock's boys' club. Emerson effectively evokes a milieu whose output remains fondly remembered--and frequently rerecorded--to this day. Gordon Flagg
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
Kurzbeschreibung
Always Magic in the Air is a family portrait of fourteen remarkable young songwriters who, huddled in midtown Manhattan’s Brill Building and in 1650 Broadway during the late 1950s and early ’60s, crafted rock ’n’ roll’s first entries in the Great American Songbook—classics like Elvis Presley’s “Jailhouse Rock,” Dionne Warwick’s “Walk on By,” the Crystals’ “Uptown,” the Shirelles’ “Will You Love Me Tomorrow,” and the Righteous Brothers’ “You’ve Lost That Lovin’ Feelin’.” Jerry Leiber and Mike Stoller, Burt Bacharach and Hal David, Doc Pomus and Mort Shuman, Neil Sedaka and Howie Greenfield, Carole King and Gerry Goffin, Barry Mann and Cynthia Weil, and Jeff Barry and Ellie Greenwich melded black, white, and Latino sounds before multiculturalism became a concept, integrated audiences before America desegregated its schools, and brought a new social consciousness to pop music.
Evoking a period when fear and frivolity, sputniks and hula-hoops simultaneously girdled the globe, Ken Emerson—author of the acclaimed Doo-Dah!: Stephen Foster and the Rise of American Popular Culture—describes the world that made these songwriters, the world they in turn made in their music, and the impact on their careers, partnerships, and marriages when the Beatles, Dylan, and drugs ripped those worlds asunder. The stories behind their songs make the “golden oldies” we take for granted sound brand new and more moving and eloquent than we ever suspected.
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The Men and Women Who Put the Bomp in the Bomp de Bomp...
27. November 2005
Format:Gebundene Ausgabe
Years ago I spent some time with Carole King, she used to come to the set of The Tracey Ullman Show and sit in with the band. I was a writer and producer on the program and as it is televison there is a lot of waiting around so I would chat up Carol, I was anxious to talk with her about her time in New York during that era. Ms King was modest about her contribution to that period in pop music, " For a lot of us it was just an afterschool job." Now close to forty plus years later, the tunes penned by Carole and her husband Gerry Goffin, Mort Shuman and Doc Pomus and of course, Jerry Leiber and Mike Stoller, are now apart of the American Songbook. The author Ken Emerson has done a thorough job detailing the major contributors who were most associated with The Brill Building era . It was an exciting time in the music industry, dominated by AM radio( and payola) careers were won and lost in the blink of an eye. Those who toiled in the pop business were intent on writing not just a song, but a monster hit song and then writing an even bigger one . Most of them were just out of their teens, so they wrote about what they knew kids could relate to. If you are the kind of person who turns up their radio to sing along to, "On Broadway", "Save the Last Dance For Me", "Smokey Joe's Cafe" and all of the great pop songs of the early sixties,then you will be delighted to read these back stories and hum along with The Coasters as they "Yakety Yak, don't talk back." A very cool read.
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Ken Emerson's Brill-iant book about the music and magic On Broadway
16. Dezember 2005
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
'Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era' is an entertaining, comprehensive, and riveting study of seven legendary songwriting teams - Doc Pomus/Mort Shuman; Jerry Leiber/Mike Stoller; Burt Bacharach/Hal David; Neil Sedaka/Howard Greenfield; Barry Mann/Cynthia Weil; Gerry Goffin/Carole King; and Jeff Barry/Ellie Greenwich. The time was the 1950's and 1960's - the Golden Era of rock and roll - and the place was New York City. The players were young, talented, and Jewish. They came from varying social and economic backgrounds. They brought with them their energy, enthusiasm, and artistry, and they left their collective footprints in musical history - and in our minds and hearts. More than just a biography of fourteen people, however, 'Always Magic...' is an all-inclusive study of the sounds born in two relatively unimposing buildings in Manhattan - the Brill Building, located at 1619 Broadway, and its near neighbor at 1650 Broadway. The roots of rock and roll in general are discussed, as are the Latin influences behind some of the songs brought forth by these talented scribes (one example is the *baion* drumbeat intro to "Be My Baby"); and the individual and collective backgrounds and lives of the principals, several of whom were interviewed for this book, are covered in depth. Their personal histories are fascinating to read about. In the case of the composers no longer with us - Doc Pomus, Mort Shuman, and Howard Greenfield - author Ken Emerson drew on a wealth of biographical and historical information as well as contributions from friends, relatives, and other reliable sources. Emerson also utilized material from previously published and/or broadcast articles, interviews and documentaries in all cases. The result is a thorough and generously annotated book, well researched with a comprehensive bibliography, a must-have for rock historians who will want to add this delightful and informative book to their collections, and for those who are simply fans of what has become known as the Brill Building sound.
'Always Magic...' is an absolute pleasure to read - fun and interesting, a study of people as well as music (and of music as well as people), it never lets up. From "Hound Dog" to "Save the Last Dance For Me," from "Breaking Up is Hard to Do" to "What the World Needs Now," from "Will You Love Me Tomorrow" to "Chapel of Love" to "You've Lost That Lovin' Feeling," the sounds of the Brill Building era are as much a part of our lives as the air that we breathe, and Ken Emerson's rockumentary is a breath of fresh air - always magical, from start to finish.
'Always Magic...' is an absolute pleasure to read - fun and interesting, a study of people as well as music (and of music as well as people), it never lets up. From "Hound Dog" to "Save the Last Dance For Me," from "Breaking Up is Hard to Do" to "What the World Needs Now," from "Will You Love Me Tomorrow" to "Chapel of Love" to "You've Lost That Lovin' Feeling," the sounds of the Brill Building era are as much a part of our lives as the air that we breathe, and Ken Emerson's rockumentary is a breath of fresh air - always magical, from start to finish.
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When Oldies Were Newies
1. März 2006
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
Author Ken Emerson has given us a well-researched book on seven song writing teams during the late 1950's and early 1960's. It is a marvelous companion volume to the DVD set entitled The Songmakers, part of which is devoted to these songwriters in the portion called "The Hitmakers--The Teens Who Stole Pop Music". The fact that musical history was being created during this time period was lost on the talented writers and singers as they provided the teen buying public who had the buck to purchase the 45 RPM record. Jerry Leiber and Mike Stoller brought their considerable talents from California to New York in 1957 while Brooklyn in particular seemed to be a hotbed for those writers and singers who did their work in the Brill Building or at 1650 Broadway. All was not a bed of roses for these talented individuals, however. Stress in their private lives led to marital breakups as well as other problems. The DVD set has the advantage of letting you listen to these talented song writers talk about their experiences, and listen to snippets of songs they made popular, while this book has the advantage of going into more detail along with anecdotes about these individuals and how some experience would trigger an idea for a song. When the 1960's generation reaches nursing home status instead of listening to "You Are My Sunshine" and "Shine on Harvest Moon" they will be singing to "Leader of the Pack", "He's A Rebel", and other such songs. Jeff and Ellie, Carole and Gerry, Barry and Cynthia, Jerry and Mike, Neil and Howard, Doc and Mort, and Burt and Hal: There is more to history than wars, treaties, and presidents, and the American public is deeply indebted to you for adding so much to our cultural history.
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