- Taschenbuch: 288 Seiten
- Verlag: Griffin; Auflage: Reprint (31. Dezember 1995)
- Sprache: Englisch
- ISBN-10: 0312114826
- ISBN-13: 978-0312114824
- Größe und/oder Gewicht: 23,1 x 15,5 x 2 cm
- Durchschnittliche Kundenbewertung: 3.5 von 5 Sternen Alle Rezensionen anzeigen (6 Kundenrezensionen)
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Amazon Bestseller-Rang:
Nr. 104.541 in Englische Bücher (Siehe Top 100 in Englische Bücher)
- Nr. 42 in Englische Bücher > Unterhaltung & Kultur > Musik > Business
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"George," he said, "I don't know if you'd be interested, but there's a chap who's come in with a tape of a group he runs. They haven't got a recording contract, and I wonder if you'd like to see him and listen to what he's got?"
"Certainly," I said, "I'm willing to listen to anything. Ask him to come and see me."
"O.K., I will. His name's Brian Epstein..."
"All You Need Is Ears" is the story of George Martin, the man who spotted the Beatles' talent, who recorded and produced them from the start, and who brought their musical ideas to life. In this witty and charming autobiography, he describes exactly what it was like to work in the studio with the Beatles--from the first audition (and his decision to scrap Pete Best on drums) to the wild experimentation of Sgt. Pepper (complete with sound effects, animal noises and full orchestras in evening dress at the direct request of Paul McCartney).
This is a singular look at the most important musical group of all time, and how they made the music that changed the world: No other book can provide George Martin's inside look at their creative process, at the play of genius and practical improvisation that gave them their sound; it is an indispensable read for Beatle lovers and anyone interested in the music world.
"Certainly," I said, "I'm willing to listen to anything. Ask him to come and see me."
"O.K., I will. His name's Brian Epstein..."
"All You Need Is Ears" is the story of George Martin, the man who spotted the Beatles' talent, who recorded and produced them from the start, and who brought their musical ideas to life. In this witty and charming autobiography, he describes exactly what it was like to work in the studio with the Beatles--from the first audition (and his decision to scrap Pete Best on drums) to the wild experimentation of Sgt. Pepper (complete with sound effects, animal noises and full orchestras in evening dress at the direct request of Paul McCartney).
This is a singular look at the most important musical group of all time, and how they made the music that changed the world: No other book can provide George Martin's inside look at their creative process, at the play of genius and practical improvisation that gave them their sound; it is an indispensable read for Beatle lovers and anyone interested in the music world.
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2 von 2 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
In defense of "All You Need is Ears":
1) This is George Martin's autobiography. It doesn't purport to be a book ABOUT The Beatles, and it is unfair and foolish to fault it on this account.
2) The Beatles broke up thirty years ago. Get over it. There are no "new Beatles facts" to be had. If you're bored with old recordings and old "Beatles facts" just move on. Pick some other rock group--or something.
3) The subject-verb disagreement in the title is unfortunate, in my opinion, but hardly inexplicable. Someone thought it a selling point to preserve as much of the John Lennon song ("All You Need is Love") it refers to as possible.
2 von 2 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
This book is highly informative in what it takes to be a record producer, however, I bought the book becaue I was looking for information about his work with the Beatles. That information is not vast, and he rarely includes them in the book. I was hurt to find that on the cover George portrays himself as the "genius behind the Beatles" and shows a picture of himself and the Beatles, yet fails to mention them as he should. If you are looking for information on the recording process this is the book for you, but if you are looking for information about the Beatles I feel you will be disappointed.
1 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
This is one of my favorite autobiographies because its author doesn't tell about just himself, he teaches you about orchestration, recording, and the history of the British recording business. (There are some amusing Beatle anecdotes as well. I particularly enjoyed John Lennon's trouble with saxophone notation.) My only quibble: It should called itself "All You Need ARE Ears", not just because verbs must agree with their subjects, but also--mostly--because a title that distances itself from its allusion is more graceful.
Also recommended: PENTATONIC SCALES FOR THE JAZZ-ROCK KEYBOARDIST by Jeff Burns.
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a big letdown
First, let me say that I absolutely love the Beatles and am a huge fan and admirer of George Martin - that's why I bought this book. Lesen Sie weiter...
Veröffentlicht am 18. April 2000 von John Slater
Disappointing
This is a blandly written book, that should have more of the Beatles in it. And Martin is so full of himself, John Lennon was right when he complained that those who worked WITH... Lesen Sie weiter...
Am 3. November 1998 veröffentlicht
A MUST ! ...for all music lovers and history students.
For every music lover, its history is part of the pleasure. As we'll enter soon in the 21st Century, one must absolutely read the story of the man who, with The Beatles, changed... Lesen Sie weiter...
Veröffentlicht am 1. Juli 1998 von Michel Laverdière atma@dsuper.net
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