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From Booklist
Highly imaginative and ebulliently romantic illustrator and storyteller Bantock revived the epistolary tale of Griffin and Sabine, the cosmic love story that catapulted him onto best-seller lists more than a decade ago, in his last book, The Gryphon [BKL S 15 01]. In that tantalizing volume, the long silent correspondents make contact with another smitten pair: the young archaeologist, Matthew, and his sweetheart, Isabella. As their mystical adventure continues here, Sabine affirms her psychic connection with Matthew, who has just begun work on a new dig in Alexandria, perhaps on the site of the city's legendary lost library, and Griffin continues his long-distance, somewhat spooky mentoring of Isabella, who is studying sphinxes in Paris. All four are eloquent, artistic, and oddly calm in the face of inexplicable, often frightening events that mark their approach to a hidden treasure their menacing foe seems also to covet. Bantock draws liberally on the myth of the Egyptian god Thoth, scribe and guardian of the great library, and employs a self-possessed cat as Isabella's new familiar, upping the ante on both love and mysticism only to leave his enchanted readers waiting impatiently for the next installment. As always Bantock's illustrations are exquisite, each a beautifully detailed clue to the metaphysical mystery at hand, but, as before, many of the letters are removable, making this an unlikely candidate for circulation but well worth having for in-library reading. Donna Seaman
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
Pressestimmen
Highly imaginative and ebulliently romantic illustrator and storyteller Bantock revived the epistolary tale of Griffin and Sabine, the cosmic love story that catapulted him onto best-seller lists more than a decade ago, in his last book, The Gryphon. In that tantalizing volume, the long silent correspondents make contact with another smitten pair: the young archaeologist, Matthew, and his sweetheart, Isabella. As their mystical adventure continues here, Sabine affirms her psychic connection with Matthew, who has just begun work on a new dig in Alexandria, perhaps on the site of the city's legendary lost library, and Griffin continues his long-distance, somewhat spooky mentoring of Isabella, who is studying sphinxes in Paris. All four are eloquent, artistic, and oddly calm in the face of inexplicable, often frightening events that mark their approach to a hidden treasure their menacing foe seems also to covet. Bantock draws liberally on the myth of the Egyptian god Thoth, scribe and guardian of the great library, and employs a self-possessed cat as Isabella's new familiar, upping the ante on both love and mysticism only to leave his enchanted readers hanging, waiting impatiently for the next elaborately constructed installment. As always Bantock's illustrations are as clever as they are exquisite, each a beautifully detailed clue to the metaphysical mystery at hand, but, as before, many of the letters are removable, making this an unlikely candidate for circulation but well worth having for in-library reading. -Booklist
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18 von 18 Kunden fanden die folgende Rezension hilfreich
kind of a let down
28. Oktober 2002
Format:Gebundene Ausgabe
After reading The Gryphon last year, I was instantly frustrated that I was going to have to wait a year for the next installment. About two days into the agony, I realized that the true bummer was that this new story line seemed to be preplanned to leave off in order to pre-sell the next book. After reading Alexandria, I feel that my conclusion has more basis. Alexandria IS an amazingly beautiful book, and some of the letters are absolutely inspired, but it lacks the storytelling power of the original trilogy. Instead of the letters slowly revealing a relationship, they are starting to resemble gimmicky plot devices. The revelations seemed more trite and some of the more interesting occurances are glossed over in a single postcard. Part of the wonder of the first three books is that each could stand nearly alone. The end of each book did not instantly suggest a followup. Alexandria, like The Gryphon before it, kind of stops that narrative because there are no more pages in the binding. Grrr.
If you are considering this book as your introduction to Nick Bantock, please go elsewhere (Either start with Griffin and Sabine, or maybe even The Forgetting Room). Alexandria is kind of an odd duck for me. I thoroughly enjoyed reading and savoring each of the letters, but felt let down and even kind of patronized by the way the story line was delivered. The "flow" is just very different from the first half of the Griffin and Sabine saga. Not completely bad per se, just very different. So a four star kind of a let down rather than an outright rejection.
11 von 11 Kunden fanden die folgende Rezension hilfreich
Alexandria...
21. Oktober 2002
Format:Gebundene Ausgabe
The artwork in "Alexandria" is just as strange and beautiful as in the first four books in the series - maybe more so. I'm reminded of Griffin's dark travelogue in "Sabine's Notebook."
I love the original Griffin & Sabine trilogy but was initially disappointed with "The Gryphon," the fourth book in the series. Bantock's new time-and-space-crossed lovers, Matthew and Isabella, weren't as compelling to me as Griffin and Sabine. They seemed awkward and even a little trite. After reading "Alexandria" I appreciate "The Gryphon" a lot more: Matthew and Isabella deepen as characters as the plot moves forward.
I'd recommend this book to diehard Griffin & Sabine fans or anyone interested in graphic novels. Fans of Egyptology might be pleased...hard to say, since there could be gross inaccuracies in the book. I know nothing about ancient Egypt. I sure liked the book, though.
10 von 10 Kunden fanden die folgende Rezension hilfreich
A bit less compelling than Griffin and Sabine
4. Dezember 2002
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
I rushed out to buy "Alexandria" as I have done with all of Bantock's books since I was first gifted with "Griffin and Sabine" many years ago.
I love his work....his books are such a visual treat that even if I do not know what is going on, I enjoy them. I love handling them and looking for hidden clues in the drawings.
That said, I feel that I don't know Isabella and Matthew as well as I knew Griffin and Sabine. G and S were much less mysterious and I was able to make more sense of what was going on. I also felt that Bantock wrote each of his original trilogy without resorting to cliffhangers, a device which I find a bit off-putting, and which he used in "The Gryphon" and again in "Alexandria".
However, none of these complaints will stop me from buying anything Nick Bantock writes!
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