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From Library Journal
These two books by the same publisher are very similar in a number of ways?they are designed to accompany major European exhibitions; contain hundreds of visually impressive photos of some of the finest works of African artistry; and cover the art of Africa while emphasizing the sculpture of West and Central Africa. These similarities aside, the books differ significantly in terms of the nature of the text and the focus of the content. Early in the 20th century a small number of European collectors acquired significant collections of African art. Han Coray (1880-1974), a modern art dealer in Zurich, was one of the earliest of those collectors, and his extensive collection eventually became the property of the Zurich University Ethnographic Museum. African Art is a catalog of that collection, with over 300 photographs of the objects. While most of the catalog entries provide useful information about the objects, some are unsatisfyingly only descriptive. More than a dozen essays are also provided, while some are scholarly and informative, many are personal reflections on and reactions to the collector and the collection, which some readers may not find especially enlightening. African Masks explores the nature of one of the most important categories of art in Africa. An excellent introductory essay by scholars Maria Kecskesi and Lazlo Vajda succinctly discusses the roles of masks in African societies and explains variations in their form and aesthetics. Almost 250 masks in the Barbier-Mueller Museum collection are cataloged with brief entries and small but fine black-and-white photos. The major portion of the book consists of large-format color plates of selected masks with extensive, scholarly notes by Hahner-Herzog. Many of the plates are accompanied by outstandingly useful field photos of the masks as worn by fully costumed performers in their indigenous context. Both books are highly recommended for any public or academic library with an interest in art, anthropology, and/or African studies.?Eugene C. Burt, Art Inst. of Seattle Lib.
Copyright 1998 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Copyright 1998 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Kurzbeschreibung
The book includes one hundred colour plates accompanied by in-depth descriptions, as well as numerous black-and-white photographs of the masks as they are used in religious and secular ceremonies. An introductory text by renowned scholars describes how the masks are made, examines their significance in African culture and offers insight into the universal practice of masquerading. A unique contribution to the literature on African art, this book is also a wonderful introduction to countless fascinating, age-old spiritual traditions still practised today.
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39 von 39 Kunden fanden die folgende Rezension hilfreich
African Masks
2. Februar 2000
Format:Gebundene Ausgabe
This is the best book I have found on the psychology and understanding of African masks. Just fantastic, worth the money. 80% color plates, brief outline of basic African mask types and their interpretation, grouped by region and by style.
33 von 33 Kunden fanden die folgende Rezension hilfreich
African Masks from the Barbier-Mueller Collection, Geneva
17. Dezember 1999
Format:Gebundene Ausgabe
First-rate, high quality throughout, this volume does what a book of this type should do: packs in plenty of color plates of the masks, and shows them being worn (in black-and-white in situ photos) on the accompanying left-hand pages of the spreads. The collection is far-ranging and, though it cannot include every type of mask, it does manage to convey the incredible variety, richness and paradoxical sophistication of this art form. Highly recommended.
35 von 36 Kunden fanden die folgende Rezension hilfreich
Wonderful!
24. September 1999
Format:Gebundene Ausgabe
This book has fantastic photos and information about the masks pictured. There are also archival photos of similar masks from earlier times. The most impressive part is the photos of the masks in use. I have often had trouble imagining how the masks were worn or used until this book. Not only are there photos of many of the masks in use the whole costume is also pictured. Truly one of the best books I've seen on the subject.
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