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Produktbeschreibungen
Pressestimmen
a well-written, accessible introduction to a difficult subject THES
Kurzbeschreibung
This book provides an accessible introduction to aesthetics, especially in relation to literature, and is particularly useful for readers new to literary theory and contemporary philosophy. Anne Sheppard discusses what it is that all works of art have in common - what gives them their value as art - and asks, wisely, whether there can ever be one correct interpretation of a work of art. The scope of the book includes chapters on form, beauty and aesthetic appreciation, and the relationship between art and morals.
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Einleitungssatz
Here are some of the things that people do in their spare time: they read novels, they read poetry, they go to the theatre, they listen to music, they go to art exhibitions, they make trips to look at buildings or to view scenery. Lesen Sie die erste Seite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
Here are some of the things that people do in their spare time: they read novels, they read poetry, they go to the theatre, they listen to music, they go to art exhibitions, they make trips to look at buildings or to view scenery. Lesen Sie die erste Seite
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Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
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5 von 6 Kunden fanden die folgende Rezension hilfreich
A perfect fit
19. Mai 2005
Format:Taschenbuch
I inherited use of this text as the preferred text for the aesthetics portion of a course on Truth, Beauty, and Goodness. Since I chose Quine's "Web of Belief" and the Kenny Reader on Wittgenstein for the section on Truth, so that students can engage the contemporary issues associated with truth from an overall perspective and actually do philosophy via the extraordinarily subversive energy of Wittgenstein's questions, the Sheppard text fits perfectly as the text that frames the issues over aesthetics in a way that demonstrates the lessons learned from the first two books. This is also short enough to cover the main issues quickly so that there is time left for goodness at the end of the course!
2 von 2 Kunden fanden die folgende Rezension hilfreich
Good Overview- Buy Used
31. August 2009
Format:Taschenbuch
I read "Aesthetics" when it was assigned for a graduate level course on 'Aesthetics and Critical Judgment'. I was able to read the entire book within a week since Sheppard takes care to lay out her points simply and relate them to common experience.
The first half of the book contains visual art examples with black & white plates to refer to, while the second half focuses on literary and some film examples. She attempts to summarize Plato, Tolstoy, Kant, E. D. Hirsch and others' theories regarding aesthetics and judgment, so her book serves as a good overview or introduction to the philosophy of art like the subtitle suggests.
Overall, I didn't find the book as interesting as reading other secondary sources on philosophy or even the primary sources. I'm glad I purchased the book Used, because neither it, nor many other 154-page paperbacks are worth the $40+ new price.
The first half of the book contains visual art examples with black & white plates to refer to, while the second half focuses on literary and some film examples. She attempts to summarize Plato, Tolstoy, Kant, E. D. Hirsch and others' theories regarding aesthetics and judgment, so her book serves as a good overview or introduction to the philosophy of art like the subtitle suggests.
Overall, I didn't find the book as interesting as reading other secondary sources on philosophy or even the primary sources. I'm glad I purchased the book Used, because neither it, nor many other 154-page paperbacks are worth the $40+ new price.
6 von 6 Kunden fanden die folgende Rezension hilfreich
Great, but pricy introduction
16. Januar 2005
Format:Taschenbuch
Check this out if you're looking for a concise and well-written introduction to the philosophy of art. The author explores why we feel art is so important, what makes 'good' art, and major ideas concerning art as introduced by other philosopher.
(...) It's 154-pages, paperback, and has several b&w photos of paintings referred to in the text.
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