- Gebundene Ausgabe: 32 Seiten
- Verlag: Roaring Brook Press (September 2002)
- Sprache: Englisch
- ISBN-10: 0761316825
- ISBN-13: 978-0761316824
- Größe und/oder Gewicht: 26,9 x 25,9 x 1,5 cm
- Amazon Bestseller-Rang: Nr. 2.275.404 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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From School Library Journal
Grade 1-8-Greenberg and Jordan offer another remarkable book as they capture a two-month period during which Jackson Pollock created Number 1, 1950, (Lavender Mist). Though only focusing on this one painting, the authors manage to include interesting and revealing details about Pollock's childhood influences, his pets, his studio, and his environment. The active tense of the text lends immediacy and liveliness to the subject, "an athlete with a paintbrush" who "swoops and leaps like a dancer." Quotes from Pollock himself reveal his distinctive artistic process. The thoughtfulness and care that went into his painting should effectively put to rest any of the "I could do that" skepticism his art sometimes evokes. The authors remark on the widely varying responses to Pollock's work, and make note of his seminal place in 20th-century American art. Parker's watercolor illustrations capture the spirit of the text: dynamic as Pollock dances/paints, more introspective as he sits on the beach, watching the gulls. This is an exemplary picture-book biography, with lyrical prose and appealing illustrations that capture the moods of its subject, plus fascinating biographical details, photographs, and source notes. The text is accessible enough for younger readers to appreciate if read aloud and lively enough to appeal to older readers, who just might be inspired to learn more about the artist.
Robin L. Gibson, Perry County District Library, New Lexington, OH
Copyright 2002 Reed Business Information, Inc.
Robin L. Gibson, Perry County District Library, New Lexington, OH
Copyright 2002 Reed Business Information, Inc.
Pressestimmen
Publishers Weekly Starred Review
Nicknamed "Action Jackson" for his kinetic style, abstract artist Jackson Pollack takes the spotlight in this outstanding picture book biography. Collaborators Greenberg and Jordan frame their account around a significant period in Pollack's life in 1950, when he created Number 1, 1950 (also called Lavender Mist), one of his most famous paintings. Readers follow Pollack into his barn studio, watch over his shoulder as he lays the canvas on the floor and begins to work all the while learning about his early life and influences ("Like the Native American sand painters he saw as a boy out West, he moves around the canvas coaxing the paint into loops and curves"). Weaving in quotes from Pollack himself and such child-friendly details as the artist's pets (including a tame crow named Caw Caw), the authors craft an imaginative account grounded in solid research and enlivened with lyrical prose ("He swoops and leaps like a dancer, paint trailing from a brush that doesn't touch the canvas"). Parker (To Fly, reviewed below) suggests the artist's graceful motion with the barest of pen strokes; in one spread, Pollock's body curves across both pages as he paints. Whether capturing the intensity of the creative process and the artist's unique choreography or the spare vistas of sea and sky near the artist's Long Island home, Parker's impressionistic pen-and-watercolor illustrations pay homage to the painter's sweep of line and color ("energy and motion made visible," to quote Pollack). An extensive afterword offers notes and sources, as well as photos of Pollack at work and quotes from his friends and colleagues.
Kirkus reviews Starred Review
Art history specialists Greenberg and Jordan (Boston Globe/Horn Book-winning Chuck Close, Up Close, 1998; Sibert Honor-winning Vincent Van Gogh: Portrait of An Artist, 2001) have again pushed the nonfiction envelope with this astonishing biography cum evocation of action painter and abstract expressionist icon Jackson Pollock. Dubbed “Action Jackson”-or sometimes even “Jack the Dripper”-by critics and admirers alike, Pollock is an acknowledged reference point for all late-20th-century painters. His influence has captivated the likes of illustrators Norman Rockwell and Ian Falconer and even actor-directors like Ed Harris. How to parse a painter like Pollock? In a stroke of expository genius, they focus on a semi-imagined account of an intense period in Pollock’s life-May through June 1950. The brief frenzy of work that produced the transcendent and transformational painting “ Number 1, 1950” known as “Lavender Mist.” Greenberg and Jordan make strategic use of contemporaneous accounts and press sources including Hans Namuth’s photos and documentary film. The book’s back matter includes the terrifically interesting and surprisingly complete two pages of notes and sources. A perfect little biographical essay offers all the needed details including this poignant passage, a discreet but unsparing observation that: “Jackson struggled with alcoholism and depression for most of his adult life. When he was sober, he painted well, but when he was drinking he felt discouraged and temperamental.” In tandem with this, it is hard to convey the equally astonishing strength of Parker’s illustrations. A widely exhibited watercolorist of considerable renown (winner of Boston Globe/Horn Book Award for Cold Feet, 2000), Parker shows us both the mood sensibility of the painter he demonstrates the how of Pollock’s technique. His semi-realistic and pleasingly spiky India ink drawings are heightened with expansive gloriously transparent watercolor washes in palette that often subtly reflect the colors and values of Pollock’s “Lavender Mist.” Parker evokes Pollock’s painting with his own painter’s hand. He masterfully conveys painting as an active dance of form and color. This stunning collaboration is both a tour de force and an uncommon pleasure.
Booklist Starred Review
“Action Jackson” was Jackson Pollock’s nickname, and this slim, picture-book biography describes how this “athlete with a paintbrush” made one of his most famous works: the “drip painting” titled Lavender Mist. Using spare, lyrical words, the authors layer the exciting story with deep observations about what art is, how it is made, and why Pollock was so extraordinary. Descriptions of the thrilling creative process dance between long periods where Pollock “sits, silent, on the floor, staring at the blank canvas” and motion: “dripping, pouring, flinging.” Throughout, the authors describe Pollock’s technique differed from other artists, using plenty of sensory descriptions to place readers right in the studio. Parker’s scribbly pen-and-watercolor illustrations get the mood just right; the loose lines have an improvised, energetic quality that echoes Pollock’s painting. As in their previous collaborations, such as Chuck Close (1998) and Frank Gehry (2000), the authors explore what an artist really does in remarkably clear language that will encourage children to approach art, learn about it, and trust their own reactions. Pollock’s darker struggles-alcoholism, depression-are mentioned in an excellent, appended two-page profile for older readers, which includes some thumbnail reproductions for Jackson’s work. An authors’ note addressing fictionalization, source notes, and a bibliography conclude.
School Library Journal Starred Review
Greenberg and Jordan offer another remarkable book as they capture a two-month period during which Jackson Pollock created Number 1, 1950, (Lavender Mist). Though only focusing on this one painting, the authors manage to include interesting and revealing details about Pollock's childhood influences: his pets, his studio, and his environment. The active tense of the text lends immediacy and liveliness to the subject, "an athlete with a paintbrush" who "swoops and leaps like a dancer." Quotes from Pollock himself reveal his distinctive artistic process. The thoughtfulness and care that went into his painting should effectively put to rest any of the "I could do that" skepticism his art sometimes evokes. The authors remark on the widely varying responses to Pollock's work, and make note of his seminal place in 20th-century American art. Parker's watercolor illustrations capture the spirit of the text: dynamic as Pollock dances/paints, more introspective as he sits on the beach, watching the gulls. This is an exemplary picture-book biography, with lyrical prose and appealing illustrations that capture the moods of its subject, plus fascinating biographical details, photographs, and source notes. The text is accessible enough for younger readers to appreciate if read aloud and lively enough to appeal to older readers, who just might be inspired to learn more about the artist.
Bulletin, Center for Children's Books Starred Review
The title may suggests a sports figure, but this book features a hero of a different sort: innovative painter Jackson Pollock. The ever-inventive Greenberg and Jordan have used their usual thorough research as the basis for a fiction-smoothed narrative of Pollock's days of painting at his Long Island home, focusing particularly on the production of the painting called Lavender Mist. Present tense makes the evocative you-are-there description of Pollock's routine ("He swoops and leaps like a dancer, paint trailing from a brush that doesn't touch the canvas") even more immediate, and the details of his non-painting activities ("He puts down the brush and goes into the house to help make supper") keep the portrait grounded in reality, reminding readers that an artist can be a guy with a dog and have a garden at the same time as being a controversial pioneer of the visual medium. Some biographical details enhance the text, but only insofar as they flesh out the explanation of this particular labor (a more detailed biography is included in the back matter); the result is a closely focused and insightful introduction to Pollock's way of making art. Parker's line-and-watercolor illustrations are surprisingly simpatico with their unusual subject: their reliance on uneven, unpolished, and yet oddly graceful line suits Pollock's driven drips, and their spareness, which seems at odds with their subject's lush layerings, is well suited to conveying the open landscapes that inspired him. Abstract paintings in general can be pretty mysterious to kids, and this will provide them with context, especially in conjunction with a museum visit; it will also offer them some insight into that evanescent thing, an artist's vision. In addition to the biography, end matter includes detailed source notes that provide more illuminating details, a biography, and notes on the featured art.
The Horn Book Starred Review
Picture books about artists are full of pitfalls. Will an illustrator attempt to re-create the style of a famous painter? Will he mix reproductions with illustrations, risking a cluttered design? Will the author make the subject more “accessible” by creating a child protagonist or a fictional child-friendly plot? In Action Jackson, the trio of collaborators nimbly avoids these hazards as ...
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Einleitungssatz
Some of this account is imagined. Lesen Sie die erste Seite Ausgewählte Seiten ansehen
Buchdeckel | Auszug | Rückseite
Some of this account is imagined. Lesen Sie die erste Seite Ausgewählte Seiten ansehen
Buchdeckel | Auszug | Rückseite
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25 von 27 Kunden fanden die folgende Rezension hilfreich
Art as process
7. Oktober 2008
Format:Taschenbuch|Von Amazon bestätigter Kauf
When modern art is brought to the table, the question for the untrained is quite often: Is this art? What makes art? Can I do this? For such questions, answers always vary. It is art if you think it is art even if it may not be good art. The final consensus is that it is art if it challenges and sustains. Such art is universally held to be art.
Early on, modern art broke tradition, broke stereotypes, and set the art world on its heels. Until this time artists tried to capture a realistic experience--people, objects, landscapes--and put them on canvas. The moderns were the first to ignore the boundaries of the canvas. In fact, iconoclasts that they were, they acknowledged the confines of the canvas and its two-dimensional world and started experimenting with new techniques. The Impressionistic painters were the first, then the Post-Impressionistic painters went jumps ahead. Instead of painting broad realistic pictures, they began defying shapes, colors, time.
Jackson Pollock represents one segment of this new modern art, that which is called "action painting," or "spatter painting." This book, "Action Jackson," details Jackson's technique of creating art and making the viewer feel and appreciate his vision and told simply enough for a child to understand.
How did Jackson work? He lay out a huge canvas on the floor of his studio, studied it, then spattered house paint across it--directly from the can, from a stick, a brush. He worked over a series of days to get everything just right.
His vision was to lay out colors and patterns and the intermixing of colors and patterns to create a canvas that spoke of something more cosmic than a bowl of apples. For Jackson the process of painting said as much as the final product. This book beautifully conveys the idea of his vision and his process and his final product. I never dreamed a writer and an illustrator could capture the essence of Pollock's work in one thin children's book, but this most definitely does.
Perhaps the success of this book in capturing Jackson's style and work earned it an Honor Award in the Robert F. Siebert contest, and a New York Times Best Book of the Year, and a Publishers Weekly Best Book of the Year. "Action Jackson" was published in 2002. Jackson Pollock died in a car crash in 1956.
Early on, modern art broke tradition, broke stereotypes, and set the art world on its heels. Until this time artists tried to capture a realistic experience--people, objects, landscapes--and put them on canvas. The moderns were the first to ignore the boundaries of the canvas. In fact, iconoclasts that they were, they acknowledged the confines of the canvas and its two-dimensional world and started experimenting with new techniques. The Impressionistic painters were the first, then the Post-Impressionistic painters went jumps ahead. Instead of painting broad realistic pictures, they began defying shapes, colors, time.
Jackson Pollock represents one segment of this new modern art, that which is called "action painting," or "spatter painting." This book, "Action Jackson," details Jackson's technique of creating art and making the viewer feel and appreciate his vision and told simply enough for a child to understand.
How did Jackson work? He lay out a huge canvas on the floor of his studio, studied it, then spattered house paint across it--directly from the can, from a stick, a brush. He worked over a series of days to get everything just right.
His vision was to lay out colors and patterns and the intermixing of colors and patterns to create a canvas that spoke of something more cosmic than a bowl of apples. For Jackson the process of painting said as much as the final product. This book beautifully conveys the idea of his vision and his process and his final product. I never dreamed a writer and an illustrator could capture the essence of Pollock's work in one thin children's book, but this most definitely does.
Perhaps the success of this book in capturing Jackson's style and work earned it an Honor Award in the Robert F. Siebert contest, and a New York Times Best Book of the Year, and a Publishers Weekly Best Book of the Year. "Action Jackson" was published in 2002. Jackson Pollock died in a car crash in 1956.
10 von 10 Kunden fanden die folgende Rezension hilfreich
Meet Jackson Pollack.....
12. Dezember 2002
Format:Gebundene Ausgabe
Award winning authors, Jan Greenberg and Sandra Jordan introduce a whole new generation to the brillance of painter, Jackson Pollock as they focus on just two months in the artist's life, and the creation of one of his most famous paintings, No. 1, 1950 (Lavender Mist). Based on firsthand accounts from friends and family, and often using the painter's own words and quotes, this well researched and enlightening picture book biography lets the reader get into Pollock's head, hear his thoughts, feel his energy and joy as he works, and actually peek over his shoulder as he paints. "An athlete with a paintbrush, he uses his whole body to make the painting. Layers build with each gesture, new colors emerging, blending, and disappearing into the wet surface. He swoops and leaps like a dancer, paint trailing from a brush that doesn't touch the canvas..." Their eloquent and lyrical prose is engaging and complemented by Robert Andrew Parker's bold, bright, and busy watercolors. Together word and art paint a dazzling and evocative portrait of the artist, his work, and his times. "Some people will be shocked when they see what he has created. Some Angry. Some confused. Some excited. Some filled with a happiness they can hardly explain. But everyone will agree- Jackson Pollock is doing something original, painting in a way that no one has ever seen before..." Perfect for youngsters 7-11, Action Jackson includes a short biographical sketch at the end to augment the story and fascinating notes and sources about his life and paintings. This is non-fiction at its very best. Kudos to Greenberg, Jordan, and Parker
1 von 1 Kunden fanden die folgende Rezension hilfreich
Action Jackson
9. Dezember 2011
Format:Taschenbuch
This is a non fiction book about a painter named Jackson Pollock. Jackson Pollock was the first painter to do an abstract painting. He paints different than other painters. He lays out his canvas on the ground instead of on the wall or on an easel. He does not touch the canvas with his brush instead he paints with his whole body and lets it drip off the brush wherever it goes and he doesnt know where his pictures comes from. I think any kids interested in art would like this book. My favorite part of the book was when he started dancing with the brush in his hand and it dripped everywhere. Kids ages 5 - 7 would like this book, both boys and girls.
Reviewed by Mensan Katie, age 6
Reviewed by Mensan Katie, age 6
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