- Taschenbuch: 183 Seiten
- Verlag: Smith & Kraus Pub Inc; Auflage: 1 (Juli 1999)
- Sprache: Englisch
- ISBN-10: 1575251876
- ISBN-13: 978-1575251875
- Größe und/oder Gewicht: 21,1 x 13,5 x 1,3 cm
- Amazon Bestseller-Rang: Nr. 1.822.183 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Produktbeschreibungen
From Library Journal
This book comes out of the author's own experience as an actor and teacher. As he rereads the works of Konstantin Stanislavksi (the founder of "method" acting), Brestoff (The Camera Smart Actor, LJ 12/94) was struck by Stanislavski's approach, which calls upon actors to "experience the circumstances of a play before speaking any dialogue or trying to characterize." Brestoff has refined and expanded on Stanislavski's ideas, taking the reader through the process followed by two actors as they work on a scene from Ibsen's A Doll's House. Improvisation is a key to visualizing the roles actors are to play. An 18-point process review concludes this well-written and very useful book. Recommended for theater arts collections.AHoward E. Miller, MLS, St. Louis
Copyright 1999 Reed Business Information, Inc.
Copyright 1999 Reed Business Information, Inc.
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4 von 4 Kunden fanden die folgende Rezension hilfreich
Useful beyond acting
3. November 2000
Format:Taschenbuch
Right from the start, please know that I am the author's (slightly older) brother. Despite this, my appreciation for Richard's book is genuine, because I appreciate that actors are professional communicators. And aren't we all in the communication business, whether at home with spouse and kids or in the office? I'm a business litigation attorney, and I have to be able to synthesize and get to the nub of complex factual circumstances, just as Richard teaches actors to do. I've tried using Richard's techniques in what my profession, and they work! So, my view is that no matter what you do, Richard's book is invaluable, because it will provide you with a technique for being insightful about your "circumstances," and getting other people to understand whatever it is you are saying to them.
2 von 2 Kunden fanden die folgende Rezension hilfreich
A practical introduction to a difficult art.
3. Februar 2000
Format:Taschenbuch
Richard Brestoff's Acting Under The Circumstances tells actors how to play their parts using intellect and creative intuition. From learning quickly and settling into a role to performing at peak efficiency during a reading, this provides an important and basic step-by-step approach to acting.
Worthwhile approach to the "action" of acting
12. Mai 2007
Format:Taschenbuch|Von Amazon bestätigter Kauf
What I like about Brestoff's approach is that it focuses on actions or intentions. A lot of beginning, and not so beginning, actors focus on feelings or emotions. But we're called ACTORS, not FEELERS. Brestoff emphasizes playing actions or intentions. Emotions will follow, but they won't be pre-programmed, but organic to the acting moment.
It's most useful for actors who are not beginners, but have the basics under their belt.
I use this as a suggested 2nd year text at Humber College's School of Creative and Performing Arts in Toronto where I am on the faculty in the Acting for Film and TV program.
It's most useful for actors who are not beginners, but have the basics under their belt.
I use this as a suggested 2nd year text at Humber College's School of Creative and Performing Arts in Toronto where I am on the faculty in the Acting for Film and TV program.
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