This may be the worst book about popular music that I have ever read. Anderson's near total lack of knowledge about the Seattle musical environment of the late 1980s and early 1990s is stunning, and it is a wonder that any publisher would allow this drivel to see the light of day. It is very clear that little or no original research was done for the writing of "Accidental Revolution."
Additionaly, the author utilizes the kind of smarmy, communications-major, writing style that many sanctimonious-yet-ignorant blabbermouths use to mask the fact that they do not have any insights. Sorry Anderson, cheesy "wink-wink, nudge-nudge" one-liners don't make you sound like an insider; they make you sound like a wannabe.
As far as specific content is concerned, the most egregious part of this book is the "great grunge discography" which includes albums from the Gin Blossoms, Buffalo Tom, Live, and (cough-cough) Everclear! It does not include anything from the Melvins, Skin Yard, or TAD. Need I say more?