First off, AC/DC are my favorite band and have been for years. It took me some time to get around to reading this because it's unauthorized and the band are notoriously mum about what goes on behind the scenes. Still, other reviews gave this high marks, so I gave it a shot.
It's unclear to me at whom this book is aimed. It's a bit maddening because for someone to undertake a read of this size, they would most likely already be an established fan of the band. Therefore, a book that undertakes the history of AC/DC to this level of detail should deliver some new information, impressions, stories, themes, etc., that an existing fan might appreciate. Instead, it reads like an end-to-end string of Wikipedia articles, devoid of any personality, irony, or passion. Where the book falls short therefore, is in its dry exploration of facts that are well-known to most AC/DC fans. Some AC/DC fans will pick up a few bits of new info here and there, but for the most part, this is a clinical history of the band, interspersed with harmless anecdotes that don't give any new insight into the personality of the musicians.
Every once in awhile, the authors will hint at something interesting, or some insightful behind-the-scenes info, but they never deliver. They gloss over Phil Rudd's departure by simply mentioning there was an unspecified problem between him and an unnamed person in "the Youngs circle." Or halfway through the book, a point is made that Angus and Malcolm had a fiery relationship that wasn't always civil during the creative process. But he doesn't expound on how or why that tension existed. It is implied that Bon and possibly other members of the band battled substance abuse, which might have given a new depth to appreciating some of the lyrics and/or stories behind the records. However, such information is withheld or ignored. This is not to say that the book would be improved by the inclusion of lurid and embarrassing stories about the band. Quite the opposite, a respectful examination of such themes and events could deliver a stunning new appreciation of musicians of such high caliber.
For those readers who enjoyed the likes of rock biographies such as "No One Here Gets Out Alive," (Jim Morrison and The Doors), "Hammer of the Gods" (Led Zeppelin), or "The Dirt" (Motley Crue), due to the endless tales of drugs, sex, drugs, sex, drugs, sex, drugs and rock and roll, you will be disappointed. There is none of that here.
For those readers who are looking for a more respectful consideration of the band, this book will be overkill. Find a Mojo, Uncut, or Classic Rock magazine that has done a comprehensive piece on AC/DC and you will be just as satisfied.
I left this book feeling slightly more informed, but without much additional understanding or appreciation of AC/DC.