- Gebundene Ausgabe: 376 Seiten
- Verlag: Thorndike Press; Auflage: Lrg (Februar 2002)
- Sprache: Englisch
- ISBN-10: 0786239034
- ISBN-13: 978-0786239030
- Größe und/oder Gewicht: 21,2 x 15,1 x 3 cm
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A Suspension of Mercy (Open Market Edition)
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Einleitungssatz
The land around Sydney and Alicia Bartleby's two-story cottage was flat, like most Suffolk country. Lesen Sie die erste Seite
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The land around Sydney and Alicia Bartleby's two-story cottage was flat, like most Suffolk country. Lesen Sie die erste Seite
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16 Rezensionen
13 von 14 Kunden fanden die folgende Rezension hilfreich
Enjoyable suspense novel
26. April 2002
Format:Taschenbuch
I'm so glad that the works of Patricia Highsmith have been reissued (I particularly love her Ripley series). This book is similar in many ways to the Ripley books - male protagonist who is an amoral American living in the European countryside and married to a European. Sydney is an unsuccessful American mystery writer, who finds himself unhappy in his marriage. His wife, Alicia, is a bit critical of Sydney and he finds his imagination plotting her murder. The suspense comes from guessing whether he will end up killing her and whether he will get away with it. The plot twists are rather clever, although very little of what happens is particularly believable and the ending is a let-down. Despite these flaws, Highsmith's writing style is so smooth and enjoyable that I found myself liking this book a great deal. Highly recommmended for suspense book lovers and fans of the Ripley series.
7 von 7 Kunden fanden die folgende Rezension hilfreich
Another strange Highsmith brew
10. Dezember 2001
Format:Taschenbuch
There is something tantalyzing about reading a book that could only be a book; a story that hides behind the fact that you can only know what you are told, never what you see. Is the story-teller of this novel (the original title was, I believe, "The Storyteller") telling us the bizarre and awful things he is doing or is he working out the plotline of a new fiction? Curious characters and situations, and some very odd behavior that stretches your reader's patience. But we do not go to Highsmith to meet conventional people with conventional behavior; we ask her to introduce us to the perverse and psychologically messy people we hope we never meet outside of her pages.
5 von 5 Kunden fanden die folgende Rezension hilfreich
A mystery story without a real murder
22. November 2004
Format:Taschenbuch
During the whole book one of the main figures, Sydney, thinks about killing other people. Of course, he's a writer he has to imagine such things, other people in the story say. Nearly in every detail he imagines how he would kill for example his wife. And when she leaves him he plays as if she was really dead and it seems as if she was on the way to play this game with him. But his wife isn't dead. She's still alive but she doesn't want to see Sydney again and she doesn't want to come back to her parents because she's ashamed because she has been away for such a long time.
But didn't I buy a mystery story the reader asks himself. He can see that there's a lot of talking about murder but no-one gets killed by an other. Still the book takes an ending in a very special way, in a way no-one would expect it to happen.
So we may say that Patricia Highsmith keeps us on tenterhooks nearly until the end of the book - because we are all waiting for a murder and really don't know if it will happen. And we can also never be sure, that the murder (if it is going to happen) will happen in the way we could imagine it. We are always uncertain about the next thing that will happen. But exactly this is how Patricia Highsmith holds the tension inside of us high, very high.
I really enjoyed this book because it's full of tension from the first until the last page and you as the reader may never know what will happen next. The book is also full of special personalities who are worth to be known by us. The figures have thoughts which I can't imagine that they will cross my mind once but it's very interesting to see how other people may think or react if the situation becomes real or seems to become real.
The book really takes us in another world, a world full of incertitudes although the reader does always know what Sydney thinks. But there are all the other people who think differently about Sydney and this always produces a feeling of incertitude in us. The reader doesn't really know if he may trust Sydney or if Sydney will do a thing to change the image we have of him. This also holds the tension on a very high level. Your feelings will change through the lecture at the end of the book you will think differently about nearly everyone in the book than you did in the beginning! So, just read it and let you be taken through this change of feelings!
But didn't I buy a mystery story the reader asks himself. He can see that there's a lot of talking about murder but no-one gets killed by an other. Still the book takes an ending in a very special way, in a way no-one would expect it to happen.
So we may say that Patricia Highsmith keeps us on tenterhooks nearly until the end of the book - because we are all waiting for a murder and really don't know if it will happen. And we can also never be sure, that the murder (if it is going to happen) will happen in the way we could imagine it. We are always uncertain about the next thing that will happen. But exactly this is how Patricia Highsmith holds the tension inside of us high, very high.
I really enjoyed this book because it's full of tension from the first until the last page and you as the reader may never know what will happen next. The book is also full of special personalities who are worth to be known by us. The figures have thoughts which I can't imagine that they will cross my mind once but it's very interesting to see how other people may think or react if the situation becomes real or seems to become real.
The book really takes us in another world, a world full of incertitudes although the reader does always know what Sydney thinks. But there are all the other people who think differently about Sydney and this always produces a feeling of incertitude in us. The reader doesn't really know if he may trust Sydney or if Sydney will do a thing to change the image we have of him. This also holds the tension on a very high level. Your feelings will change through the lecture at the end of the book you will think differently about nearly everyone in the book than you did in the beginning! So, just read it and let you be taken through this change of feelings!
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