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A Place in the Country [Englisch] [Gebundene Ausgabe]

W.G. Sebald , Jo Catling
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Kurzbeschreibung

18. Februar 2014
A Place in the Country is W. G. Sebald’s meditation on the six artists and writers who shaped his creative mind—and the last of this great writer’s major works to be translated into English.
 
This beautiful hardcover edition, with a full-cloth case, includes more than 40 pieces of art and 6 full-color gatefolds, all originally selected and laid out by W. G. Sebald.

This extraordinary collection of interlinked essays about place, memory, and creativity captures the inner worlds of five authors and one painter. In his masterly and mysterious style—part critical essay, part memoir—Sebald weaves their lives and art with his own migrations and rise in the literary world.
 
Here are people gifted with talent and courage yet in some cases cursed by fragile and unstable natures, working in countries inhospitable or even hostile to them. Jean-Jacques Rousseau is conjured on the verge of physical and mental exhaustion, hiding from his detractors on the island of St. Pierre, where two centuries later Sebald took rooms adjacent to his. Eighteenth-century author Johann Peter Hebel is remembered for his exquisite and delicate nature writing, expressing the eternal balance of both the outside world and human emotions. Writer Gottfried Keller, best known for his 1850 novel Green Henry, is praised for his prescient insights into a Germany where “the gap between self-interest and the common good was growing ever wider.”
 
Sebald compassionately re-creates the ordeals of Eduard Mörike, the German Romantic poet beset by mood swings, depression, and fainting spells in an increasingly shallow society, and Robert Walser, the institutionalized author whose nearly indecipherable scrawls seemed an attempt to “duck down below the level of language and obliterate himself” (and whose physical appearance and year of death mirrored those of Sebald’s grandfather). Finally, Sebald spies a cognizance of death’s inevitability in painter Jan Peter Tripp’s lovingly exact reproductions of life.
 
Featuring the same kinds of suggestive and unexplained illustrations that appear in his masterworks Austerlitz and The Rings of Saturn, and translated by Sebald’s colleague Jo Catling, A Place in the Country is Sebald’s unforgettable self-portrait as seen through the experiences of others, a glimpse of his own ghosts alongside those of the men who influenced him. It is an essential addition to his stunning body of work.

Praise for A Place in the Country
 
“Measured, solemn, sardonic . . . hypnotic . . . [W. G. Sebald’s] books, which he made out of classics, remain classics for now.”—Joshua Cohen, The New York Times Book Review

“In Sebald’s writing, everything is connected, everything webbed together by the unseen threads of history, or chance, or fate, or death. The scholarly craft of gathering scattered sources and weaving them into a coherent whole is transformed here into something beautiful and unsettling, elevated into an art of the uncanny—an art that was, in the end, Sebald’s strange and inscrutable gift.”Slate
 
“Reading [A Place in the Country is] like going for a walk with a beautifully talented, deeply passionate novelist from Mars.”New York
 
“Out of exquisitely attuned feeling for the past, Sebald fashioned an entirely new form of literature. I’ve read his books countless times trying to understand how he did it. In the end, I can only say that he practiced a kind of magic born out of almost supernatural sensitivity.”—Nicole Krauss

Produktinformation

  • Gebundene Ausgabe: 240 Seiten
  • Verlag: Random House (18. Februar 2014)
  • Sprache: Englisch
  • ISBN-10: 1400067715
  • ISBN-13: 978-1400067718
  • Größe und/oder Gewicht: 21 x 13,9 x 2,4 cm
  • Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen  Alle Rezensionen anzeigen (1 Kundenrezension)
  • Amazon Bestseller-Rang: Nr. 1.295.972 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

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Produktbeschreibungen

Pressestimmen

“Measured, solemn, sardonic . . . hypnotic . . . [W. G. Sebald’s] books, which he made out of classics, remain classics for now.”—Joshua Cohen, The New York Times Book Review

“In Sebald’s writing, everything is connected, everything webbed together by the unseen threads of history, or chance, or fate, or death. The scholarly craft of gathering scattered sources and weaving them into a coherent whole is transformed here into something beautiful and unsettling, elevated into an art of the uncanny—an art that was, in the end, Sebald’s strange and inscrutable gift.”Slate
 
“Reading [A Place in the Country is] like going for a walk with a beautifully talented, deeply passionate novelist from Mars.”New York

“The publication in English of A Place in the Country brings us closer to Sebald’s oft elusive inner-evolution. . . . It is a pleasure to read again in 2014, so lucid and temperate a voice as the late author’s on ideas and elements of humanity so familiar—and thus so difficult to describe freshly—as dislocation, literary memory, and the unpaid dividends thereof.”—The Brooklyn Rail

A Place in the Country’s publication in English is something to celebrate.”—W. S. Merwin
 
“Out of exquisitely attuned feeling for the past, Sebald fashioned an entirely new form of literature. I’ve read his books countless times trying to understand how he did it. In the end, I can only say that he practiced a kind of magic born out of almost supernatural sensitivity. A Place in the Country extends the too-short time we were given in his company.”—Nicole Krauss
 
“Few writers have traveled as quickly from obscurity to the sort of renown that yields an adjective as quickly as German writer W. G. Sebald (1944–2001), and now Sebaldian is as evocative as Kafkaesque. Sebald is that rare being: an inimitable stylist who creates extraordinary sentences that, like crystals, simultaneously refract and magnify meaning. This posthumous collection, a boon to Sebald admirers, is a series of tributes to writers and artists Sebald admires and feels affinity with. . . . All of Sebald’s subjects had uneasy relations with their times and with themselves: ‘Exile, as [Gottfried] Keller describes it, is a form of purgatory located just outside the world.’ One does not have to leave home to feel bereft, and Sebald is the great contemporary master of this liminal territory.”Booklist

“A beautiful book.”—The Spectator
 
“An intimate anatomy of the pathos, absurdity and perverse splendour of trying to find patterns in the chaos of the world.”—The Telegraph
 
“A fascinating volume that confirms Sebald as one of Europe’s most mysterious and best-loved literary imaginations.”—Evening Standard
 
“This illuminating collection shows a writer at his most inquisitive, gazing deeply under the surface of things and grappling with the difficulties of personal and collective memory.”—Financial Times
 
“[A Place in the Country is] illuminating for its insight into the author’s work and its obsessions, themes, and observations on home and exile. . . . Contemplating the work of others, Sebald writes from a writer’s rather than a reader’s perspective, of one who shares the affliction. . . . This last word from the novelist provides a nice footnote on his own writing.”Kirkus Reviews

“Sebald’s subtle dissection . . . illuminates the writer’s trade . . . by one of its more elusive practitioners. . . . These essays are well worth reading.”Library Journal

“Catling’s translation will be welcomed by his fans. Catling taught with Sebald in the last decade of his life, and her flowing translation pays crucial attention to the prosody and contours of Sebald’s sentences.”Publishers Weekly

Über den Autor und weitere Mitwirkende

W. G. Sebald was born in Wertach im Allgäu, Germany, in 1944. He studied German language and literature in Freiburg, Switzerland, and Manchester. He taught at the University of East Anglia in Norwich, England, for thirty years, becoming professor of European literature in 1987, and from 1989 to 1994 was the first director of the British Centre for Literary Translation. His books The Rings of Saturn, The Emigrants, Vertigo, and Austerlitz have won a number of international awards, including the National Book Critics Circle Award, the Los Angeles Times Book Award, the Berlin Literature Prize, and the LiteraTour Nord Prize. He died in December 2001.
 
Translator Jo Catling joined the University of East Anglia as Lecturer in German Literature and Language in 1993, teaching German and European literature alongside W. G. Sebald. She has published widely on Sebald and Rainer Maria Rilke.

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5.0 von 5 Sternen A Place in the Country 2. Juni 2013
Format:Gebundene Ausgabe|Verifizierter Kauf
With Sebald, where are you ? In fiction ? In a documentary ? No, you are in Sebald territory, unlike any other. The only thing you need to know is that you will be illuminated.
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Amazon.com: 3.7 von 5 Sternen  6 Rezensionen
12 von 13 Kunden fanden die folgende Rezension hilfreich
4.0 von 5 Sternen Sporadically Powerful, But Falls Short of His Novels 8. März 2014
Von Hunter Sharpless - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Sebald is one of the most compelling writers of the last fifty years, and as Susan Sontag remarked, his novels achieve something that is increasingly rare: originality. "The Rings of Saturn," "Austerlitz," "Vertigo," and "The Emigrants" all swept me up in beautiful, haunting, horrifying dream-sequences. I think I'll reread one of his novels yearly or bi-yearly until the day I die. They evade description, which is why I'm falling short here.

The essays do not achieve the same feat. "A Place in the Country" is composed of six essays, each a sort of profile of a different artist Sebald admires. Three of the essays I enjoyed very much, the ones on Tripp, Walser, and especially the essay on Rousseau. In these three it seems that Sebald approaches the best of abilities as written into his novels, yet the other three for me seemed less compelling and more reliant on synopsis and criticism, rather than the dissolution of narrator, subject, and history he's so darn good at.

Part of my disliking of the "other" three essays, as I have called them, is probably due to the dearth of German history in my education and reading. So if you know quite a bit on that subject, maybe you'll find them more interesting.

Alas, Sebald remains Sebald: Each essay brings surprise, each brings pleasure, each brings fear. For those who haven't read Sebald yet, I'd point you to his novels. But for those who read and enjoyed his novels, this collection of essays, while it fails to match the quality of his fiction, nonetheless is worth reading.
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5.0 von 5 Sternen one of the few really good books 29. Mai 2014
Von pamela friedland - Veröffentlicht auf Amazon.com
Format:Kindle Edition|Verifizierter Kauf
Sebald is a serious writer and very skillful and careful in his use of words, so the texture of the writing is a pleasure in itself. This book is written around and about the author's walking tour of a part of England, but that falls far short of describing it. A great richness of memory, history and local colour are interwoven in a fascinating tapestry. I felt bereft when i finished the last word.
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5.0 von 5 Sternen Worthy of the Master... 20. März 2014
Von Toby Morro - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe|Verifizierter Kauf
Anything by this master of prose is worth reading.
Perhaps not as compelling as his famous novels, but
still intriguing and beautifully composed. If only
Sebald had had another 20 years to give us more...
2.0 von 5 Sternen More for scholars of German Lit than general readers 21. Mai 2014
Von Rob E. - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe|Verifizierter Kauf
Mr. Sebald was a fine writer and a remarkable human being but his audience are readers steeped in the history and development of high German culture plus the ability to read the language is almost mandatory
I regret that I got in way over my depth.
5.0 von 5 Sternen There is no one like Sebald. 27. April 2014
Von Nancy Jo Merritt - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe|Verifizierter Kauf
I now have all his work published in English. As all reviewers note, his mixture of memory and history, his own and others, is strange and moving and alluring. And, the photographs deepen and isolate the particular tales.
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