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Kurzbeschreibung
What does it mean to turn one of the great graphic novels of our time into a major motion picture? In 1998, Frank Miller shook the comics world with his groundbreaking series "300". Marking Miller's first collaboration with artist Lynn Varley ("Ronin", "The Dark Knight Returns") in over a decade, "300" was a gritty reimagining of a battle in which 300 Spartan soldiers fought to hold back the entire Persian army. The series won five Eisner Awards, including Best Limited Series, Best Writer/Artist (Miller), and Best Colorist (Varley). "300: The Art of the Movie" takes you behind the scenes as director Zack Snyder ("Dawn of the Dead") adapts "300" to the silver screen. With 200 pages of production photos, concept art, and much, much more, "300: The Art of the Movie" is sure to delight Miller fans and movie buffs alike.
Synopsis
What does it mean to turn one of the great graphic novels of our time into a major motion picture? In 1998, Frank Miller shook the comics world with his groundbreaking series "300". Marking Miller's first collaboration with artist Lynn Varley ("Ronin", "The Dark Knight Returns") in over a decade, "300" was a gritty reimagining of a battle in which 300 Spartan soldiers fought to hold back the entire Persian army. The series won five Eisner Awards, including Best Limited Series, Best Writer/Artist (Miller), and Best Colorist (Varley). "300: The Art of the Movie" takes you behind the scenes as director Zack Snyder ("Dawn of the Dead") adapts "300" to the silver screen. With 200 pages of production photos, concept art, and much, much more, "300: The Art of the Movie" is sure to delight Miller fans and movie buffs alike.
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9 von 10 Kunden fanden die folgende Rezension hilfreich
Format:Gebundene Ausgabe
Frank Millers bahnbrechender Comic 300, der den historisch belegten Kampf zwischen eben jenen 300 Spartanern und einer vielfach überzähligen Persischen Armee stilisiert, kommt nun auch als gleichnamiger Film am 5. April in die deutschen Kinos. In cineastischen Kreisen und in denen der Comicfans gleichermaßen wurde nach den ersten atemberaubenden Trailern wohl kaum ein Film mehr erwartet wie dieser. Das edel anmutende Buch zeigt in zahlreichen Konzeptstudien, Standbildern und Grafiken den Entstehungsprozess des Kinofilms auf, dessen Bildkomposition, Farbgebung und Bildersprache man fast schon als bislang einzigartig beschreiben muss, wobei trotz gewollter artifizieller Wirkung der Film mehr in der Nähe von Troja oder Gladiator anzusiedeln ist als zu Sin City, der anderen sehr populären Frank Miller Verfilmung. Zwar fällt das Buch mit 128 Seiten nicht gerade so üppig aus wie der ähnlich gelagerte Band zu Sin City und auch der Preis erscheint recht hoch, aber man bekommt einen sehr plastischen und detaillierten Eindruck, warum die ersten Bilder einen regelrechten Hype auslösten. Für Fans des Films, und davon wird es bald sehr viele geben, dessen bin ich mir sicher, eine lohnenswerte Investition.
Format:Gebundene Ausgabe
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Länge:
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This book doesn't explain much on the process of making the movie. Most of the art in the book lack captions. This book feels light in content simply for the fact that you don't get much information.
There are plenty of conceptual art, 3D renders and storyboards. But there seem to a lot of movie stills as well, to the effect that it felt that half the book contained movie stills. There are also a lot of 3 penciled storyboards that take one page to themselves. Certainly they don't deserve those sizes.
For a movie based on a graphic novel, I was expecting much more paintings to be included in the book. The movie was shot too stylistically that it's hard to imagine that there are not much more storyboard paintings.
There are more pictures on my blog. Just visit my Amazon profile for my blog's link.
Comment
There are plenty of conceptual art, 3D renders and storyboards. But there seem to a lot of movie stills as well, to the effect that it felt that half the book contained movie stills. There are also a lot of 3 penciled storyboards that take one page to themselves. Certainly they don't deserve those sizes.
For a movie based on a graphic novel, I was expecting much more paintings to be included in the book. The movie was shot too stylistically that it's hard to imagine that there are not much more storyboard paintings.
There are more pictures on my blog. Just visit my Amazon profile for my blog's link.
Comment
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25 Rezensionen
12 von 13 Kunden fanden die folgende Rezension hilfreich
Movie Stills Are A Let Down
5. Februar 2007
Format:Gebundene Ausgabe
The book is great at documenting the film progress but it LACKS completely in regards to the film still resolution. All of the great shots from the movie are blurry and pixelatd which really take away from the overall effect. They come off looking like bad scans. I would pass this book over in hopes of another release after the film and the movie studio invests in providing better photos.
4 von 4 Kunden fanden die folgende Rezension hilfreich
Concepts galore
26. August 2007
Format:Gebundene Ausgabe
Translating a graphic novel into the world of cinema can be a tricky business.
And the first step is concept art -- creating basic images of the characters, costumes, and important, visually-striking scenes. "300: The Art Of The Film" is crammed with such images, detailing virtually every part of the movie... but it's very skimpy on explanations and information.
It starts off with a couple of prefaces -- one by an expert on military history, and the other explaining the purpose of revealing the concept art. Then concept art itself: it basically outlines the story, beginning with the "inspection" of newborn Spartan boys and ending with another battle brewing between the Spartans and Persians.
These include pages and pages of rough sketches and detailed drawings for the cinematogrpahers, some representing only a few seconds (a fist hitting a slave's face). Then there are plenty of costume sketches, depictions of unreal-looking monsters, tents, and the gorgeous sets for things like Xerxes' opulant golden litter. Actually, it's more of a portable house.
But it has more than just concept art -- there are clay models, special effects shots, elaborate makeup and costume for things like the hunchbacked traitor, Xerxes' chain-porn costume, and things like knives stuck in a eye, and even green-screen shots before the CGI gloss was put on. And there are shots showing how they managed certain effects, like the people who controlled the animatronic "wolf."
And with every sketch and behind-the-scene shot, they show the finished result as it appears in the movie. A lot of them have the original art by Frank Miller as well, to show us how close the movie actually is to its source material. Visually speaking, it's a feast of behind-the-scenes information.
Buuuuut....
"300: The Art Of The Film" suffers from a lack of background information -- they show us loads of information, but don't tell WHY they were done, or even the intricacies of HOW. Come on, they must have had some trial-and-error in this film. While we can see the art for ourselves, we're rarely told much about why they chose this costume, or that monster, and how they created some of the weirder visuals.
So while the book is visually rich, it feels incomplete, like they left a lot of the text out to keep the guide from getting too long. Sometimes pages and pages will go by with only a few sparely-written paragraphs describing the intricacies of the movie. "300" is a visual movie, but come on, there's more to it than that.
"300: The Art Of The Film" has loads of art, but not much explanation in how it got from art to movie. It stumbles badly as a behind-the-scenes guide, but it's still an intriguing visual read.
And the first step is concept art -- creating basic images of the characters, costumes, and important, visually-striking scenes. "300: The Art Of The Film" is crammed with such images, detailing virtually every part of the movie... but it's very skimpy on explanations and information.
It starts off with a couple of prefaces -- one by an expert on military history, and the other explaining the purpose of revealing the concept art. Then concept art itself: it basically outlines the story, beginning with the "inspection" of newborn Spartan boys and ending with another battle brewing between the Spartans and Persians.
These include pages and pages of rough sketches and detailed drawings for the cinematogrpahers, some representing only a few seconds (a fist hitting a slave's face). Then there are plenty of costume sketches, depictions of unreal-looking monsters, tents, and the gorgeous sets for things like Xerxes' opulant golden litter. Actually, it's more of a portable house.
But it has more than just concept art -- there are clay models, special effects shots, elaborate makeup and costume for things like the hunchbacked traitor, Xerxes' chain-porn costume, and things like knives stuck in a eye, and even green-screen shots before the CGI gloss was put on. And there are shots showing how they managed certain effects, like the people who controlled the animatronic "wolf."
And with every sketch and behind-the-scene shot, they show the finished result as it appears in the movie. A lot of them have the original art by Frank Miller as well, to show us how close the movie actually is to its source material. Visually speaking, it's a feast of behind-the-scenes information.
Buuuuut....
"300: The Art Of The Film" suffers from a lack of background information -- they show us loads of information, but don't tell WHY they were done, or even the intricacies of HOW. Come on, they must have had some trial-and-error in this film. While we can see the art for ourselves, we're rarely told much about why they chose this costume, or that monster, and how they created some of the weirder visuals.
So while the book is visually rich, it feels incomplete, like they left a lot of the text out to keep the guide from getting too long. Sometimes pages and pages will go by with only a few sparely-written paragraphs describing the intricacies of the movie. "300" is a visual movie, but come on, there's more to it than that.
"300: The Art Of The Film" has loads of art, but not much explanation in how it got from art to movie. It stumbles badly as a behind-the-scenes guide, but it's still an intriguing visual read.
2 von 2 Kunden fanden die folgende Rezension hilfreich
Good, But Light in Content
20. August 2008
Format:Gebundene Ausgabe
This book doesn't explain much on the process of making the movie. Most of the art in the book lack captions. This book feels light in content simply for the fact that you don't get much information.
There are plenty of conceptual art, 3D renders and storyboards. But there seem to a lot of movie stills as well, to the effect that it felt that half the book contained movie stills. There are also a lot of 3 penciled storyboards that take one page to themselves. Certainly they don't deserve those sizes.
For a movie based on a graphic novel, I was expecting much more paintings to be included in the book. The movie was shot too stylistically that it's hard to imagine that there are not much more storyboard paintings.
(More pictures are available on my blog. Just visit my Amazon profile for the link.)
There are plenty of conceptual art, 3D renders and storyboards. But there seem to a lot of movie stills as well, to the effect that it felt that half the book contained movie stills. There are also a lot of 3 penciled storyboards that take one page to themselves. Certainly they don't deserve those sizes.
For a movie based on a graphic novel, I was expecting much more paintings to be included in the book. The movie was shot too stylistically that it's hard to imagine that there are not much more storyboard paintings.
(More pictures are available on my blog. Just visit my Amazon profile for the link.)
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