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300 (Gebundene Ausgabe)

von Frank Miller (Autor, Illustrator), Lynn Varley (Illustrator)
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Produktinformation

  • Gebundene Ausgabe: 88 Seiten
  • Verlag: Dark Horse Books; Auflage: Hardcover. (22. Dezember 1999)
  • Sprache: Englisch
  • ISBN-10: 1569714029
  • ISBN-13: 978-1569714027
  • Größe und/oder Gewicht: 32,8 x 24,9 x 1,3 cm
  • Durchschnittliche Kundenbewertung: 4.4 von 5 Sternen  Alle Rezensionen anzeigen (7 Kundenrezensionen)
  • Amazon.de Verkaufsrang: Nr. 7.965 in Englische Bücher (Die Bestseller Englische Bücher)

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Produktbeschreibungen

Amazon.com

An emperor amasses an army of hundreds of thousands, drawn from two continents, to invade a third continent and conquer a tiny, divided nation. Only a few hundred warriors stand against them. Yet the tiny nation is saved. It sounds like the plot of a preposterous fantasy novel. It is historical fact. In 481-480 B.C., King Xerxes of Persia raised forces in Asia and Africa and invaded Greece with an army so huge that it "drank rivers dry." Then they entered the mountain pass of Thermopylae and encountered 300 determined soldiers from Sparta....

Writer-artist Frank Miller and colorist Lynn Varley retell the battle of Thermopylae in the exciting and moving graphic novel 300. They focus on King Leonidas, the young foot soldier Stelios, and the storyteller Dilios to highlight the Spartans' awe-inspiring toughness and valor. Miller and Varley's art is terrific, as always; the combat scenes are especially powerful. And Miller's writing is his best in years. Read it.

Do not, however, read 300 expecting a strictly accurate history. The Phocians did not "scatter," as Miller describes. His Spartans are mildly homophobic, which is goofy in such a gay society. Miller doesn't say how many Greeks remained for the climactic battle--you'd think 300 Spartans and maybe a dozen others, when there were between 700 and 1,100 Greeks. Herodotus's Histories does not identify the traitor Ephialtes as ugly and hunchbacked, or even as Spartan. 300 establishes a believable connection between Ephialtes's affliction and behavior, but his monstrous appearance, King Xerxes's effeminacy, and the Persians' inexplicable pierced-GenX-African looks make for an eyebrow-raising choice of villain imagery. Nonetheless, 300 is a brilliant dramatization.

For the full story of the failed invasion, read Herodotus's Histories or, for a concise, graphic-novel retelling, Larry Gonick's great Cartoon History of the Universe: Volumes 1-7, From the Big Bang to Alexander the Great. For a lighthearted look at post-invasion Athens and a very young Alexander the Great, check out William Messner-Loebs and Sam Kieth's witty and gorgeous graphic novels, Epicurus the Sage Vol. I and Vol. II. --Cynthia Ward



From Publishers Weekly

The Battle of Thermopylae ranks as one of the ancient world's most important events, where Spartan King Leonidas and his 300-man bodyguard met the massive army of Emperor Xerxes of Persia, who intended to add Greece to his empire. To no one's surprise, the Spartans were destroyed. While the battle bought the Greeks enough time to defeat the mighty Persians, it was more important for the metaphor it created: occasionally one has to lose to win. This is clearly the inspiration behind Miller's attempt to place this epic tale in the context of a graphic novel. A renowned comics artist and writer known for hard-boiled stories of almost operatic intensity and stylishly overwrought violence, Miller (Sin City) injects his own brand of graphic sensationalism into this ancient tale of national survival. Miller clearly isn't as interested in being a historian as he is in telling a story, but his portrayal of the ancient world is compelling. His drawings of the bearded Leonidas are pensive and starkly imperial. The Persian King Xerxes is represented as majestically African, his body covered in a gaudy and bejeweled network of meticulously rendered chains and bracelets. Form and content are ideally wedded: Miller's writing is stark, his drawings moody and dramatic, and intensified by Varley's grimly appropriate palette of earth and blood. The reader can see and feel the harshness of both the Grecian landscape and Sparta's battle-worshipping culture, as Miller presents the complex historical moment facing the 300. (May)
Copyright 2000 Reed Business Information, Inc.
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7 von 10 Kunden fanden die folgende Rezension hilfreich:
3.0 von 5 Sternen Batman Meets Herodotus--Batman Wins!, 10. Januar 2000
I was recently given a copy of Miller's comic book, "300", a Graphic Adventure based loosely on the Spartan defense of Thermopylae against the forces of the Shah of Persia, Known to the Greeks as Xerxes. Be forewarned: Do not try to use this comic to try to pass a pop quiz in History Class. Whilst Miller lifted the names and locations from Herodotus, that was about all that he lifted-the rest is about as historical as Baron Munchausen... I will instead say that, Whilst "Three Hundred" is definitely NOT history, it is a pretty good Comic...

The artwork is what we have come to expect from Miller, and the storyline replays the same old pattern that Miller seems to be stuck in, ABSOLUTE GOOD vs. ABSOLUTE EVIL...a sophomoric attitude,yes, but perhaps approprate for a comic book level of understanding the world. Certainly Miller is no Philosopher or Historian, and I do not think he would or could claim to be either. He can, however, draw a good comic, with lots of action, adventure, and characters whose motivations are not discommoded with a lot of reflection or critical thought processes. Enjoyable reading which does not ask a lot of the Fanboy's brain whilst immersed in the story. (BAD Persians! GOOD Greeks!...)

Perhaps "Batman" would have been a better protagonist to use with this storyline, some setting in another time and place certainly, with the disclaimer "LOOSELY based on the battle of Thermopylae"...for when a comic book artist aspires to historical scholarship, it is generally history which loses out, as we see in this case.

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2 von 4 Kunden fanden die folgende Rezension hilfreich:
5.0 von 5 Sternen This is a must have!, 22. April 2000
Truly commendable work by Miller, although one can perhaps expect no less from the creator of "Ronin" and "Batman:The Dark Night Returns". I love the format too (14" by 10.25" coffeetable book in "landscape" printing).

I am a fan of the old '60's movie "The Lion Of Sparta" starring Richard Egan, although I haven't been able to view it in years (can't seem to find a copy in any format!). I also have (a very worn out copy of) the Dell comic book adaptation. It's great to be able to compare both works (Dell's and Dark Horse's), a testament to the changing times and socio-culural differences between two eras. Whereas the Dell version was highly simplified and straightforward (e.g. a "cleaner" form of art typical of comics published during that era), Miller's work abounds with dark, "grim and gritty" and not-so-straightforward themes which, although fairly commonplace today, would probably have been banned in the 60's!

What can I say? In spite of these major differences, the underlying theme of heroism and bravery, right vs. might, David vs. Goliath et al are intact in both versions. These are also slightly reminiscent of themes found in "The Seven Samurai"/"The Magnificent Seven"/"The 13th Warrior". Miller's version, as may be expected is much more "deep" (e.g. in the movie, Ephialtes' treachery resulted from his physical advances being spurned by Phylon's fiance, hence his selfish desire for vengeance. In "300", his motivations are much more, shall we say, "forgivable".) which audiences and readers now would demand.

In a nutshell: Get this book! And if you can, try to get a copy of the 1962 Dell comic as well, along with a copy of the "Lion Of Sparta" video (if anyone ever finds this, let me know okay?). I really wish they eventually do a remake of this.

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2 von 5 Kunden fanden die folgende Rezension hilfreich:
5.0 von 5 Sternen Damn GOOD!, 21. Juli 2000
Von N. Soldofsky (San Jose) - Alle meine Rezensionen ansehen
(REAL NAME)   
300 is Frank Miller's best work outside of his "sin City" series. Beutiful art cupled with lynn varleys colors, makes imprissive images. When I first saw xerxes I said to myself "now there's an egomaniac!". Frank Miller's images bring the character's essence into view. Also a heavy samurai vibe going on with preperation to die, like alot of Miller's work, but put on a much differnt terrain. The Characters See their purpose: not trying to live another day; doing what needs to be done, then dying with honor. The story may seem like a sad depressing tale, but you can't really pitty characters who refuse to pitty themselves. The Hunchback's end of the story is sad, because he pittied himself and was emotionaly fragile. He was curropted because his dreams were shattered, and he couldn't put them exactly like they were, so he switched sides. You can't blame him, though, with the merciless millitary regimentation, and structure. Through this we see are protaginist's worst side. This story is deep and enjoyable. Not one bit sintimentle. Hard edged Spartan Samurai's.
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5.0 von 5 Sternen A historical comic NOT to be taken lightly
I have been a fan of Frank Miller's work ever since his Dark Knight Returns 10th Anniversary edition was published (this is a definate must have for any comic book enthusiast)and... Lesen Sie weiter...
Veröffentlicht am 28. April 2000 von Hank Robbins

3.0 von 5 Sternen 300 is a great mix of comics & history!
Frank Miller has done it again. His writing is concise and to the point. But its his artwork that continues to be outstanding. Lesen Sie weiter...
Veröffentlicht am 16. März 2000 von Nelson Jimenez

5.0 von 5 Sternen Miller shows he still has it
I've spent the last ten years or so ignoring Frank Miller, due to his insistence on beating his "Sin City" stories to death. Lesen Sie weiter...
Veröffentlicht am 13. März 2000 von Babytoxie

5.0 von 5 Sternen Ein unglaubliches Werk von Miller
Frank Miller hat schon viele sehr coole Bücher bzw Comics geschrieben, man denke nur an die "Sin City"-Reihe oder "the dark knight returns", aber... Lesen Sie weiter...
Am 23. Dezember 1999 veröffentlicht

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