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Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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Fazit: gute Unterhaltung, aber keinesfalls der Tatsachenbericht den das Buch darstellen soll!
For four years I've supported myself and my family by counting cards in American casinos and winning at blackjack. It is a tense, weird, exhilirating life, and I would love for more of my friends to understand it. This book doesn't help. Not only is the grade-school prose tedious. Not only are the technical blackjack details, on those few occasions when Mezrich summons the pluck to try tackling them, incorrect or misleading. The dramatic structure gropes and falls flat. The journalism is scandalously lazy and erroneous. Above all, the spirit, the eclat that card counters muster to wage our little war against casinoland is missing. Mezrich doesn't get it and can't report it. He hasn't been there and he doesn't know, his scanty experimental plays with MIT alums notwithstanding. If you want to know what gamblers are like and how we live, skip this drivel.
Look instead at legendary hustler Amarillo Slim's new memoir, Amarillo Slim in a World Full of Fat People. Look at Jesse May's insuperable poker novel, Shut Up and Deal, which more than any other book depicts the dark heart of the professional player. If it's blackjack history and the activities of the major teams you're into, read Ken Uston. If you want to understand the technical aspects of the game, get Don Schlesinger, Arnold Snyder, Peter Griffin, and, for old time's sake, Ed Thorpe. If you want to learn how a notorious high-stakes counter makes his way in the world, read Ian Andersen's Burning the Tables in Las Vegas. There's so much good gambling writing out there, with so much real-life experience underlying it, that wasting time and money on Mezrich is a sucker's bet.
The story is told through the eyes of the author, who met one of the students at a party and was so intrigued by his outrageous tale that he was compelled to put it into a book. This is a story of a group of math whizzes, most of Asian descent, who used the art of card counting, worked as teams, and legally won as much as 4 million dollars during the few years they spent their weekends in the Vegas casinos, living the high life.
They strapped thousands of dollars to their bodies with Velcro to get the cash onto planes, used false names, and were always on the lookout for Las Vegas personnel who would sometimes personally escort them out of the casinos. They also learned about the seediness of the gambling world, greed, the way the Vegas corporations work. Of course they all went through changes. And eventually, it had to come to an end. Some of it is kind of scary too. But mostly, it's about beating the odds and living with a constant adrenaline high.
Well, reading this book is an adrenaline high of it's own. It put me right into the action and kept me there for the whole 257 pages. I loved it. And highly recommend it.
In response to a few of the negative reviews, I read through many of them and have a few major disagreements to point out. First, J. Danielson, you talked about how you went to MIT and that Mezrich got a few of the details wrong about the school. To tell you the truth, when people read this book they won't remember the little details of graduating with honors or not, they'll remember the intense casino scenes. This brings me to the next topic of yours that I disagreed with. You talked about how you have been banned from a casino before and that they don't rough you up the way Mezrich made it seem like in his book. Well, there are more than a few casinos and what actions they take when kicking someone out will probably vary between them. Now, to Critical Reader, you say that you did research on Wikipedia after reading the book and found that some of the facts that Mezrich talked about were false. If you want to accuse someone of using false facts, you might want to try a reliable source next time. Finally, to the "crimsonwildcat," in your review, you accuse Mezrich of having what comes off as false conversations with the people in the book. If you haven't met any of these people, then I don't think you can really tell if it was false or not. However, I must agree with the negative reviews when you say that some parts of the book got repetitive. That was definitely a weakness, but Mezrich had many more high points, like expressing the tension between characters and showing the excitement of Las Vegas and a card counter's life.
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